3-10 Mr. Lee
3-10 Mr. Lee
Mr. Lee
Ironic place to find Jarod. A genius at an facility for the mentally challenged.
Brigitte
Mr. Lee
Ironic place to find Jarod. A genius at an facility for the mentally challenged.
Brigitte
Original air date: February 6, 1999
Written by: Mark M. Dodson
Directed by: Steven Long Mitchell
A mysterious Asian man claims he can find the Pretender by interviewing people Jarod helped in the past and by concentrating on Jarod’s desire for justice.
Jarod’s Discoveries:
Jarod’s Occupations: Doctor
Jarod’s Aliases: Jarod
Official Synopsis
A mysterious Asian man anticipates Jarod’s next move by interviewing those who had emotional connections to him on past “pretends.”
Miss Parker, Mr. Lyle and Sam sneak cautiously around Jarod’s lair, a kind of high-tech greenhouse. Willie bursts into the structure and tackles a fleeing figure. That person turns out to be Franscis, a bizarre character who spells his name with an extra “s.” Franscis explains that someone else—a mysterious Asian man named Mr. Lee—had also been asking questions about Jarod. Meanwhile, inside a Chinatown warehouse, the blind Mr. Lee confers with someone by telephone. As his assistant, Anna, listens, Lee states that he has absorbed all known files on Jarod, and must now interview seven people who had contact with him. Once this is completed, Lee guarantees he will be able find the elusive Pretender.
Lee’s first interview is with Rachel, the blind girl from the episode Bomb Squad. Rachel recounts how Jarod assisted her after she lost her eyesight in a terrorist bombing. Anna records the word “victimized” into her laptop. Rachel warns Lee that he will never catch Jarod, as he is too smart. However, Lee believes that Jarod’s determination to aid others and his quest for justice will ultimately lead to his downfall.
Meanwhile, back at the Centre, Parker, Lyle, Broots and Sydney attempt to determine the identity of the mysterious Mr. Lee. Broots determines that Lee is headquartered in Chinatown, and not only does Lee find people, he also helps them disappear… into little pieces.
Lee’s next interview is with Dr. Fein (from the episode Back From the Dead Again), who is serving time in prison. Fein recounts how Jarod attempted to bury him alive. After the clip ends, Anna records the words “emotional justice” into her laptop.
The next interview conducted by Lee is with Susan Granger, who reunites families (from the episode Protect and Serve). She describes Jarod as one of the most compassionate men she has ever met. This prompts Anna to type the word “compassion” into her laptop. Granger recounts how a group of mysterious people destroyed information that could have led Jarod to his mother. Despite this, the experience inspired Jarod to help others who had a similar loss, as he has reunited nine children with their families. Anna types the words “missing children” into her laptop.
Parker and the others surround Lee’s warehouse. Lyle attempts to take command of the operation, but his bumbling alerts Anna. By the time the group storms the warehouse, Lee and Anna have vanished. The group discovers a piece of paper containing Braille. Sydney reads the paper…and realizes that Lee has been interviewing those involved with Jarod. The group realizes that someone from the Centre is collaborating with Lee. One of the names on the list is Bernie Baxley, the Elvis impersonator from the Curious Jarod episode. Baxley recounts what he told Mr. Lee and Anna. He is forever grateful to Jarod for helping him face his fears.
Broots tells Miss Parker that a call from Lee’s warehouse was traced to the Centre. The call ended up being routed to her father’s office. Miss Parker is stunned.
Anna knocks Lyle unconscious and transports him to an abandoned space. Lyle reluctantly cooperates with Lee, describing how he once attempted to kill Jarod (in the episode Back From the Dead Again). He also describes kidnapping him (clips from the episode Red Rock Jarod) and killing his brother. Meanwhile, Miss Parker and Sydney interview another person on Lee’s list, the teenage boy, J.R., from Red Rock Jarod. He recounts how Jarod saved his life by donating his brother’s heart for a transplant operation.
Broots determines that the call to Mr. Parker’s office was actually routed to a newly installed line…one belonging to Brigitte. He also is aware that Brigitte recently left the building in Lee’s limousine.
Lee tells Brigitte that by interviewing people whose lives Jarod touched, he was able to pinpoint his exact location. The limousine heads for a facility that houses the mentally challenged. Meanwhile, Broots triangulates the signal on Brigitte’s cell phone, determining her location. He, Sydney and Miss Parker use a Centre helicopter to fly to the institute.
