4-19 The Inner Sense
4-19 The Inner Sense
The Inner Sense
I have a brother? Jarod and I share a brother?
Miss Parker
The Inner Sense
I have a brother? Jarod and I share a brother?
Miss Parker
Original air date: May 13, 2000
Written by: Steven Long Mitchell & Craig W. Van Sickle
Directed by: Fred K. Keller
Jarod’s father calls with news that he’s found Jarod’s sister, Emily, and Miss Parker and Jarod simultaneoulsy discover they have a sibling in common – a half brother named Ethan.
Jarod’s Discoveries: Vacations, Half brother Ethan
Jarod’s Occupations: FBI Agent
Jarod’s Aliases: Jarod Curtis
Official Synopsis
Jarod and his father, Major Charles, investigate the attempted murder of Jarod’s journalist sister, Emily.
Jarod and Zoe lounge in an oversized Jacuzzi surrounded by stacks of travel brochures. A beep from Jarod’s laptop interrupts their playful kisses. It is a video phone call from Major Charles, Jarod’s father. Charles reveals that he has found Emily, Jarod’s sister, and wants Jarod to meet her in Philadelphia. An understanding Zoe hugs a speechless Jarod as the twosome postpone their vacation plans so he can immediately fly to Philadelphia.
It is early morning in Philadelphia as Jarod approaches Emily’s workplace, The Philadelphia Examiner. But Jarod is too late: Emily lies unconscious on the sidewalk, having been pushed out of a two-story window. Jarod follows Emily to the hospital emergency room where Dr. Cummings tells him that Emily’s condition is serious, but not fatal.
Later that night, Jarod pokes around Emily’s apartment with the manager. The manager tells him how excited Emily was about coming close to finding her long-lost brother. Jarod finds a half-charred photo of what looks to be a young man of about 25. Before leaving, the manager drops a bombshell. He reveals that a man who was sniffing around the apartment a few days earlier looking for Emily fits the description of the attacker. The manager adds that the man was missing a thumb. To Jarod’s horror, he now knows it was Lyle.
Back at the Centre, Lyle seethes as he learns that Emily survived the murder attempt. Meanwhile, Jarod argues with a doctor about transferring Emily out of the hospital. The doctor refuses to release her unless sanctioned by next of kin. Suddenly, Major Charles appears and tells the doctor that he is Emily’s father. As Charles and Jarod wheel an unconscious Emily down the hall on the gurney, Lyle and the Sweepers screech up in their town car. Charles, Jarod, and Emily drive away in an ambulance just barely missing detection. Jarod takes them to a hiding place in a basement of a church run by Sister Mary.
Sydney, Broots, and Miss Parker enter the Sim Lab where they discuss events of the past weeks: The reappearance of Edna Raines, thought dead for thirty years, and the disappearance of Catherine Parker’s body from her grave. The trio starts an investigation into Project Mirage. Broots downloads Catherine’s autopsy files. The DSA shows a young Mr. Raines garbed for the autopsy, but it never shows him actually performing it.
As Emily recovers, Charles and Jarod examine Emily’s reporter files. Included in the files is a photo of a mystery man. Then Jarod discovers “my brother” written in Emily’s handwriting under the photo. Charles says that Emily might have thought this man was Jarod. But to Jarod that does not solve the mystery of why the Centre wanted to kill Emily. When Emily regains consciousness, she identifies the photo only as “Ethan” and mumbles the word “nugeneisis.” Nugenesis is the fertility clinic that Charles and Jarod’s mother went to and is tied to the Centre. Emily writes down the file number.
Jarod and Major Charles enter Ethan’s apartment with guns drawn. An unmailed letter to Ethan’s parents leads them to Tom and Janice Marshall’s house. Jarod creeps toward an open door and spots Ethan on the floor holding the lifeless body of his mother in his arms with his dead father beside him. Suddenly, Ethan turns and jumps on Jarod, shouting that Jarod murdered his parents. As police cars pull up to the house, Ethan rushes out the back.
Back in the church basement, Jarod confers with Major Charles about Ethan. Having hacked into the NuGenesis mainframe, Major Charles explains to Jarod that the file number pertains to a shipment of frozen sperm samples sent to the Centre years ago, which were his. For the past twenty-five years, comparative genetic tests have been conducted using Major Charles’ DNA. The results have been sent to a private residence in Delaware.
