2-12 Toy Surprise
2-12 Toy Surprise
Toy Surprise
I want to kill her, not screw her.
Miss Parker
Toy Surprise
I want to kill her, not screw her.
Miss Parker
Original air date: March 7, 1998
Written by: Juan Carlos Coto
Directed by: Fred K. Keller
Jarod tries to help a boy whose best friend was killed in a car accident, and then tries to prevent another death after discovering someone ordered the assassination of Miss Parker’s father.
Jarod’s Discoveries: Cracker Jacks (Young Jarod)
Jarod’s Occupations: Counselor
Jarod’s Aliases: Jarod Crockett
Official Synopsis
Jarod reaches out to a guilt-ridden teenage boy whose best friend was killed in an automobile accident. Miss Parker discovers that her father has been targeted for assassination.
Miss Parker is taken by surprise when her father, in uncharacteristic fashion, phones on the anniversary of her mother’s death. She is deeply touched when Mr. Parker expresses regret regarding his emotional distance. The pair make plans to visit Mrs. Parker’s grave that day. Mr. Parker then boards a helicopter and begins the flight back to the Centre office. Shortly thereafter, Miss Parker receives a phone call from Jarod, who warns that someone has ordered her father’s assassination. He also reveals that details of the assassination are contained in a file, labeled “Arkham,” which is stored in the Centre’s mainframe computer. Parker heads to the Centre, which is mainly vacant due to a fire security drill.
Meanwhile, in the Appalachian Mountains, Jarod meets with Jim Conti and his fifteen-year-old son, Chris, whose best friend died in a car accident. Jim hopes that Jarod—who is impersonating a counselor—can reach out to his son during a rock-climbing hike.
Miss Parker contacts Broots, hoping he can access the mysterious Arkham file. Sydney arrives at the Centre shortly thereafter. At Miss Parker’s prompting, Sydney describes in detail Mr. Parker’s cold reaction after learning of his wife’s death (which was labeled a suicide). According to Sydney, Mr. Parker’s last words regarding the incident were, “life goes on.”
During their climb through the mountains, Jarod and Chris happen across a forest ranger Jeep. Jarod proposes they use the vehicle to beat the other climbers to the cliff face. Chris, at first hesitant, agrees with the idea. But when the pair attempt to jump-start the Jeep, it veers out of control and tumbles down a steep incline, pinning Jarod beneath the steering wheel. Jarod tells the boy he must go for help. But an uncertain Chris, haunted by his friend’s death, refuses to do so.
As Broots continues his search for the Arkham file, Mr. Raines makes an unexpected appearance. He denies any knowledge of an assassination attempt. Broots eventually locates the file, but when he attempts to open it, he discovers it is encrypted. Shortly thereafter, all of the power within the Centre suddenly goes dead, trapping Parker, Broots, Sydney and Mr. Raines within the Sim Lab (as the doors are operated electronically). The ailing Mr. Raines, whose oxygen tank is nearly empty, warns that whoever ordered the assassination will also target the trapped Miss Parker. As Broots attempts to translate the encrypted Arkham file, Parker works on finding an escape route. She remembers the existence of a porthole beneath a catwalk. (Years earlier, she and a young Jarod offered Angelo—who was hiding in the porthole—a box of Cracker Jacks. The young Angelo was quite taken by the toy surprise hidden within.)
Miss Parker reaches inside the porthole area and locates a lever which, when pulled, opens the Sim Lab door. She and Broots make their way into the darkened Centre corridors. The pair encounter two armed Sweepers, and a gun battle ensues. Parker manages to outwit the assailants, and she and Broots continue their journey. Broots reactivates an elevator, which transports the pair to the Centre lobby. There they encounter an armed Brigitte who, Parker realizes, is the assassin. A struggle ensues, and Miss Parker is wounded in the shoulder. She and Broots take refuge inside the elevator and make their way to safety.