Lee tells Brigitte that Jarod discovered that several of the residents at the institute were intentionally misdiagnosed as part of an insurance scam. As a result, Jarod is out to liberate them. Before Lee and Brigitte reach Jarod, the Centre helicopter lands on the institute’s grounds. Everyone heads towards the building. But before they reach their destination, Jarod spots them from his office window. By the time Lee, Miss Parker and other others break down the door, Jarod has fled the scene. Miss Parker finds a Centre memo on Jarod’s desk. She realizes that Jarod was well aware of Brigitte’s collaboration with Lee. Mr. Lee suddenly realizes that Anna was working with Jarod all along.
Jarod and Anna climb into the Centre helicopter and take off. It soon becomes apparent that Jarod was helping Anna’s nephew, who was one of the mentally challenged patients the institute was exploiting.

Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Mr. Lee Transcript
Miss Parker | Apparently Jarod’s been working at this university doing some type of genetic engineering with plants. | |
Lyle | You think he’s in here? | |
Miss Parker | Lights are on, somebody’s home. Willie, go get him. | |
Willie | My pleasure. Jarod! Freeze! | |
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Miss Parker | Time to come home genius. | |
Francis | I… I’m … I’m not him! | |
Lyle | You’re not who? | |
Francis | Whoever you’re looking for. | |
Miss Parker | Well then, who the hell are you? | |
Francis | I…I….I’m the guy who waters the plants. Name’s Francis. | |
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Lyle | Well Francis, do you know this man? | |
Francis | Jarod, yeah, he’s the uh…. scientist who used to work here. | |
Miss Parker | Used to. | |
Francis | Yeah. Like I told the other guy that was looking for him… he’s gone. | |
Miss Parker | Someone else is looking for Jarod? | |
Francis | Yeah, the blind guy, kind of Chinese-looking. Said his name was Mr…uh….Lee. | |
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Mr Lee | I have absorbed all the files on Jarod. Yes, everything you gave me from his childhood to the present. No, he’s quite an interesting man. There are seven people I need to speak with. You get me those seven people, and I will deliver Jarod. | |
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Rachel | For those who can see, we must really be a sight. | |
Mr Lee | Why is that? | |
Rachel | You know, the blind leading the blind. | |
Mr Lee | Please, no more blind jokes, Miss Newton. | |
Rachel | No, you can call me Rachel. | |
Mr Lee | Ah, Rachel. And I am Mr Lee. | |
Rachel | Uh, who-who’s typing? | |
Mr Lee | Ah, her name is Anna, for short, my knew associate. | |
Rachel | How exactly can I help you? | |
Mr Lee | I believe you once knew a man named Jarod. | |
Rachel | Hmm…Jarod helped me after I lost my sight in a terrorist bombing. He’s helped lots of people who have been victimised. He taught me to see again, so to speak. Why do you want to know about Jarod? | |
Mr Lee | I have reason to believe that he is in trouble. I need you to help him. | |
Rachel | How can I help? | |
Mr Lee | I’m sure you realise that the loss of vision often nurtures deeper insight. | |
Rachel | And you feel I’ve developed this insight? | |
Mr Lee | But of course. That is why I brought you here. Please tell me how Jarod helped you and affected your life. | |
Rachel | I met Jarod while I was still in therapy not long after the bombing. I was drawn to him right from the start. It was like he felt my pain, my fears. | |
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Rachel | Six, seven, eight, nine, ten . . . | |
Jarod | You can stop counting you’re here. | |
Rachel | You must have stepped into the room. It’s eleven steps to the door. | |
Jarod | I did. Very good. It’s a beautiful day. Why don’t we go outside? | |
Rachel | Oh no. I think I’d rather stay here. | |
Jarod | Rachel. You have to go outside sometime. | |
Rachel | I was supposed to work in my studio but it was such a nice day I decided to go out onto the roof top of city hall. That’s what happened the last time I went outside. | |
Jarod | You were in the wrong place at the wrong time. That is not your fault. You can’t stop living your life because of it. | |
Rachel | You know, when I had my eyes behind the camera I could see things no one else could see. I can remember details of nearly every picture I ever took. It’s ironic. They tell me that he was there that day. I must have seen the man who did this to me as he was setting his bomb. But as hard as I try I can’t remember. | |
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Mr Lee | So, are you saying that Jarod connected with you emotionally? | |
Rachel | Oh it’s more than that. It was almost like he became me. He seemed to know me, understand me more than I knew myself. The way he enabled me to face my life again was magical. Like an artist painting a picture only Jarod was the painter and I was the canvas. | |