Jarod and Major Charles search the Delaware house. Jarod says he is experiencing déjà vu. Inside one room they find birthing tables and genetic follow-up records on Major Charles’ semen. As they review the records, Major Charles and Jarod experience a revelation simultaneously: Jarod has a brother.
Meanwhile, Broots and Miss Parker review another DSA. It reveals that Catherine’s death was staged. Subsequently, a furious Miss Parker slams Sydney against a wall. Sydney comes clean, but says he kept the secret on Catherine’s orders. Catherine was a key player in a project called Mirage. She had to do what she could to survive.
Cox, Lyle, and Mr. Parker know that Jarod is about to uncover their big secret, but they plan to use Zoe as bait. However, Miss Parker has already discovered the centerpiece of the whole conspiracy through an old DSA. Catherine was used in a DNA experiment. She was impregnated with Major Charles’ sperm and, as a result, gave birth to a baby boy, Miss Parker’s and Jarod’s half brother, Ethan.
Mr. Raines sits with a distraught Ethan. He tells him, “I am your father now.” Raines picks up Ethan’s leather backpack containing a bomb. To Be Continued…
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
The Inner Sense Transcript
Jarod’s Lair | ||
Zoe | Oh come on, everybody’s been on at least one vacation. | |
Jarod | I swear Zoe, I’ve never been on vacation. | |
Zoe | Not even, uh, Mount Rushmore? | |
Jarod | Mm. | |
Zoe | The Alamo? | |
Jarod | Mm. | |
Zoe | What about Niagara Falls? | |
Jarod | I definitely would have remembered that.Wait I did eat at a Stookey’s off I-65 once. Does that count? | |
Zoe | Stuckey’s. Only if you had the pecan log. | |
Jarod | What’s a pecan log? | |
Zoe | Oh, you really have never had a vacation have you? | |
Jarod | Who needs a vacation when I have you? Swear to me you’re in total remission. | |
Zoe | Yeah. I probably pissed off a few HMO’s but what the hell. | |
Jarod | Zoe. | |
Zoe | Hey, you’re not going all mushy on me are you? | |
Computer | You have a video phone call. | |
Jarod |
That’s my video phone. Um, I’ll be right back. |
|
Zoe | Okay. | |
Major Charles | Hello son. | |
Jarod | Oh my God! Dad. I’ve been searching for you for over a year. Where have you been? | |
Major Charles | I know. The boy and I had to underground for a while. We kept searching for you too but with no luck until an anonymous tip came my way. I was able to unscramble your password which got me into here. | |
Jarod | Then, you’re both okay. | |
Major Charles | Thank God the boy and I are both well. | |
Zoe | The boy? | |
Jarod | He’s sort of like my brother…I’ll explain it to you sometime. Dad, this is Zoe. Zoe, this is my dad. | |
Zoe | Jarod’s been pretty damn worried about you sir. He’s cute. What happened to you? | |
Jarod | When can I see you? | |
Major Charles | We have to be careful. I don’t trust the security of this line so I’ll make it quick. Jarod, I found Emily. I found your sister. | |
Jarod | What? How? Where is she? | |
Major Charles | She’s a reporter at the Philadelphia Examiner. For security’s sake, I’ve left vital information about her whereabouts on your secure email. She told me that recently she was very close to finding you. Will you bring her back to me Jarod? | |
Jarod | Yes! Yes! Of course I will. | |
Major Charles | Good luck son. Keep me posted. | |
Jarod | My…I found my dad…uh…my…I…we’ve been looking for my sister for so long and now I’ve found her and uh…um. What about our trip? | |
Zoe | It can wait. We’ll have time. If I have any say in the matter, lots of it. | |
Jarod | You’re not getting all mushy on me are you? | |
Zoe | Go find your sister. | |
Philadelphia Examiner, Philadelphia, Pennyslvania | ||
Male Voice | Somebody call 911! | |
Jarod | What happened? | |
Female Onlooker | A reporter was attacked. They say she was thrown out of that window. | |
Jarod | Reporter? | |
Female Onlooker | An Emily something.. | |
Jarod | Emily. Emily! Emily. | |
Emily | Please. Help me. | |
Jarod | That’s what I’m here to do. I’m going to help you. I’m Jarod. I’m your brother. | |
Emily | Jarod. | |
Jarod | Stay with me. Stay with me. Emily. Emily. Somebody call an ambulance! | |
intro | ||
Hospital Emergemcy Room | ||
Jarod | Pupils are unresponsive, respirations shallow at forty. | |
Doctor | Pulse is weak and thready. | |