Slowly, Jarod’s efforts to reach out to Chris succeed. Chris recounts how his friend Nick lost control of the car the boys were riding in and slammed into a tree. Nick was trapped by the steering wheel and unable to move. As flames began spreading through the car, Chris abandoned his friend and made his way to safety. Chris believes he should have remained with his friend, even if it meant his own death. But Jarod tells Chris he had no choice, and could not have saved Nick by remaining behind. Chris sees wisdom in Jarod’s words. He makes his way back to civilization and flags down help. Later, Jarod tells paramedics he is, in fact, uninjured, and staged the fake accident.
Miss Parker and Broots encounter Angelo in a darkened corridor. Angelo accesses Broots’ laptop computer and begins tapping away at the keys—greatly accelerating the translation of the Arkham file. After viewing the contents, Miss Parker realizes that Brigitte intends to sabotage her father’s helicopter. Shortly thereafter, Angelo plays Miss Parker a DSA file. It shows how her father sobbed uncontrollably after telling Sydney, “life goes on.”
Miss Parker begins a perilous journey toward the rooftop by climbing a rickety boiler ladder. Along the way, she restores power to the building, saving Raines’ life. She finds Brigitte—detonator in hand—on the tower helipad. A struggle ensues, during which Miss Parker knocks Brigitte unconscious. Mr. Parker’s helicopter lands safely, and the pair make their way to the cemetery, where they visit Mrs. Parker’s grave.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Toy Surprise Transcript
Miss Parker | Cafeteria closed? | |
Hayes | Uh, Miss Parker. Everyone’s supposed to leave the Centre for today’s fire security test. | |
Miss Parker | Then why are you playing with matches? |
|
Hayes | I don’t follow. | |
Miss Parker | Hayes, if you’re going to work for me you need to understand three things. First, keep the tie straight. Second, get a new tie. | |
Hayes | And the third? | |
Miss Parker | Candy’s for the clients. What? | |
Mr Parker | Ah, there you are sweetheart. | |
Miss Parker | Daddy? Is that you? | |
Mr Parker | Well, unless you’ve got another father somewhere I don’t know about. Listen, I tried you at the house. What are you doing at the Centre on a Sunday, especially this Sunday? | |
Miss Parker | False alarm on Jarod. Where are you? | |
Mr Parker | I’m about to get on a Centre helicopter. I’ll be at Blue Cove tonight. | |
Miss Parker | But your vacation? | |
Mr Parker | I didn’t feel like laying around on a beach. I couldn’t forget what day this is. I’ve been thinking a lot about your mother. |
|
Miss Parker | You have? | |
Mr Parker | Surprised? | |
Miss Parker | Um, ah, It’s just that you’ve never called me like this on this day, I mean. | |
Mr Parker | Well when you get to where I am in life regrets start to eat you up. Listen, there are lots of things that I’ve been meaning to say to you and to her for a long time. | |
Miss Parker | I’m here daddy, for-for you. | |
Mr Parker | Ah, be there at seven, will you? | |
Miss Parker | I was just leaving for the cemetery but we could go… see Mom together? | |
Mr Parker | Yeah. For once it’ll be just-just the three of us. Wait for me. | |
Miss Parker | I’ll be at home. Daddy? | |
Flashback | ||
Miss Parker | Mama. No. Mama, no! Let me go. Please. Oh no! Oh no! Let me go. | |
Miss Parker | I miss you Mom. | |
Sydney | The anniversary of a parent’s death can be a heavy cross to bear, especially alone. If you’d like company at the cemetery? | |
Miss Parker | Thanks but I won’t be bearing a cross alone this year. | |
Sydney | Your father? | |
Miss Parker | I have visited my mother’s grave every year on the anniversary of her death but my father would never talk about it. Why is it people wait until the end of their lives before… they… face regrets? | |
Sydney | Regret is born of, uh buried emotion. But your mother’s death is a wound… a wound that not even the Parkers can ignore forever. | |
