2-20 Bank
2-20 Bank
Bank
Patience has never been on of your virtues has it, Miss Parker?
Jarod
Bank
Patience has never been on of your virtues has it, Miss Parker?
Jarod
Original air date: May 9, 1998
Written by: Harry Dunn
Directed by: Michael Lange
When Jarod helps arrange a meeting between Miss Parker and a man who knew her mother, he discovers that this is the same man who stole him from his parent’s home.
Jarod’s Discoveries: Mr. Fenigor
Jarod’s Occupations: None
Jarod’s Aliases: Jarod
Official Synopsis
Jarod and Miss Parker are held hostage in a bank robbery—along with a man who holds a key to both their pasts.
Miss Parker receives an envelope containing an old letter from her late mother, and a message summoning her to a local bank. At the bank, Jarod appears and hands Miss Parker three more letters from her mother. Then, he points to a 50ish man, whom Miss Parker recognizes as Mr. Fenigor, the man who helped Catherine Parker rescue children from the Centre. Before the two of them can approach Fenigor, however, two men, Clavell and Jude Dane, announce they are robbing the bank.
Assistant Manager Frank Isaac presses an alarm button. A nervous young bank guard confronts the robbers, but Clavell shoots and kills him. As a SWAT team mobilizes outside, and Clavell collects valuables from the hostages inside, Fenigor recognizes Miss Parker. Jarod tells Miss Parker that he found the letters from her mother in a safe at her father’s house. Meanwhile, at the Centre, Broots and Sydney view a news bulletin about the robbery on TV, and see Clavell holding Jarod at gunpoint. Mr. Parker and Mr. Raines also see the broadcast and order Willie to round up his Sweeper team.
Back at the bank, Miss Parker reads the letters from Catherine, who talks about her plans to rescue Jarod from the Centre. Jarod scans historical photos of the bank, noting the building’s raised foundation. Clavell asks for the combination to the bank vault. When Isaac says he doesn’t have it, Jarod volunteers to pick the lock. As he works, he tells Clavell there may be a safe escape route under the building. Later, as Clavell robs the vault, Jarod approaches Fenigor and begs to be told who his parents were. But Clavell sees them talking and shoots Fenigor.
Using soap, towels, duct tape and a plastic bag, Jarod seals off Fenigor’s wounds so he can breathe. As Isaac squabbles with his 15-year-old daughter, Kaley, Jarod suggests to Miss Parker that father/daughter relationships are difficult. Then, gently, he breaks the news that it may have been Mr. Parker who killed Catherine.
As Clavell herds the hostages into the bank vault, a teller informs Jarod that Fenigor makes regular deposits of checks from the Centre. Outside, Sydney and Broots arrive. So do the Sweepers. Broots sees a Sweeper kill a SWAT officer and don the man’s uniform. Sydney reveals he, too, has a gun, and vows to stop the Sweeper before he can kill Jarod.
Back inside, Fenigor regains consciousness. He admits to Jarod that he was the one who stole him from his parents. He hands Jarod the key to a safe deposit box. Miss Parker demands to know who killed her mother, but Fenigor’s lungs start to fill with fluid and he cannot talk. Miss Parker begs Jude for a plastic bottle to use in draining Fenigor’s lungs. When Jude brings it, she grabs him and takes his gun. But then Clavell appears, holding Isaac at gunpoint. Miss Parker backs down and hands over Jude’s gun.
Outside, as Sydney searches for the sniper, Willie grabs Sydney and tosses his gun into a dumpster. Broots retrieves the gun as Willie delivers Sydney to Mr. Raines in a nearby limousine. Back inside, Miss Parker helps Kaley negotiate a truce with her father. Jarod praises Miss Parker’s efforts. As Clavell and Jude cut through the basement floor to get to the subterranean passage, Broots searches for the sniper, and Jarod opens Fenigor’s safe deposit box. Papers inside reveal the source of Fenigor’s income: Mr. Parker. He also finds an envelope with Jarod’s name on it that contains a key, a telex with a Michigan address and a business card for the “Chrysalis Family Group.” Fenigor promises to tell Jarod what it all means if he will get him out of the bank.