Jarod | Probable closed head injury with internal bleeding and multiple fractures. | |
Doctor | Keep her head stabilized, start an IV drip and run a CBC. Page radiology and give me an abdominal and head cat scan stat. Who initiated CPR? | |
Jarod | I did. | |
Doctor | Your actions may have saved her life. Are you a doctor? | |
Jarod | No. | |
Philadelphia Examiner, Philadelphia, Pennyslvania | ||
Jarod | I’m with the FBI. The victim is someone we’ve had our eye on for a long time. | |
Detective Brookins | Why? | |
Jarod | Let’s just say that a few of her journalistic choices have struck a nerve in DC. | |
Detective Brookins | The victim’s office is in here. Name’s Detective Brookins. Call me Stan. | |
Jarod | Agent Jarod Curtis. Tell me what you know. The whole story. | |
Detective Brookins | Well, the victim came to the office early this morning, so early that it was the night shift janitor that probably saved her life by walking in. Anyway, from what I can tell, the woman was ambushed here then thrown out this window, two stories to the pavement. | |
Jarod | Any description? | |
Detective Brookins | White male, thirty five-ish, average build, dark suit. Got the sketch artist working on it now. | |
Jarod | I want all of her files boxed and sealed and sent to your precinct. And I’m also going to need an office for a few days. | |
The Centre, Lyle’s Office | ||
Miss Parker | Well, it’s about time you back Lyle. So, what’s the flavor of the day little brother? Mail order mamas from Malaysia or cannibal Quiche from the Kalahari? | |
Lyle | If you want to talk with our father, he’s gone. | |
Miss Parker | Well then find him! | |
Lyle | Pounding boilermakers is hardly the breakfast of champions. | |
Miss Parker | This isn’t about you. I’m sorry. | |
Lyle | Okay, now I know you’re sloshed. What’s going on Parker? | |
Miss Parker | It’s about our mother. She’s gone. | |
Lyle | Our mother’s been dead a long time. | |
Miss Parker | No. I mean she’s not there. I mean her… | |
Lyle | She’s not there? What do you mean she’s not there? Parker? Parker? | |
Miss Parker | You wouldn’t understand anyway. | |
Lyle | But I wanna know. | |
Miss Parker | Bet you do. | |
Telephone’s computerized voice | Message voice box 04 record | |
Lyle | It’s me. I’ve got a bad feeling Miss Parker knows about Catherine’s empty grave. | |
Sydney’s Office | ||
Sydney | You believe someone stole your mother’s body? | |
Miss Parker | Except for this scotch induced earthquake rattling between my ears, I’m not sure exactly what to believe anymore. | |
Broots | Let’s face it face it Sydney. Catherine Parker’s body being gone fits in with all the other bizarre happenings around here. The reappearance of Edna Raines who after thirty years, everyone thought was dead. | |
Miss Parker | And now who really is dead thanks to the bald butcher she called hubby. | |
Broots | The murder of that harmless clerk Leonard down SL 26 because he just happened to see the wrong memo. And now, Catherine Parker’s empty grave. That’s a lot of strange coincidence. | |
Miss Parker | No. Not coincidence, Mirage. | |
Broots | Mirage? You mean what Edna Raines told you before she died? | |
Miss Parker | What was on both of those memos. The one I found on Lyle’s desk and the one that killed that clerk. | |
Sydney | Well oddities yes, but status quo here at the Centre. | |
Miss Parker | I never thought I’d here you say murder is business as usual Syd. | |
Sydney | At times, it it best to let some things go. | |
Miss Parker | My mother’s grave is empty Sydney. | |
Sydney | Maybe she had other wishes that you didn’t know about, for her burial I mean. People sometimes make choices that are difficult to explain. | |
Miss Parker | No. This is one big fish I’m reeling in. Broots, our best evidence… we follow the body. In this case, my mother’s. We start with the autopsy records. | |
Sydney | Parker, why won’t you let go of this? | |
Miss Parker | Because something inside me is telling me to do this. And I’m listening. | |
Hospital | ||
Doctor | Her condition is only fair Agent Curtis so please minimize your time with her. | |
Jarod | I will. Thank you. | |
Jarod | Em, it’s your brother. Jarod. I was too late this morning. I’m sorry. But I’ll never be late again. I promise you. | |
The Centre/Mr Parker on Centre Jet | ||
Lyle | How goes the world tour? | |