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Rachel | Is this some kind of new therapy? | |
Jarod | Call it a simulation. I’m going to create an environment with all the stimuli you need to re-create an event. And for you to become someone. | |
Rachel | Who do you want me to become? | |
Jarod | Yourself. | |
Rachel | Oh my camera. I haven’t touched this since the… well since the day at City Hall. | |
Jarod | Now I want you to develop that roll of film, the pictures you took that day. | |
Rachel | Oh, there’s no film in it. | |
Jarod | I know. I want you to develop the pictures in your mind. | |
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Rachel | Um, I’m on the roof top at city hall. The natural light is at its perfect angle. The building is closed. It’s Sunday and I’m getting last minute shots for my gallery opening. | |
Jarod | Are you alone? | |
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Rachel | I think. I, oh, don’t see anyone. I don’t see anyone but oh… don’t see anyone but I feel the tingle on the back of my neck. | |
Jarod | Go on. | |
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Rachel | I don’t see anyone but I hear something. | |
Jarod | What do you hear? | |
Rachel | Footsteps walking quickly away. It’s right before it happened. | |
Jarod | Rachel, do you see the bomb? | |
Rachel | It’s only an instance before the flash. | |
Jarod | Do you see him? | |
Rachel | No. But I smell something. I smell… | |
Jarod | You smell him. | |
Rachel | It must be?….It’s cologne. | |
Jarod | Thank you. | |
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Rachel | Because of what he found in my mind Jarod was able to catch the bomber and help me find the courage to believe in myself again. | |
Mr Lee | That’s very interesting. Oh Anna. Thank you for everything. My assistant, Anna will take you home now. | |
Rachel | You know, you were right about insight Mr Lee. You don’t want to help Jarod, you want to catch him. But you won’t succeed. He’s too smart, even for you. | |
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Miss Parker | Who the hell is Mr Lee? | |
Broots | What does a blind Chinese man want with Jarod anyway? | |
Lyle | The same thing anyone else would. An advantage. | |
Sydney | Jarod’s a very valuable commodity. The question is who wants to trade in him. | |
Miss Parker | None of this makes any sense. Broots go back to Jarod’s last lair check the neighbourhood the airport, the train station, anywhere someone could have seen this Mr Lee. | |
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Mr Parker | I’m also interested in finding our sightless friend. Keep Bridget up to speed on any new development. She’s my liaison on this thing. |
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Miss Parker | Since when do I need a liaison to my own father? | |
Bridget | Since you’re not the only ones after Jarod. But don’t worry Angel, it shouldn’t be that hard to catch a blind man. All you have to do is open your eyes. | |
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Fein | What’s going on? | |
Guard | Some people want to talk to you. | |
Fein | So what’s this, free egg roll night on the Ginsu? | |
Mr Lee | Ginsu, that’s Japanese. A man of such erudition, a scholar, a physician. Hmm! This imprisonment must have re-acquainted you with the low common man. Perhaps that’s his idea. Dr Fein, you may address me as Mr Lee. | |
Fein | Well, Mr Lee, I don’t know what this is about but I… | |
Mr Lee | This is about an acquaintance of yours whom I am searching for. His name is Jarod. | |
Fein | You’ve got to be kidding. For eighteen months I’ve been trying to tell people about Jarod but there’s no trace of him. It’s like he never existed. | |
Mr Lee | You seem frustrated. | |
Fein | Frustrated? That psycho is the reason I am spending the rest of my life in an eight by eight cell. Sue me if I’m frustrated. | |
Mr Lee | Dr Fein, you did bury an innocent man alive. | |
Fein | You got a point? | |
Mr Lee | Yes. Jarod in his unique way merely exposed you to the rest of the world. What is one man’s justice is another man’s revenge. | |
Fein | Well a lot of good that’s going to do me now. | |
Mr Lee | Dr Fein would you like to see Jarod in an environment worse than this? | |
Fein | Can you do that? | |
Mr Lee | If you tell me what he did to you? | |
Fein | What he did? He tried to kill me. He tried to bury me alive. | |
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Jarod | Trick or treat? | |
Fein | You scared the hell out of me. | |
Jarod | Well it is after all what this holiday is all about, isn’t it? Oh you’re too late. He’s gone. | |
Fein | Who’s gone? | |
Jarod | Enrique. The young man you killed. | |
Fein | What kind of sick prank are you trying to play? | |