Miss Parker | Hmm. | |
Sydney | You’ve never seen him grieve, have you? Until you do, until you can share your grief with him, you will never heal. | |
Angelo | Daughter… sad. | |
Brigitte | Well well well. Look what the cat dragged in. | |
Miss Parker | Stealing office supplies? | |
Brigitte | Hmm, reviewing your past attempts to catch Jarod. Not pretty. Splash a little colour on, love. It, you look depressing. | |
Miss Parker | Daddy? | |
Jarod | Have you spoken to your father today? | |
Miss Parker | What the hell do you want? | |
Jarod | I want to help you. Where are you now? | |
Miss Parker | I’m leaving Blue Cove. What is it Jarod? | |
Jarod | Turn around and get back to the Centre as fast as you can. | |
Miss Parker | Why? | |
Jarod | Someone is going to kill your father. | |
intro | ||
Jarod | Someone has ordered your father’s assassination. My source says there’s a file in the Centre’s mainframe tagged “Arkhamâ€. Apparently it explains everything. | |
Miss Parker | Jarod this is the wrong day for games. | |
Jarod | I know what today is Miss Parker. The Centre took your mother away from you, just like they took me away from mine. Don’t let them finish the job by killing your father. | |
Miss Parker | My father kept you in the Centre your entire life Jarod. Why would you want to help him? | |
Jarod | Because if he dies my answers die with him. And so do yours. | |
Mr Conti | Jarod, I don’t know about this. | |
Jarod | Mr Conti, I’ve spoken with Chris’s former counsellors. We all agree. He’s ready for this climb both physically and mentally. | |
Mr Conti | I want to believe that hiking and mountain climbing are going to help but ever since Chris’s car accident last year we’ve tried therapists, retreats, vacations, everything. I just want the old Chris back. | |
Jarod | That’s why I’m here. He’s just lost his best friend. It takes time to heal from that kind of pain. | |
Mr Conti | Spoken like a man who’s experienced some loss himself. | |
Jarod | I’m not giving up on your son without a fight. Chris. Jarod Crockett. We’ve got a tough trail ahead of us if we’re going to beat the others back to the base camp. Are you ready to climb this monster? | |
Chris | I’m ready to go home. | |
Broots | The truth is I’d rather be home. I’m missing my daughter’s dance class. | |
Miss Parker | The Ar kham files, Broots. Focus. | |
Broots | It’d a lot of easier to find at my workstation. I don’t know why we can’t use the tech room. | |
Miss Parker | Because the tech room is the first place they would look. | |
Broots | Who? There’s nobody here. | |
Miss Parker | The people trying to kill my father. | |
Broots | What? Oh God, I’m sorry. | |
Miss Parker | Now you know what this is about. | |
Broots | Okay. Arkham. | |
Sydney | Have you been able to reach your father? | |
Miss Parker | His phone’s dead. So’s the radio on the chopper. He lands on the Tower’s helipad in four hours. Sydney when he called he… was reaching out to me. | |
Sydney | Careful Parker. He’s disappointed you before. | |
Miss Parker | Dyd, you were there the day that my mother was killed. Did you ever see him… | |
Sydney | Hmm? Grieve over her? | |
Miss Parker | Tell me. | |
Sydney | Moments after she died your father told me never to speak about it, not to you, Jarod, anyone. He ordered me back to work as if nothing had happened… Then… hmm… | |
Miss Parker | What? What? | |
Sydney | Then he said, life goes on. Hmm. | |
Angelo | Daughter sad. Everyone sad. Daughter sad. | |
Chris | This compass isn’t working right. I think we’re lost. | |
Jarod | I think you’re right. | |
Chris | Whatever, it’s not my fault. | |
Jarod | You have to report positions to me. We’re a team out here. We have to communicate. | |
Chris | Huh! You guides are all the same. You’re all tryin’ to bug me out. | |
Jarod | Bug you out? | |
Chris | Yeah, get me to communicate. You want me to talk about stuff. Back off. I don’t need your help. | |