Mr Parker | In deference to the Winston Churchill or who ever the hell said it, the sun never sets on the Centre. And I’m making sure it never sets on the Parkers either. | |
Lyle | Glad to hear it. Since when is Raines hosting Triumvirate personnel? | |
Mr Parker | He’ll be a blip on our radar as long as everything goes well with Mirage. | |
Lyle | Unfortunately, we’ve got company there. I’ve all but confirmed that sis is on that same track. | |
Mr Parker | Ah damn! | |
Lyle | Nah, it’s nothing. She’s way behind the curve. I’ll make sure she stays there. | |
Mr Parker | I don’t want her knowing for her own good. Hell, if she knew the truth, she’d only wish she didn’t. | |
SL 18 | ||
Broots | God! What did I just step in? | |
Miss Parker | I don’t know but if you hurry, you can still catch it. | |
Sydney | I can’t believe you actually found Catherine Parker’s autopsy files Broots. | |
Broots | I haven’t found it yet. According to Buzzy, the only way to download a visual archive in the sublevels is to tap directly into the sublevel’s mainframe terminals. | |
Miss Parker | Who the hell is Buzzy? | |
Broots | My pal down in communications, you know the old guy with the hearing aids? He’s always griping about the constant ringing in his ears. | |
Miss Parker | I’ve had that problem myself. | |
Broots | Look at this! You know the rumor that JFK was kept alive and as a vegetable somewhere? Buzzy claims it was right here in SL 18. | |
Miss Parker | Yeah, right next to the alien corpses Nixon showed Jackie Gleason. | |
Broots | That was here too? | |
Sydney | Hey! This is it! | |
Broots | Oh, this the room where they did your mother’s autopsy. Shh, take it off me. Sydney. | |
Sydney | Parker, you okay? | |
Miss Parker | Fine Syd. | |
Broots | I got it. | |
Digital Archive | ||
Mr Raines | This begins the visual data archive to be known as number: 566773 The autopsy of Catherine Elaine Parker. Date and time to follow. Doctor William Raines M.D. | |
Miss Parker | Versatile guy that Raines. Beats them, bursts them, slices and dices. | |
Mr Raines | Initial findings indicate a single gun shot wound to the cranial region as cause of death. Angle and force of the head wound strongly indicate the gun shot was self inflicted. | |
Miss Parker | Let’s just skip to the end Broots. Oh God. We’ve heard all these lies before, I just need to see where the body goes. | |
Mr Raines | Box the body for transport per the family wishes. On a personal note, I would simply like to go on record to express my heart felt remorse and to say that this is and will always be a tragic death in the annuls of the Centre. The likes of which I hope never to encounter again. | |
Broots | So what now? | |
Miss Parker | We do a little exploratory surgery of our own, see just how remorseful Dr. Death really is. | |
Emily’s Apartment | ||
Joel Swetow | I’m sorry as I can be about the attack on Emily. I sort of connected with her. Her looking for her family, me not ever knowing my father and mother. | |
Jarod | I’m sorry. | |
Joel Swetow | She was so close to changing all that for herself. | |
Jarod | What do you mean? | |
Joel Swetow | Well she was hot on the trail of her brother, said she was like this close to finding him. She’d tear up every time she talked about it. | |
Jarod | When was the last time you saw my…uh…the victim? | |
Joel Swetow | Uh, must have been a couple of nights ago. To tell you the truth, she seemed a little tense. Said something about being close to a, a big discovery. | |
Jarod | The brother that she was looking for. | |
Joel Swetow | I, Idon’t think so. This, this was something disturbing to her. It wasn’t a happy discovery. Did you find something? | |
Jarod | I’m not sure. Thank you for your time but I’d like to look around for a little bit. | |
Joel Swetow |
Sure. Hey, you saved me a trip. I, I was about to go into town and tell the police about this guy that was hanging around here. It was the same guy from the police sketch in the evening paper. I, I can’t believe they left the most important part of the description. The fact that, well the guy was missing a thumb. |
|
The Centre | ||
Lyle | I’ve never even met you. Who said anything about breakfast? | |
Willie | Mr Lyle. Something tells me you haven’t read this morning’s paper. | |
Lyle | You try to kill with kindness and this is what happens. Put a team together, we’re going back to Philly ASAP. | |