Jarod | Oh, this isn’t a prank. It’s a life lesson. You know, in some cultures they believe that the spirit of a man killed in anger returns to exact revenge upon its perpetrator. Spooky huh? | |
Fein | I’m getting out of here. | |
Jarod | Oh no, you can’t leave Dr Fein. This is the Day of the Dead. And you sir are the special guest. | |
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Fein | Let me out of here Jarod. This isn’t funny. | |
Jarod | Oh I know. It would be awful to be buried alive especially with that on your shoe. | |
Fein | Owww. Jarod. | |
Jarod | Shh shh shh shh shh. There’s no reason to wake the dead. You’re going to be joining them soon enough. | |
Fein | Jarod please. | |
Jarod | Did Enrique discover that you had killed one of the research subjects that he had recruited for you? | |
Fein | You’re crazy. | |
Jarod | Uh uh uhh. That’s not a very nice thing to say to a man with a shovel, is it? | |
Fein | Let me out. Let me out of here, Jarod, please. | |
Jarod | You took an innocent, homeless man and you turned him into your guinea pig. Someone to test your heart drug on. Someone that you didn’t think would be missed if it didn’t work. Well it didn’t work, did it? And someone did miss him. Enrique. So you buried him alive to save your research. Didn’t you? Didn’t you? Didn’t you? Didn’t you? | |
Fein | Yes! Yes! Now, let me out of here. | |
Jarod | Screaming isn’t going to help you conserve your oxygen. And believe me you’re going to need all you can get. | |
Fein | No. No. NO! Jarod. | |
Jarod | Happy Halloween. | |
Fein | Jarod. Jarod. Jarooooodddd!!! | |
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Mr Lee | I can imagine. Perhaps that is his way of dispensing emotional justice. | |
Fein | How’s any of this going to help you find him? | |
Mr Lee | Oh you helped me a great deal already. You told me who he is and what he is. And, oh yes, I’ll catch him. | |
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Mr Lee | Mr Lee here. After interviewing the first few subjects I’m finding Jarod even more challenging than initially anticipated. | |
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Kenny | Oh Jarod I’ll never be able to do this. | |
Jarod | Sure you can. We’ll keep on practising. | |
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Mr Lee | His desire to help other people and his determination for justice are unyielding. Huh! But they will also prove to be his downfall. Hmm. | |
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Susan | Thank you. | |
Mr Lee | You’re welcome. | |
Susan | In many ways Jarod is the most compassionate man I’ve met. It’s almost as if it’s his natural state of being. | |
Mr Lee | How is that Miss Grainger? | |
Susan | He has a way of connecting with others, to their souls, in a way that I’ve never seen in any other person. It’s ironic really. | |
Mr Lee | Ironic? | |
Susan | He can be so there for other people and yet inside he’s so alone. I’ll never forget the day he walked into my office. | |
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Susan | Mr Morgan we may have a sighting on your daughter. If all goes well you should have your arms around Catherine by tomorrow night. Thankyou. God bless you too. How can I help you? | |
Jarod | I don’t know who I am. | |
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Susan | As I looked in his eyes I could feel his pain, his sadness. | |
Jarod | So Jarod came to you for help? | |
Susan | Yes that’s what I do. Re-unite families find missing children. I help people find their pasts so that they can have their futures. | |
Mr Lee | I see. | |
Susan | I thought I had seen it all until I heard Jarod’s story. | |
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Jarod | I’m looking for my parents. | |
Susan | Are they still alive? | |
Jarod | I don’t know. I was never told the truth. | |
Susan | Why not use the police database to initiate a search? | |
Jarod | I can’t. Look, this is probably going to be hard to understand but I don’t have much time. Seventy-two hours. | |
Susan | Without a name… | |
Jarod | I have a picture. It’s my mother, at least that’s what I was told. | |
Susan | I’ll see what I can do. | |
Jarod | Thank you. | |
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Mr Lee | So you were able to give Jarod the identity of his mother? | |
Susan | No. These people came and took the information. They destroyed it before Jarod even had a chance to see it. | |
Mr Lee | That must have decimated his soul? | |
Susan | Actually it seemed to inspire him to help other people who experienced a similar loss. | |
Mr Lee | Really? | |
Susan | Over the last three years he’s helped me locate and re-unite nine children with their families. And each time he’s refuses to take any credit or recognition for what he’s done. | |
Mr Lee | A very resilient soul. | |
Susan | Like I said, Jarod’s the most compassionate human being I’ve ever met. | |