Jarod | You don’t have to go through this alone. | |
Chris | Let’s just climb okay? | |
Jarod | Well, that might be easier than you think. | |
Chris | “Jeep is dead have gone ahead to station” | |
Jarod | You thinkin’ what I’m thinking? | |
Chris | What? | |
Jarod | Short cut. We get this thing working. We take the fire trail out of here and beat everybody to the cliff face. | |
Chris | I don’t know. | |
Jarod | Come on. We’ll get done faster. It’ll be our little secret. You’re good with secrets. Aren’t you Chris? | |
Broots | I got it! I got Arkham. | |
Raines | Arkham? | |
Miss Parker | What are you doing here? | |
Raines | I live here. | |
Miss Parker | You wheeze, and I’ll shoot you. | |
Broots | Ah, Miss Parker? We have a little problem here. | |
Miss Parker | Open the file, Broots. | |
Broots | Ah, I can’t. The file has like a doorbell on it and if I open it a warning’s going to be sent… | |
Miss Parker | Then whoever is behind this will know that we’re here. Ding dong. He already does. Do it! | |
Broots | Aw, it’s encrypting. It’s, it’s turning into gibberish. | |
Miss Parker | Did you see what it said? | |
Broots | Ah, neutralisation, ah, nineteen hundred hours… | |
Sydney | Seven pm. That’s the exact time your father is due to land on the Tower helipad. | |
Miss Parker | So it’s true. You’re going to murder my father. | |
Raines | I have no knowledge of this. | |
Miss Parker | You son of a bitch. | |
Raines | I’d say we’re all in the dark on this one Miss Parker. | |
Broots | No computers, no phones. No power. | |
Miss Parker | Doors are electronically sealed. | |
Sydney | Sub-level lock down. | |
Raines | Designed to keep the Centre intact during a nuclear event. | |
Miss Parker | Or a palace coup against my father? Override the lockdown. | |
Raines | Impossible. | |
Miss Parker | If you think that I’m going to sit here like one of your caged lab rats… | |
Raines | I’m trapped too Miss Parker. My oxygen tank is almost empty. Would I do that to myself? Whoever is trying to kill your father now knows you’re here. And they’ll come for you too. | |
Sydney | Raines has a point. | |
Broots | Now, is it possible that the lockdown has something to do with the fire security test? | |
Miss Parker | There is no test you moron. They wanted to clear the Centre. Now I’m laying odds that Nosferatu has a sniper on the helipad. | |
Sydney | I don’t believe Raines had anything to do with this. | |
Miss Parker | Wake up and smell the oxygen Syd. He’s behind everything. Can you unlock the Arkham files? | |
Broots | Well, I, I’ve got them on disk. It will take a couple of hours, give or take. | |
Miss Parker | I’ve got less than two and my father’s dead, do you understand? | |
Sydney | Easy Parker. Broots is doing the best he can. | |
Broots | C-Could it be that the elevators have a back up power system? | |
Miss Parker | Hayes. | |
Sydney | Who? | |
Miss Parker | My new sweeper. I left him voice-mail after I called you two. Now, his orders are to find me in the sim lab if he hasn’t heard from me within the hour. | |
Broots | Well that’s now. We’re in the clear. | |
Miss Parker | That’s if he got the message. Parker family motto. Never depend on anyone but yourself. | |
Hayes | Give me the sim lab. This is Hayes. Hello? Hello? | |
Pilot | I’m unable to contact the Centre sir. | |
Mr Parker | Keep trying. | |
Chris | Try it now. | |
Jarod | Ah. Gonna have to push start it. I’m going to pop the clutch. You give me a good push. Think you’ve got it in you? | |
Chris | Yeah, whatever. | |
Jarod | Ready? | |
Chris | Jarod! | |
Jarod | My brakes! | |
Chris | Jarod! Jarod! Jarod! Jarod! Jarod? Jarod? | |
Raines | The Centre’s original boiler system extends through every sub-level right up to the lobby. | |
Miss Parker | Damn! | |
Raines | Tragically ironic that all this is happening on the anniversary of your mother’s suicide. | |
Miss Parker | Murder. And don’t talk about her. Please. Help me out of here. | |
Flashback | ||
Young Jarod | I’ll help you out of there. Miss Parker. You okay? | |