Miss Parker | Allow me. | |
Raines | I’m not going to Sublevel 18. | |
Miss Parker | Oh but you should. It’s a regular freaks R us down there. You know the history. JFK. Dead Martians. The room where you did my mother’s autopsy. It’s going to be a bitch getting that tank up and down the stairs. | |
Mr Raines | It’s common knowledge I performed your mother’s autopsy. | |
Miss Parker | But is it common knowledge that my mother’s body isn’t in her grave? | |
Mr Raines | What are you talking about? | |
Miss Parker | What the hell did you with her body? You ghoul. | |
Mr Raines | What any responsible medical examiner would have done. Honor the wishes of the deceased. If you have a problem with that, take up with her because this discussion is over. | |
Broots | Miss Parker, you, you told him about your mother’s empty grave. He’s gonna, he could, he could… | |
Miss Parker | He could lead us right to the answer. | |
Broots | You told him on purpose. | |
Miss Parker | That fish I said I would be reeling in, I just baited the hook. Now we troll. You with us Syd? | |
County General Hospital | ||
Doctor | I’m sorry Agent Curtis but I cannot, in good conscience, allow the victim to be transported. | |
Jarod | And how would your conscience feel when they put you in jail for violation of a federal order? | |
Doctor | That order is worthless in my eyes. | |
Jarod | I have seen her charts. Her edema levels are back to normal as well as her vital signs. | |
Doctor | The answer’s still no. | |
Jarod | Who ever tried to kill her knows he failed and he will be back to finish the job, I guarantee you that. | |
Doctor | Releasing her to the next of kin would be my only option here and correct me if I’m wrong but so far, none have turned up. | |
Major Charles | Until now. I’m Emily’s father and I think you should give the Agent here what he wants. | |
Doctor | I’ll prep her for immediate release. | |
Jarod | It’s so good to see you. | |
Major Charles | How is she? | |
Jarod | She’s going to be okay. | |
Lyle | Check over there! Willie, stairs. You, follow me. | |
Major Charles | How many were there? | |
Jarod | Four. Go. Go. |
|
Lyle | 238. | |
Willie | Damn! Where did she go? | |
Nurse | Release. She just went downstairs. | |
Lyle | Take the stairs. | |
Jarod | That ambulance over there is mine. I know a place that we can be safe. You drive. |
|
Major Charles | Good way to get yourself killed pal! Out of my way. | |
Willie | See this woman come this way anywhere? | |
Major Charles | Nope. Never seen her. | |
Lyle | Damn! | |
Saint Catherine’s | ||
Jarod | I want to thank you Sister Mary for everything you’ve done for us. | |
Sister Mary | After all you’ve done for our Parish Jarod, you just stay as long as you want and we’ll take very good care of Emily. | |
Jarod | Nothing. | |
Major Charles | No luck huh? | |
Jarod | It’s like he doesn’t exist. | |
Major Charles | Well, whoever this guy is, Emily’s been tracking him for a while. Here, let me give you a hand with the notes. Displaced personality disorder, man with no name. |
|
Jarod | Talks to voices. Enigma. | |
Major Charles | Maybe it’s a story she’s been working on. | |
Jarod | Or a lifelong mystery she’s been trying to solve. | |
Major Charles | She thought this guy might have been you. | |
Jarod | She’s been searching, just like me, just like we all have. Why would the Centre want to murder her? And how does he fit in? |
|
Raines’ Secret Retreat | ||
Broots | Boy, you put the worm on and he took it hook, line and sinker. Man, I never pegged Raines for the rustic type. |
|
Miss Parker | In the middle of nowhere, you can’t hear anyone scream. We need to get to that fire. Anything Broots? |
|
Broots | Looks like a Raines time capsule. Everything from old mortgage papers to his kids’ kindergarten artwork. | |
Miss Parker | Move over Monet. | |
Broots | Looks like Ethan. His son? | |
Miss Parker | I try not to fire too many synapses remembering things about the Raines family. | |
Broots | You think Raines used to live here? | |
Miss Parker | Well, we used to visit his house occasionally but it was on the other side of town. | |
Broots | Maybe he used this place as some kind of personal storage depot. | |
Miss Parker | Yeah. Well, no offense against this kids’ artwork but this is starting to feel like a dead end trip down memory lane. | |
Broots | Miss Parker, I think another street just opened up. | |