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Broots | You were right. It wasn’t hard to track Mr Lee. I mean most people talk to have never seen an old blind Chinese guy well at least not since Kung Fu. | |
Miss Parker | Well done, Grasshopper. | |
Broots | I found out Mr Lee’s a pretty infamous guy in Hong Kong. Not only does he find people he makes them disappear… in little pieces. | |
Miss Parker | We play our cards right we’ll bring him in in one piece. Let’s move. | |
Lyle | Get in position. | |
Willie | Yes sir, Mr Lyle. | |
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Mr Lee | It’s more difficult than I thought. I’m learning that Jarod is very complex, very Yin and Yang. Dangerous and yet in control. Full of great pain but a source of healing to others. He’s capable of bringing justice against the powerful and yet showing mercy to the weak. He helps the lost to find themselves and is unable to discover his own true nature. Ironic isn’t it? Anna I think we have visitors. | |
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Miss Parker | We need to move. | |
Lyle | Patience Parker. The sweepers aren’t even in position yet. | |
Miss Parker | Lee has no idea we’re out here. You start stumbling around you’re going to blow it all. | |
Lyle | I know exactly what I’m doing. We’re going to go in and bring out the blind man. Let me show you how this is done. | |
Miss Parker | You idiot. We’ve been made. Get in. | |
Broots | Miss Parker that’s a wall. | |
Miss Parker | Yes. And this is a rental. | |
Broots | Oh! Oh! | |
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Miss Parker | Damn. He was right here. So this is how it’s done? | |
Lyle | Outside! He couldn’t have got far. | |
Broots | Wow, Mr Lee is like a Shaolin priest. | |
Miss Parker | What are you talking about? | |
Broots | Well you know, look, for he cannot be seen, felt for he cannot be touched… | |
Miss Parker | Oh get a life Kato. | |
Lyle | What’s this? Braille. Great. | |
Sydney | In case you’ve forgotten. | |
Miss Parker | What is it Syd? | |
Sydney | Names. Of people involved with Jarod. | |
Miss Parker | Why? | |
Sydney | He’s been interviewing them. | |
Broots | How would Mr Lee know about them in the first place? | |
Lyle | Someone at the Centre. | |
Miss Parker | Broots I want you to trace all phone calls coming into and out of this warehouse. Let’s find out who Mr Lee is working for and why. | |
Broots | Okay. | |
Lyle | Sydney, who do you think they are? | |
Sydney | Whoever they are, these must be some very special people. | |
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Lyle | Love the shoes. | |
Bernie | Thank you very much. | |
Lyle | Do you always wear that get up? | |
Bernie | Well I can see you don’t fully appreciate the incredible burden of my responsibility. | |
Sydney | You’ll have to excuse Mr Lyle. He’s not a fan. | |
Miss Parker | But I am Bernie and I do appreciate you taking time out of your busy schedule to talk to us. | |
Bernie | Well, I always got time to spend with a pretty lady. | |
Miss Parker | Tell us, what did Mr Lee want to know about Jarod? | |
Bernie | How I felt about him, minute by minute, from the very instant we met. | |
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Bernie | So don’t you little ladies forget. Come see my show tonight. There’s no cover, there’s no minimum and there’s free hot hors d’oeuvres. I’ll see you all later. Bye bye. Thank you very much. Huh! Hey there teddy bear! You come to rub elbows with the King of Rock ‘n’ Roll? | |
Jarod | No, I’m trying to understand this. You dress up in a rented costume and you pretend to be a dead singer? | |
Bernie | Singer? Son, do you have any idea who I am? | |
Jarod | Well actually I would have…. | |
Bernie | You are looking at a national monument. Mount Rushmore in Blue Suede Shoes. There’s not a human being on God’s green earth that has ever demanded attention and respect than the man you are looking at this very moment. | |
Ivy | Hey Bernie, some guy at the craps table says he’ll give you five dollars to come and goose his wife. | |
Bernie | I’ll be right there. Well my fans beckon. I must go. Thank you very much! | |
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Bernie | To tell you the truth I read Jarod all wrong at first. | |
Sydney | How so? | |
Bernie | Well just like I told Mr Lee. Turned out that he was the only person who really cared about what I was going through. | |
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Jarod | Hey! | |
Bernie | Well, welcome to Heartbreak Hotel. | |
Jarod | What are you doing here? You should be on stage. | |
Bernie | Oh no. There’s no more stage for the King. The Casino fired me. | |
Jarod | Did it have something to do with that bird thing? | |
Bernie | Bird thing? | |
Jarod | The goose? | |
Bernie | No, they said they’d had complaints about the show. So I’ve put on a twenty or thirty pounds. You think it is easy being the idol of millions? | |
Jarod | I would guess no? | |