Miss Parker | Why wouldn’t I be? | |
Young Jarod | I just haven’t seen you in a while, since… since what happened to your mother. | |
Miss Parker | She killed herself Jarod. She was sick. What’s his name? | |
Young Jarod | They call him Angelo. Sydney says he’s special but I can’t get through to him. | |
Miss Parker | Maybe I can. | |
Young Jarod | Cracker Jack? | |
Miss Parker | You’ve never had them? The snack with the toy surprise. | |
Young Jarod | Why would someone want a surprise in their food? | |
Angelo | Surprise. | |
Broots | You did it? | |
Miss Parker | What about the elevator? | |
Broots | Oh, I I’ve found some tools. And, and look. These. Walkie talkies. | |
Miss Parker | My father lands in ninety minutes. What about the Arkham file? | |
Broots | It’ll take three hours at least. | |
Miss Parker | Sounds like he’s got even less. | |
Sydney | I’d better stay with Raines. His pulse is bad. | |
Miss Parker | All right. Look if you don’t hear from us in twenty minutes I want you to forget Mr Clean and get out. You’re my fail safe Syd, in case we get nailed. | |
Broots | Wait. What do you mean, nailed? | |
Miss Parker | Back Broots. Stay here. Stop or you’re dead! | |
Sweeper | Miss Parker. | |
Miss Parker | You can breathe now. | |
Broots | Oh. Who is it? | |
Miss Parker | Sweepers. But I don’t know either one. Come on, let’s go. | |
Chris | Jarod! Jarod! | |
Jarod | Ugh. What happened? | |
Chris | You flipped the jeep. Does it hurt? | |
Jarod | Oh, only when I blink. | |
Chris | I gotta get you out of here. | |
Jarod | Ahhh, ow ow! I think I broke my leg. Ahh! Chris you have to go get help. | |
Chris | They’re… They’re going to send a search. I mean, when we don’t show up they’re going to come lookin’ for us. | |
Jarod | Chris I could be bleeding internally. You have to go get help. Just, j-just climb over that cliff. There should be a road. You can do it. | |
Chris | I can’t. I can’t. | |
Miss Parker | Sydney, we’re at the elevator. | |
Broots | What? Oh. That’s an old bullet hole. Well, they… They haven’t fixed that after all these years? | |
Miss Parker | That’s the Centre, always trying to send a message. | |
Jarod | Chris you have to go get help. | |
Chris | Oh, God, oh my God. | |
Jarod | Listen to me! You have to go get help. | |
Chris | No, I can’t do that. NO! I can’t do that. | |
Jarod | Yes. You can. This is about your car accident, isn’t it? It’s about how your best friend died. You listen to me. Accidents happen. People die. That is no secret. | |
Chris | Why do you keep saying that? | |
Jarod | Because I can help you, if you let me. Let me help you. | |
Chris | Nick wanted to go for a shortcut that night. He was going too fast. We, we spun out and we hit a tree and jammed the steering wheel into him. | |
Jarod | What happened? | |
Chris | And then the cops got there and his car was on fire and I was outside and Nick was still inside. | |
Jarod | Nick died instantly. You can’t blame yourself for that. | |
Chris | That’s what I’m trying to tell you. He didn’t. I let him die. I let him die. | |
Broots | You’ll enjoy this. I had one of those, ah, parental wakeup calls at breakfast, you know, time sure flies. My little Debbie, she tells me she knows what she wants to do in life. She’s ten. Anyway she says…. | |
Miss Parker | Do you ever think of getting out of here Broots? | |
Broots | Excuse me? | |
Miss Parker | The Centre. Leaving. Taking Debbie and just going somewhere… else? | |
Broots | Yeah! Actually lots of times. | |
Miss Parker | Do it. Don’t worry about what other people think. Don’t buy into the false security of staying put. If you think that that’s what you need to, then do it. Do it for Debbie, but do it now, because the next elevator you get on… | |
Broots | I, I never knew your mother Miss Parker but I bet the choices she made… had everything to do with her little girl. | |
Miss Parker | So what does Debbie want to do with her life? | |