Jarod hides an exploding dye pack in a chocolate Easter egg and offers it to Jude, who has been complaining of hunger. As Jude takes the egg, the dye and tear gas explode in his face. Jarod and Miss Parker disarm the robbers and the hostages flee. As Fenigor is loaded into an ambulance, he tells Miss Parker that her father has been paying him to protect her. Then Jarod comes out of the bank and the sniper takes aim. Broots aims at the sniper, but the sniper sees him and shoots at him. Miss Parker makes one last attempt to talk to Fenigor. As he says something about “Prodigy—the Red Files,” the sniper shoots him in the shoulder. In the confusion that follows, Sydney finds Miss Parker, but Jarod disappears. That night, Mr. Parker visits his daughter. When he asks about the robbery, she denies any knowledge of Fenigor. Later, Jarod calls and assures Miss Parker that they will have some answers soon.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Bank Transcript
Miss Parker | I want a list of people who were on that bus with Jarod. | |
Broots | The, uh, bus company says they cant disclose passenger identification. | |
Miss Parker | The bus company says. You are truly pitiful. | |
Broots | Well, yeah, they have certain privacy regulations. THere’s a certain protocol that we have to follow. | |
Miss Parker | Daddy. | |
Broots | Daddy? | |
Mr Parker | Well, are you gonna invite me in? | |
Broots | Hello? | |
Miss Parker | Of course. | |
Broots | Hello? Miss Parker? | |
Miss Parker | Come in. | |
Mr Parker | Hmmm. I like what you’ve done with the place. Your mother’d love it. Oh, now that is special. Is that new? | |
Miss Parker | It was a gift… when I graduated college, from you. | |
Mr Parker | You remembered. Hmmm. Why, you were 10 years old. You’d just come home from your first piano recital. What was the name of that piece you played? Fur Elise? | |
Miss Parker | Bach’s Minuet in G. Daddy wa ht are you…. | |
Mr Parker | Oh, she was so beautiful, like you. I wish people would remember your mother the way she really was. They always taint her memory with lies. | |
Miss Parker | Lies? | |
Mr Parker | Yeah, the kind Jarod perpetuates about her, about me. | |
Miss Parker | The truth about Mom is in my heart. Nothing can change that. Daddy… why are you here? | |
Mr Parker | Oh, bad dream, I was awake all night. I just, uh, want to make sure you’re all right. Bach’s Minuet in G. I would love to hear you play that again. | |
Sydney | You sure it was her father? | |
Broots | Yeah. Strange that Mr Parker would go back to that house after all these years…. typically unpredictable. | |
Miss Parker | Working hard I see. | |
Broots | Miss Parker. Oh, this came for you. | |
Sydney | I hear your father came to visit. Would you like to talk about it? | |
Miss Parker | Does it look like I want to talk about it? | |
Sydney | Mn-mmm. | |
Miss Parker | Dover Town Bank? Jarod. | |
Sydney | A letter from your mother? | |
Flashback | ||
Catherine | March Jude0, 1970. I’m counting the days until our trip to Europe. How excited I am at the prospect of showing you the world. For now though, my friend and I must amend some of the ugliness that exists around us. But I promise you and I will put all of this behind us on April 14. All my love Mom. | |
Miss Parker | April 14th, the day after Mom died. | |
Sydney | Miss Parker? | |
Dover Town Bank | ||
Teller | Next in line please. | |
Man | It’s over there, that table there. | |
Teller Jude | The loan desk is over there sir. | |
Harold Rosen | Oh, hello. Don’t put all your eggs into one basket. Harold Rosen. Can I interest you in one of our Easter annuities of IRA accounts? | |
Miss Parker | Back off Bugs. Excuse me, I’m expecting a package, a letter or something left for me. The name is Parker | |
Dad. Mom sent me here to get the child support. She said not to leave until you pay. | ||
Frank Isaac | One of the tellers can assist you. | |
Harold Rosen | Easter annuity? Guess not. | |
Teller | Ma’am, I have customers ahead of you. If you’ll please wait in line | |