Bernie | You’re damn right it isn’t. I sacrificed everything. I did it ‘cause I loved it. It’s what the people wanted. I just wish some of those casino big wigs could spend one hour wearing the cape, just one hour. I tell you what they’d walk away singing a different tune. I’d guaran–damn–tee you! | |
Jarod | Couldn’t you get a job at another casino? | |
Bernie | No. No, no, buddy boy. After twenty-four years of making people smile, singing the songs, spreading the good vibrations, I’m afraid it’s the end of the line for the King. We had one hell of a ride though, didn’t we? | |
Jarod | I bet you did. | |
Bernie | Um, look, I’m sorry I’m spilling my guts and I don’t even know your name. | |
Jarod | Jarod Felson. | |
Bernie | Bernie Baxley. | |
Jarod | Well it’s nice to meet you Bernie Baxley. | |
Bernie | I’m scared. | |
Jarod | Of what? | |
Bernie | Him. | |
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Bernie | Jarod helped me to face my fears, to find me again. I ah, got admit he kinda rubbed off on me a little bit. But I tell you, I think I rubbed off on him a little bit too. | |
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Jarod | Well thank you very much. | |
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Bernie | After that I left Vegas. Never looked backed. Now, thanks to Jarod I’ve got my own place in Bransom, where the King’s legacy is kept alive three hundred and sixty-three days a year. Only closed for New Year’s and of course the King’s birthday. Threw out my hip dancing about a year ago. But Jarod taught me that you got to keep on adapting you know, keep looking for better ways to move and groove forward. So I broadened my repertoire. I thought I’d treat you folks to, well, just a taste of my new act. Ladies and gentlemen, please welcome to the stage Tiny King! Huh? Hey TK, well do you want to say something to the pretty little lady? You look better than a fried peanut butter and banana sandwich. Well thank you very much. | |
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Miss Parker | Sam, get him out of here before I step on his blue suede face. | |
Sam | Yes, Miss Parker. Excuse me King? | |
Bernie | Yeah? | |
Sam | It’s time to leave the building. | |
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Bernie | Ah! Gotta TCB. | |
Lyle | You did say that these people must be…. special. | |
Miss Parker | What the hell is going on Sydney? | |
Sydney | Lee has been interviewing everyone of those people about their emotional connection to Jarod in order to anticipate his next move. | |
Broots | Miss Parker. Uh….uh. | |
Miss Parker | What is it? | |
Broots | I traced the last call from Mr Lee’s warehouse to the Centre and you won’t believe where it ended up. | |
Miss Parker | Spit it out Broots. | |
Broots | It went to your father’s office. | |
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Mr Lee | Mnnn Uh-huh. Yes. the next subject may be reluctant to cooperate. | |
Anna | Let me bring him in. | |
Mr Lee | Huh! Violence was not on your resume. | |
Anna | Hmmn. I’ll have to write a new one. | |
Mr Lee | Mnnnn. | |
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Lyle | Trouble? | |
Anna | Oh yeah the battery’s busted or something. | |
lv | Oh. Well maybe I can help? | |
Anna | Really? You don’t mind? | |
Lyle | Umm…I’m not much of a mechanic, but I am pretty good with my hands. Uhhhh. | |
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Lyle | Ah Mr Lee. | |
Mr Lee | I believe you have met my assistant Anna? | |
Lyle | Met her? She kidnapped me. | |
Mr Lee | Oh really? Please sit down. | |
Lyle | I don’t feel like sitting down. | |
Mr Lee | Oh. Excuse my urgency, but it is important that I know about your… relationship with Jarod. | |
Lyle | Really? Well I’d like to know about your relationship with Jarod. | |
Mr Lee | Mr Lyle, in life it is primary that one knows his position. And you sir, are not in position to ask questions. | |
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Lyle | Look, I don’t know what you’re up to but I think it’s time someone taught you some manners. | |
Mr Lee | Oh, I’m sorry. Did I hurt you? It is not only with sight that one sees. Let me help you. Once again Mr Lyle, go sit down and tell me your story. Hmmm? | |
Lyle | What do you want to know? | |
Mr Lee | I want to know what motivates Jarod. Why he risks himself to help others. Why he runs…. but does not vanish. | |
Lyle | Well, why do you think I can help you? | |
Mr Lee | Coochie, coochie, coochie coochie. Because you have a very unique relationship with Jarod. You did try to kill, did you not? | |
Lyle | All in the interest of science. | |
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Raines | Clear. Clear. | |
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Lyle | It really wasn’t my idea anyway. | |
Mr Lee | I believe you also kidnapped Jarod? Huh? | |
Lyle | Desperate times call for desperate measures. | |