Broots | She says she wants to be just like you. There we go. We’re goin’ to the lobby. | |
Broots | Wait for me. | |
Miss Parker | Oh! | |
Brigitte | ‘Ello love. | |
Miss Parker | I’m gettin’ real sick of you. | |
Brigitte | Tsk, tsk, tsk. You should not have searched the mainframe. And where exactly are Broots and Sydney? I thought stooges travelled in threes. | |
Miss Parker | By the way, fire drills are for pyros and grade-schoolers. | |
Brigitte | Can’t blame a girl for trying. If you were at the cemetery, crying your little eyes out like you’re supposed to be you wouldn’t be in this tricky little mess, now would you? Don’t you think it’s time to turn off the faucets? How appropriate you die in this elevator. Just like Mummy. | |
Miss Parker | If there is one place that I’m not dying, it’s here. | |
Broots | Miss Parker you’ve been shot. | |
Broots | Looks like a flesh wound. Must’ve been a ricochet. | |
Miss Parker | Yeah, off my arm. | |
Broots | You’re bleeding pretty badly, Miss Parker. | |
Miss Parker | It’s nothing. | |
Broots | No. Sit down. | |
Miss Parker | Ahhh! | |
Broots | I mean it! Where the hell are we? | |
Miss Parker | W-we’re on uh,SL-26. | |
Broots | Yeah, that’s right. | |
Miss Parker | Ahhhh! Ow ow oww. | |
Broots | Nice shot! Shh! I hear something? Wait! Wait! You’re not going out there. Here. | |
Miss Parker | I want to kill her, not screw her. | |
Broots | Well, can you think of anything better? I got your back. | |
Miss Parker | Oh, now I feel better. | |
Chris | Bet you never thought you’d get paired with a coward huh? | |
Jarod | Is that what you are Chris? Is that what Nick would think of you? What happened that night? | |
Chris | We were inside the car. I was upside down when I came to. And I looked over and Nick, he was stuck under the steering wheel. There was blood everywhere. And he’s looking over at me… his eyes all scared, like they’re begging me to help him. Then the fire started comin’ in, and the smoke. And I just sat there frozen. I can still see his eyes. |
|
Jarod | What did you do? | |
Chris | I slid out of the car. And I crawled away. Then the flames grew bigger. I could hear his voice calling me from the fire. I should’ve burned Jarod, ’cause I should’ve died. | |
Jarod | Nick was pinned inside that car. You couldn’t have saved him if you wanted to. | |
Chris | No, ’cause I ran away. | |
Jarod | If you stayed in that car you would have died. Your response was human. | |
Chris | I ran away! | |
Jarod | I know what loss is like. I watched my brother die in a car accident. Not a day goes by that I don’t blame myself… that I don’t think of something that I could’ve done. As time went by… he forgave me. I hear his voice inside of me. Just like you hear Nick’s. What would he want you to do now? | |
Broots | Wait Miss Parker. Careful. Did you hear that sound? | |
Miss Parker | Oh! I’m officially in hell. Give me that walkie. | |
Broots | Angelo. | |
Miss Parker | Broots, how’s the Arkham file coming? | |
Broots | Two hours. | |
Miss Parker | Great. My father lands in one. You gotta get me back to the lobby Broots. | |
Angelo | Tasty. | |
Flashback | ||
Angelo | Tasty. Daughter sad. | |
Jarod | You miss your mother, don’t you? | |
Miss Parker | She used to give me these. It’s just me and my daddy now. But he’s always working. My mom and I used to talk about things. She would brush my hair, or we’d read together. | |
Jarod | My mom’s gone too. I talk to her though. Her voice is inside me just like your mother’s is inside you. | |
Angelo | Mom, they’re trying to hurt mom. D-Daddy. Trying to hurt Daddy. Daughter sad. Mnnn. | |
Broots | Wait. What? What are you… | |
Miss Parker | Don’t touch that. | |
Broots | He’s speeding it up. | |
Angelo | Mnnn. Golden Hawk down. | |
Broots | What? | |
Miss Parker | There’s no sniper. She’s sabotaged the helicopter. | |
Angelo | Golden Hawk… down. | |
Broots | It’s a distance sensitive triggering device. | |
Miss Parker | A what? | |