Miss Parker | A Saint Christopher medal. | |
Broots | Miss Parker look. | |
Saint Catherine’s | ||
Jarod | Emily. Emily. Hi. It’s me Em, it’s your brother. | |
Emily | Jarod? | |
Jarod | Dad’s here too. We’re all together now. Take your time. Take your time. What is it you want to tell us? I found this picture in your research files. You thought he was me didn’t you? Who is he? |
|
Emily | Ethan. | |
Jarod | Ethan? | |
Emily | He hears the voices. Talks… | |
Jarod | Talks to the voices. I read that in your notebook. What voices Emily? | |
Major Charles | Hey, I think she should rest. Come on. | |
Jarod | Okay. | |
Emily | Nugenesis. | |
Major Charles | Nugenesis. My God. | |
Jarod | The Centre fertility clinic? | |
Major Charles | I have no fond memories of that place. | |
Jarod | Here. AA8585. Is that a file number? |
|
Major Charles | From Nugenesis? | |
Jarod | Does that have anything to do with this man Ethan? | |
Emily | Follow Nugenesis. Follow him. Follow him. | |
Jarod | Emily. Emily. | |
The Centre | ||
Sydney | You know if you consider yourself any kind of friend of hers, you’ll destroy those discs and you will destroy now! | |
Broots | I can’t! I can’t Sydney! I don’t really have a choice in the matter, do I? This is Miss Parker’s life! This is her past..she has every right to see it. | |
Miss Parker | See what? | |
Sydney | Do what you must Broots but I won’t be a part of opening this pandora’s box. | |
Miss Parker | What pandora’s box? | |
Broots | I was able to reconstruct one tiny piece of a disc we found at Raines’ forest house. | |
Miss Parker | The same place we were today. | |
Broots | Yeah but just watch. | |
DSA | ||
Raines | I hope you feel comfortable here Catherine, after all you’ve been through. | |
Catherine Parker | I never thought I’d see the day when I’d be thanking you for your kindness Dr Raines, but thank you. | |
Miss Parker | My mother was there? | |
Broots | Yeah but what’s important is the date. Look. Look at the date code on the dsa. Your mother was shot and killed at the Centre in April. | |
Miss Parker | This says June. There must be a mist- | |
Broots | No. It’s, it’s physically and technically impossible to alter the dates on the Centre DSA surveillance system. Sydney didn’t want me to show you this. I don’t know why but it’s a lock. You’re mother did not die in that elevator Miss Parker. | |
Miss Parker | Are you… are you saying my mother is still alive? | |
Broots | Your mother alive? Does this make any sense? Do you think that was hers? | |
Miss Parker | I don’t remember it but anything’s possible. Keep decoding the forest house archives. And don’t tell anyone. | |
Broots | Not even Sydney? | |
Miss Parker | Especially Sydney. He’s done everything except handcuff me to a freight train to keep me from digging into this. | |
Broots | There must be someone you can trust. | |
Miss Parker | Where’s Angelo? | |
Ethan’s Lair | ||
Jarod | Looks like the same kind of insanity I grew up with. | |
Major Charles | Are you sure this is the address Emily gave us for Ethan? | |
Jarod | Positive. He’s been video taping himself for years. Is there anything on Nugenesis AA8585? | |
Major Charles | No but there’s enough material here to write a dissertation on bomb making but this guy’s taken it a step further. He’s designing his own bomb. Hmph…there’s an un-mailed letter…to his parents. The Claussens. |
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Jarod | According to this time code, this video was made less than one hour ago. There’s your little bomb maker. Let’s see what he’s been up to. | |
Ethan On Video | ||
Ethan | Just leave me alone! | |
Major Charles | Who’s he talking to? | |
Ethan | I know I shouldn’t be out but I won’t be bad anymore. | |
Jarod | According to Emily’s notes, there were signs of erratic behavior, multiple personalities. He must be wrestling with some kind of demons inside. | |
Major Charles | Emily said he could hear the voices. Whatever that means. | |
Phone rings | ||
Ethan | Yeah. L..Listen, I…I’m in trouble. I need to talk to you. Yes I’m almost ready with 7676, I, I just need a few more components but I’m telling you I need to talk. You swear that after the explosion the pain will be gone? | |
Jarod | Their promising him his inner torture will end if he pulls off some kind of bombing for them. | |