Mr Lee | Desperate times call for desperate measures, Anna. So you weren’t content just to kidnap Jarod were you? You also had to shoot his brother and kill him. | |
Lyle | That was an accident. Pure and simple. | |
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Lyle | This is beautiful. Just one big happy family, isn’t it? | |
Jarod | It’s the end of the line, Lyle. There’s no place left for you to run. | |
Lyle | I’m disappointed in you Jarod. You know me better than that. Drop the cannon kid. | |
Miss Parker | Shoot him you moron. | |
Lyle | Shut up. Stay back or I put a very large hole in big brother. | |
Jarod | Kyle. | |
Kyle | Threats and pain that’s all you’ve ever offered us. You stole our lives and you killed our spirit and now you think you can threaten us with death. It doesn’t matter Lyle because we never made a difference anyway. | |
Lyle | I’ll kill him, I swear I will | |
Kyle | And then I’ll kill you. | |
Jarod | Don’t do this little brother. | |
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Mr Lee | There’s another part that drives Jarod that I..I don’t understand. | |
Lyle | And that is…? | |
Mr Lee | Why after all you’ve done to him…. he has not killed you. After all, he is more resourceful and intelligent than you are. | |
Lyle | Maybe he just likes me? | |
Mr Lee | Not. Shall we start from the beginning, all over again, huh? | |
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Miss Parker | Where the hell is Lyle? | |
Sydney | I don’t know. But he seemed genuinely disturbed over the revelation that Mr Lee is in contact with your father’s office. | |
Miss Parker | Well we’re not waiting any longer. Let’s go ahead and talk to this guy. | |
Sydney | Hmmmn. | |
Miss Parker | Hi. | |
JR | Hi. | |
Sydney | Hi JR. My name is Sydney and this is Miss Parker. | |
JR | Miss Parker? You sure look familiar. | |
Miss Parker | I have one of those faces. Listen JR it’s very important that you tell us exactly what Mr Lee wanted to know about Jarod. | |
JR | Is Jarod in some kind of trouble? | |
Sydney | He might be. | |
JR | I’ll do anything to help him. He saved my life twice. Once before I ever met him. | |
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Deputy Miller | JR? JR? Honey? Sweetie? Can you hear me? JR? Wake up. | |
Jarod | He’s in shock. He’s still breathing. | |
Deputy Miller | He’s hypoglycemic. | |
Jarod | When was the last time he ate? | |
Deputy Miller | Um? He had cereal for breakfast, three, four hours ago. JR? Come on honey. What do you think you’re doing? | |
Jarod | I need to stabilise his blood sugar. Stick this in your mouth I want you to let it dissolve okay? Good boy. | |
JR | Mom? | |
Deputy Miller | Oh. Oh… It’s okay honey. Everything’s gonna be okay. | |
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JR | Mr Lee seemed to be very interested in the fact that Jarod knew that I was sick. | |
Sydney | Your heart. | |
JR | I needed a transplant. My mom had pretty much given up hope that I would get one in time. Until Jarod came into our lives. | |
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Jarod | How is he feeling? | |
Deputy Miller | Better. | |
Jarod | He has a heart condition. I noticed the bluish tint to his fingers and lips. I’d say by the look of it, you have a very sick boy. | |
Deputy Miller | Are you a doctor? | |
Jarod | Not at the moment. Why hasn’t he had a heart transplant? | |
Deputy Miller | Because he’s on a waiting list. Because he has AB- blood which is very rare. It only happens in certain families. | |
Jarod | One in three hundred thousand. I know. I have it too. | |
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Miss Parker | You said Jarod saved your life twice. | |
JR | He found me a heart. | |
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Jarod | Stay with me little brother. I’m going to get you to a hospital. | |
Kyle | It’s too late, Jarod. | |
Jarod | Don’t you say that. Look at me! Come on. Just…Just think.. think about of all the good times we’re going to have together. | |
Kyle | I’m sorry Jarod. | |
Jarod | For what? | |
Kyle | F-For everything. | |
Jarod | No. | |
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Miss Parker | Jarod gave you his brother’s heart. | |
JR | Yeah, and ever since the transplant he calls. Not just to check up on me, to see how I’m really doing. | |
Sydney | Mmm. | |
JR | Jarod’s like the older brother that I never had. Mr Lee seemed to think that was real important. | |
Sydney | Thank you JR. Sam will take you home. | |
Sam | Come on Tin Man. | |
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Sydney | Mr Lee’s really narrowing it down. Compassion, empathy, desire for justice. All the things that make Jarod Jarod. | |
Miss Parker | Do you think he will be able to anticipate Jarod’s next move? To actually catch him? | |
Sydney | Unless we get there first. | |