Jarod | Patience has never been on of your virtues has it, Miss Parker? | |
Miss Parker | You got quite a set showing up here. | |
Jarod | Well, even you wouldn’t pull a gun in a bank. | |
Miss Parker | Where did you find that letter? | |
Jarod | In the last place you’d expect. Would you… care to read more? | |
Miss Parker | You son of a bitch. You could have just sent these. Why drag me down here? | |
Jarod | So you wouldn’t miss… him. | |
Teller | Good morning mr Fenigor. | |
Flashback | ||
Catherine | Mr Fenigor, I’ve got to get Jarod and Timmy out of here tonight. | |
Miss Parker | Fenigor? The man who helped my mother rescue the children at the Centre? | |
Jarod | The man who helped your mother try to save me. He’s a regular. Comes here every Friday morning. He’s been doing it for years. | |
Catherine’s voice | My friend and I must amend some of the ugliness that exists around us. | |
Miss Parker | He may know who killed my mother. | |
Jarod | Who my parents are. The secrets to both our pasts. | |
Clave | Everybody sit tight! This is a robbery! | |
Jude | Move down! Let’s go! Move down! | |
Clave | You move, you die. Are we clear? | |
intro | ||
Jude | Move down! Move down! Let’s go! Shut up! | |
Clave | I find one exploding dye pack, somebody’s not going home for lunch. You got that? | |
Jarod | What the hell are you doing? | |
Miss Parker | Ending this thing. | |
Jarod | By getting everybody killed? The sooner they get their money and leave, the sooner we get answers from Fenigor. | |
Clave | Listen to me people. Nobody speaks, nobody moves, nobody gets hurt. Come on, come on. | |
Jude | Shut up! | |
Clave | Everybody keep their hands where I can see them. | |
Kaley | Dad don’t! | |
Jude | Alarm! | |
Clave | Frank K Isaac, Assistant Manager. | |
Frank Isaac | I have a family. | |
Clave | I bet you do. | |
Security | Put the gun down and turn around. I can’t allow you to walk out of here. | |
Clave | We got ourselves a problem then, don’t we? | |
Jude | Clave… | |
Clave | Shut up. Now I-I’m gonna count to three. You’re gonna lay that piece down onto the floor. One… two… Get back. Now! What the hell are you looking at? Check the front door. Get down. Now! You got something to say sister? | |
Miss Parker | Nothing you want to hear. | |
Clave | Keep it that way. All right, everybody up. Move over here. Come on. | |
Jarod | It’s not too late to stop this. | |
Clave | Tell him that. Now shut up and move. | |
Lt Row | This is Lieutenant Row. I want SWAT snipers deployed to all buildings across the street surrounding the bank. | |
Radio | Roger that Lieutenant. Sniper teams deployed and in position in three minutes. | |
Police | Okay, give me an open line into the bank. Get those people back. | |
Clave | Let’s go, move it! Come on. Everyone in. Everybody down behind the manager’s desk. Now! Move! Get down! If you move, you’re dead. We want your valuables, watches, rings, wallets. Whatever you got, give it up. | |
Jude | And your wallet, in the sack. | |
Clave | Hurry up. | |
Jude | That means you too lady. Come on. | |
Jarod | Looks like he’s just seen a ghost. | |
Miss Parker | He has and I intend to rattle some bones as soon as I can get to him. How is it that this guy was still alive and I didn’t know about it? | |
Jarod | Well, I guess that Daddy keeps some secrets from you. Did he tell you about those letters? | |
Miss Parker | I’m sure he didn’t know about them. | |
Jarod | Well, that would be a stretch, considering that I stole them from his strongbox. I’m afraid I woke him up. | |
Miss Parker | When? | |
Jarod | Last night. | |
Flashback | ||
Miss Parker | Why are you here? | |
Mr Parker | Oh, bad dream, I was awake all night. | |
Jarod | You’d think a man with as much to lose as your father would have a better home security system. | |
Miss Parker | You’re lying. | |
Jarod | Ask him about that little gift I left for him. | |
Raines | Are you sure it was Jarod? | |