Major Charles | The Centre. | |
Jarod | Who else? | |
Ethan | Okay, I’ll do it. First , I want to see my mom and dad. Why won’t you let me see my mom and dad? It’s been so long. I, I, I wrote them a letter. Why can’t I send it? They do love me! I know. I know, you do too. Ooh. What? Are you sure? | |
Major Charles | What’s he doing? | |
Jarod | He’s talking to the voices. | |
Ethan | He’s gonna…he’s gonna hurt my mom and dad? He can’t hurt my mom and dad. | |
Major Charles | Whereever he’s going, he’s not coming back. He’s taking his bomb with him. | |
Jarod | Come on. Let’s go. | |
The Centre | ||
Lyle | It’s not my fault that Jarod found his sister before the sweeper team did. | |
Mr Parker | It’s your fault she was still alive. | |
Lyle | Well what did you teach me about water under the bridge. | |
Mr Parker | It gets deep enough, it’ll drown you. What about Mirage? | |
Lyle | We’re still searching. | |
Mr Parker | Oh, that’s perfect. My daughter is searching for a ghost, my son is searching for a monster. Last one alive, wins. Hmm. | |
Raines’ Forest House | ||
Angelo | Secrets and lies. Secrets and lies. | |
Miss Parker | When it comes to the Centre Angelo, secrets and lies are like oxygen. | |
Angelo | Lies. | |
Miss Parker | Angelo. I need you to empath this for me. It may have belonged to my mother. | |
Angelo | Your mother wore this. Her journey not over. | |
Miss Parker | My mother is still out there? | |
Angelo | Illusions are real. | |
Miss Parker | What does that mean? | |
Angelo | Mirages are real. | |
Miss Parker | What’s mirage Angelo? | |
Angelo | Mirages are real. | |
Miss Parker | Tell me what that means! | |
Broots | Miss Parker.. h…he’s, he’s on your side. | |
Angelo | Angelo sorry he doesn’t know the answers. But Sydney knows. Sydney knows all the secrets and lies. |
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The Claussen’s Home | ||
Ethan | Oh please, please don’t be dead. Don’t leave me. Please don’t leave. You did this. |
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Jarod | No. I swear I didn’t do this. | |
Ethan | You hurt them! Why? Why! |
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Jarod | Ethan, I didn’t hurt them. I swear to you I did not kill them. | |
Ethan | Somebody hurt them. Somebody killed my parents. | |
Jarod | Please, let me help you. | |
Ethan | Help? | |
Jarod | My sister Emily, she followed you because she wanted to help you. That’s all I wanna do. | |
Ethan | There’s no help for me. Not from you. There’s only one person who can help me now. | |
Jarod | Ethan. Ethan! | |
Police Officer | Freeze! | |
Jarod | I’m FBI, it’s okay. It’s okay. FBI. | |
Police Officer | There were reports of shots fired. | |
Jarod | Upstairs. Two bodies. I was too late. | |
The Centre | ||
Miss Parker | You knew my mother was still alive and you didn’t tell me? | |
Sydney | Yes. | |
Miss Parker | Then give me one good reason not to blow your Flemish brains out. | |
Sydney | I promised her I wouldn’t tell you. Well, as you know, I gave your mother her last psychiatric session less than a hour before her supposed murder, supposed suicide, in the elevator. |
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Miss Parker | Supposed? What does that mean Sydney? | |
DSA | ||
Sydney | Catherine. Catherine please relax. | |
Catherine | Sydney, I just found out that someone I love is planning to kill me. | |
Sydney | Who? | |
Catherine | I can’t tell you…friend but it’s forcing me to, to make a very difficult decision. I’m going to stage my death in hopes of saving my life. | |
Sydney | I don’t understand. | |
Catherine | And I don’t have time to explain it all but you know these people, what their capable of. | |
Sydney | I try not to imagine. | |
Catherine | Their latest is a project called Mirage and they’ve made me a key player. My only way out is dying by their hands or my own. | |
Sydney | This is dangerous talk. | |
Catherine | These are dangerous times Sydney. I’ll do what I have to, to survive and then I’ll come back and rescue Jarod and Angelo and my little girl… | |
Sydney | What about your little girl? | |
Catherine | She’s my gift from God. I don’t how to save her without causing her this pain. Promise me Sydney, swear to me that you’ll protect her, that you’ll never tell her about this. You owe me. | |
Sydney | I know, I know, I do. | |