Broots | Miss Parker. Miss Parker. About that phone call from Lee to your father’s office. | |
Miss Parker | What about it? | |
Broots | Well it wasn’t actually Mr Parker. | |
Miss Parker | Well did it go to his office or didn’t it? | |
Broots | Yes, I mean, technically yes. | |
Sydney | Technically? | |
Broots | Well, there was a second phone line recently installed in your father’s suite. It seems now that he’s sharing his office with someone else. And I traced that call from Mr Lee to that new line. | |
Miss Parker | And just whose new line might that be as if I didn’t know? | |
Broots | Bridget. | |
Miss Parker | Well, why did I even ask? | |
Broots | Well she’s not there. I just intercepted another call between her and Mr Lee. She’s left in a limo. Mr Lee’s Limo. They’re going to get Jarod. | |
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Bridget | So tell me how you found him. | |
Mr Lee | Simple. By interviewing people whose lives Jarod has touched I’ve been able to understand how he thinks and more importantly, how he feels. | |
Anna | We were able to break the code, the pattern of his behaviour. | |
Mr Lee | Jarod has a need to defend those that have been abused by power. Because of this need he is drawn to predictable situations. | |
Bridget | Such as? | |
Mr Lee | Those that are related to the trauma of a childhood and the guilt he feels over the abuse of his work. Anna has extensively researched potential scenarios that would attract him. | |
Anna | We successfully isolated the one that will lead us to him. | |
Bridget | It’s a shame that my future step children won’t be there to share the moment. | |
Mr Lee | You’re deliciously naughty. | |
Bridget | Why thank you Mr Lee. | |
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Miss Parker | A blind Chinese guy, a bimbo and a limousine. How hard could that be to find. Two and a half years we’ve been chasing him and that bitch is going to bring him in. | |
Sydney | Lyle, are you alright? You look terrible. | |
Lyle | You oughta see the other guy. | |
Miss Parker | Bad hair day? | |
Lyle | I was abducted by… several of Lee’s men. They obviously got the best of me but I put a whole lot of hurting on them in the process. Lee questioned me for hours but he finally gave up. He had his enforcers drop me off in the middle of nowhere. | |
Miss Parker | Oh, well you can thank Bridget for your quality time with Lee. | |
Lyle | Bridget? | |
Sydney | He’s working for her. | |
Miss Parker | Yeah, she’s going to bring Jarod in. | |
Broots | Oh. Not if we get there first. I’ve triangulated the signal from Bridget’s cell phone and it should lead us right to Bridget and Mr Lee. | |
Miss Parker | And that should lead us right to Jarod. | |
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Comp Voice Abner | Thank you Jarod. | |
Comp Voice Jarod | You’re welcome. | |
Grandfather | Abner gets to come home where he should have been the whole time. | |
Grandmother | How can we ever repay you for all you have done for us? | |
Jarod | This is repayment enough. Good luck Abner. | |
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Bridget | Ironic place to find Jarod. A genius at an facility for the mentally challenged. | |
Mr Lee | Jarod has discovered that many of the residents have been intentionally misdiagnosed. The director keeps them here in order to defraud the insurance and their parents. | |
Anna | They’re trapped, prisoners in an institution that denies them their freedom. | |
Bridget | And Jarod is here to liberate them. How noble. | |
Mr Lee | Wait. | |
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Bridget | No. No no no no no. I don’t believe this. What the hell are you doing here? | |
Miss Parker | Good to see you too. Where is here? | |
Bridget | I’m supposed to bring him in. | |
Miss Parker | Like hell you are. | |
Lyle | Nobody’s cutting me out of this, least of all you. | |
Mr Lee | Stop your arguing. We must get to Jarod now. | |
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Lyle | He’s gone. | |
Miss Parker | You have a gift for the obvious. | |
Bridget | He knew we were coming. | |
Miss Parker | He’s known all along, intercepted your memo. | |
Mr Lee | What memo? | |
Miss Parker | From Bridget to Daddy requesting the unique services of Mr Lee to catch Jarod. | |
Bridget | He couldn’t have done this alone. | |
Miss Parker | You blew it, Angel. | |
Mr Lee | Someone informed him of our presence. Anna. | |
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Jarod | Thank you for all of your help. | |
Anna | After all the people you helped it was about time that someone helped you. | |
Jarod | What you did took a lot of courage. You bought me the time I needed. | |
Anna | And I’d do it all again in a heart beat. What you did for my family and my nephew. I’m the one who should be thanking you. | |
Jarod | I hope some day we’ll meet again. | |
Anna | I hope so too. | |
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