Broots | A triggering device. As soon as the helicopter gets within a hundred feet of the Tower an explosive device goes off. The helicopter loses control and crashes. | |
Miss Parker | But it looks like an accident. | |
Broots | Exactly. | |
Angelo | Toy surprise. | |
Miss Parker | I told you I don’t want any. | |
Angelo | Ah. Surprise. | |
Broots | It’s a DSA. | |
Miss Parker | And it’s dated the day of my mother’s death. | |
DSA 13th April 1970 | ||
Mr Parker | Where’s Jarod? | |
Sydney | He’s been taken to his space, Mr Parker. | |
Mr Parker | Mmm. | |
Sydney | What happened to Catherine? | |
Mr Parker | My wife was ah… very sick. | |
Sydney | Troubled yes, but suicide? | |
Mr Parker | You’ll never discuss this incident with anyone, ever. Not with Jarod and especially not with my daughter. Go home, now! I want you back in this laboratory tomorrow, ready to work. Life goes on Sydney. Life goes on. | |
Angelo | Daddy sad. Must save Daddy. | |
Miss Parker | Oh, let’s finish this. | |
Broots | The boiler hatch should be right over there. | |
Sydney | Parker where are you? | |
Miss Parker | We’re at SL-26 heading for the boiler. | |
Sydney | You’ve got to hurry, your father lands in less than thirty minutes. | |
Miss Parker | Tell me something I don’t know. | |
Broots | Miss Parker! Up there! The boiler goes all the way up to the lobby. | |
Miss Parker | Let’s hope I’m not too late. | |
Brigitte | Everything’s in place. Thirty minutes to Centre airspace and the triggering point. | |
Jarod | You ready? | |
Chris | Yeah I think I am. Jarod uh… | |
Jarod | Hurry back. | |
Broots | Maybe I should go with you? | |
Miss Parker | No I can move faster alone. | |
Broots | Oh wow. Twenty-six floors in fifteen minutes. Are you sure you’re okay to do this? Do you remember the code to the power bunker? | |
Miss Parker | I’ve got it Broots. | |
Broots | Okay. | |
Miss Parker | Oh! | |
Broots | Good luck. | |
Miss Parker | Oh, ahhh. Huh. | |
Chris | Yes! | |
Miss Parker | Oh. Syd, I’m in the lobby. Hayes is dead. | |
Sydney | Raines isn’t far behind. I’m plugging him into the Centre’s oxygen system. Get the power on. | |
Miss Parker | Put the walkie to his ear. | |
Sydney | We don’t have time Parker. | |
Miss Parker | Do it! Are you trying to kill my father? | |
Raines | No. | |
Miss Parker | Who is? | |
Raines | The same people who killed your mother. | |
Miss Parker | Who? | |
Sydney | He’s blacking out! | |
Broots | Thank you. Miss Parker you’ve got five minutes. | |
Mr Parker | The Centre’s in sight. It’ll be good to be home. | |
Brigitte | Hello love. | |
Brigitte | You don’t give up do you? | |
Miss Parker | Drop the accent. Nobody’s buying it any more. | |
Brigitte | Fine with me bitch. Too much damn work anyway. That’s the problem with you Parkers. You never finish what you started. | |
Miss Parker | You look finished to me. | |
Chris | You okay? | |
Jarod | Yeah! Nick would be proud. | |
Chris | I know, he told me. Thank you. | |
Sheriff | Son, your dad’s waiting for you. | |
Chris | Bye. | |
Jarod | Sorry for the false alarm but it was for a good cause. | |
Paramedic | Your leg is broken. | |
Jarod | I eat a lot of ice cream. Calcium. It’s good for you. | |
Mr Parker | Brigitte will be dealt with. I want you to know. | |
Miss Parker | Let’s not talk about that now. | |
Mr Parker | God, It’s… it’s beautiful here. | |
Miss Parker | You’ve never been back? | |
Mr Parker | Not since the burial. I couldn’t bring myself to face her. From now on, every year we come here, together. There are things I’ve wanted to say… | |
Miss Parker | You don’t have to say anything Daddy. It’s just good to have you back. Are you okay? | |
Mr Parker | Life goes on. | |
Miss Parker | Parker. | |
Jarod | I’m glad your father is all right. | |
Miss Parker | Thank you Jarod. | |
Jarod | You miss her? | |
Miss Parker | Yes. | |
Jarod | She misses you too. | |
Miss Parker | How can you be so sure? | |
Jarod | Read the card. |
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