Catherine | Whatever happens, no matter how badly she wants to know, I don’t want my baby girl to ever have to face the true tragedy of her family’s secret. Promise me. | |
Sydney | I promise. God’s speed Catherine. |
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Sydney | An hour later, the gun shot rang out. You know the rest. I never saw Catherine again. | |
Miss Parker | Do you know what it is? | |
Sydney | What? | |
Miss Parker | Mirage, the tragedy of my family’s secret. | |
Sydney | I’m afraid I don’t. That is the truth. | |
Saint Catherine’s | ||
Jarod | Ethan’s parents were murdered as a message to him. | |
Major Charles | Finish the 7677 bombing or else. Sounds like a message from the Centre to me. | |
Jarod | It has the Centre fingerprints all over it. | |
Major Charles | This too. | |
Jarod | You hacked into the Nugenesis mainframe. | |
Major Charles | Uh huh. And you won’t believe what I found in number AA8585. | |
Jarod | AA8585 was a shipment of cryogenically frozen sperm samples. They were airlifted to the Centre decades ago. Someone wanted to get pregnant pretty badly. | |
Major Charles | Yeah but they weren’t just anyone’s samples Jarod. They were mine. | |
The Centre | ||
Mr Parker | How much does Jarod know? | |
Lyle | We’re not sure. | |
Mr Cox | But Major Charles’ seminal records have been compromised at Nugenesis. | |
Lyle | And there’s more. Jarod was spotted at the parents’ house. | |
Mr Parker | Before or after they were killed? | |
Lyle | After. Thank God. | |
Mr Parker | Mirage? | |
Lyle | He’s still out there. | |
Mr Parker | There’s gotta be some way to get to Jarod before he beats us to him. | |
Mr Cox | There is one. We give him something more important to go after, something named Zoe. | |
Mr Parker | Good thinking Mr Cox. | |
Saint Catherine’s | ||
Major Charles | It only gets stranger and stranger. | |
Jarod | More on your records at Nugenesis? | |
Major Charles | Yeah. For the past twenty five years, comparative genetic test follow-ups have been conducted using my DNA. | |
Jarod | The question is who, or what are they comparing it to. | |
Major Charles | It doesn’t say but the results were sent to a private residence in Blue Cove, Delaware. | |
Jarod | Come on. | |
Raines’ Forest House | ||
Major Charles | Okay, let’s go. You alright? |
|
Jarod | Something feels…weird. | |
Major Charles | We’re taking Mr Raines, it’s supposed to be weird. | |
Jarod | No. This is weirder than him. | |
Major Charles | What are we looking for? | |
Jarod | The truth. | |
Major Charles | I’ll check over here. | |
Jarod | No. It’s not over there. | |
Major Charles | How do you know son? | |
Jarod | I just know. It’s like a strange deja vu. | |
The Centre | ||
Miss Parker | What are you mumbling about? | |
Broots | I decoded some of the archives from the forest house and, well, a picture’s worth more than a thousand words. I think I’ve just uncovered a thesaurus. This is about six months after your mother supposedly died. | |
DSA | ||
Catherine Parker | Well? | |
Mr Raines | He’ll be here in a few minutes, you sure you want to do this? | |
Catherine Parker | I have to. | |
Miss Parker | What? What did she have to do? | |
Broots | Wait. Just watch that door. | |
Raines’ Forest House | ||
Major Charles | Like you’ve seen this place before? | |
Jarod | It’s like I’ve been here before. | |
The Centre | ||
Miss Parker | Oh my God. | |
Sydney | Jarod out of the Centre, impossible. How could that be? | |
Miss Parker | Secrets and lies. | |
Catherine Parker | Hi Jarod. | |
Young Jarod | Hello Mrs Parker. | |
Catherine Parker | Thank you for coming. Close the door. | |
Major Charles | Gynecological instruments. What is all this stuff? | |
Jarod | Tools of the trade. | |
Major Charles | Birthing table. | |
Jarod | The question is whose? | |
Catherine Parker | Come here Jarod. There’s something I want to tell you. | |
Miss Parker | My mother was pregnant? | |
Catherine Parker | You’re going to have a brother. | |
Major Charles | This is just too weird. Birthing tables, incubators, genetic follow ups to my semen. Are you thinking what I’m thinking? | |
Jarod | I have a brother. | |
Miss Parker | I have a brother? Jarod and I share a brother? | |
Jarod | It must be Ethan. | |
Miss Parker | But where is he? | |
Ethan | My parents are gone, mom is dead, dad is dead. | |
Mr Raines | I’m your father now. |
Browse the DSA’s