Mr Parker | Took some of Catherine’s things and seams of mine and he left this behind. | |
Raines | Jarod is rubbing our noses in it. | |
Clave | Whose phone is that? | |
Broots | Hello, hello? Hello? Miss Parker? Hello? | |
Clave | Give it. | |
Broots | miss parker? miss parker? It’s Broots. It’s Broots. Can you hear me? Hello? Hello? | |
Jude | Watches and wallets, come on everybody. Give it up. Put it in the bag. | |
Clave | Jude! You weren’t gonna shoot my little brother were you, lady? | |
Miss Parker | I’ll leave the executions to you. | |
Clave | Throw something over him. | |
Miss Parker | Out of sight, out of mind, huh? | |
Jarod | Hey! Leave her alone. | |
Clave | All right. All right, get up. | |
Jarod | What? | |
Clave | Get up! | |
Jude | What are you doin’ Clavell? | |
Clave | Gettin’ us out of here. Come on. Come on! | |
TV Reporter | Two armed robbers have entered the Dover Town Bank. We do know gunshots have been fired and hostages have been taken. | |
Broots | Huh. Well, she, she never hung up her phone, so I was able to triangulate the signal. And ahh, called the Dover police and they told me about the robbery. And then I… I called Mr Parker’s office, but uh, nobody’s gotten back to me. | |
Sydney | We need to go to Dover. | |
Broots | Without a directive from upstairs? Sydney, forget it. | |
Sydney | Miss Parker is not just a colleague Broots. She’s a friend. | |
TV Reporter | Just a minute, a situation is developing. One of the robbery suspects is emerging from the bank with a hostage at gunpoint. | |
Broots | Sydney, is that who I think it is? | |
Clave | I want a helicopter to the airport, and I want a plane waitin’ on the runway. | |
Broots | Oh boy. | |
Clave | You got one hour to set it up, or people start to die. | |
Raines | Where is this? | |
Gar | Dover. | |
Miss Parker | Dover Town Bank? | |
Raines | Round up your group. | |
Catherine’s Voice | April 13, 2am. We failed to rescue Timmy. | |
Flashback | ||
Catherine | No! | |
Catherine’s Voice | Raines had already destroyed that sweet little boy. | |
Catherine | Raines, what are you gonna do with tm now? | |
Raines | There is no Timmy anymore. | |
Catherine’s Voice | They’ll call him Angelo now. We’re planning to rescue Jarod tonight. Then tomorrow, you and I will be on our way to a better place. All my love, Mom. | |
Clave | Going somewhere? | |
Miss Parker | Apparently not. | |
Frank Isaac | There’s no smoking here. | |
Miss Parker | Call a cop. | |
Clave | I need the key to the outer vault door. | |
Kaley | Dad, give it to him. | |
Clave | Dad? This your daughter Frank? | |
Frank Isaac | You stay away from her. | |
Clave | Okay, Dad. She sure is a peach though. | |
Frank Isaac | Your mother should be shot for sending you here. | |
Kaley | If you cared about me, she wouldn’t have asked me to do this. | |
Frank Isaac | That’s what she said, I don’t care about you? She’s telling you lies. | |
Flashback | ||
Mr Parker | Lies, the kind Jarod perpetuates about her, about me. | |
Jarod | Parents lying to their children. Now where have I heard that one before. | |
Miss Parker | My father had his reasons for keeping those letters from me. | |
Jarod | Like he had his reasons for saying your mother’s death was a… suicide? But if you really believe that, why are you so hell-bent on finding out what Mr Fenigor has to say? | |
Clave | Combo to the vault cage. | |
Frank Isaac | Only the senior manager has it. He’s not in today. | |
Clave | How you doin’ sweetie? | |
Miss Parker | Why don’t you pick on somebody your own size? | |
Clave | Why don’t I put a bullet through your brain? | |
Jarod | I can open the vault. | |
Clave | What are you, some kind of handyman? | |
Jarod | Just versatile. You know, there’s another way out of here, one with less bloodshed, specifically yours. | |
Clave | What are you talking about? | |
Jarod | There’s a vent that leads down to a main sewer line. It leads right out of here. | |
Clave | And how do you know that? | |
Jarod | I studies the blueprints before I came in here. You’re not the only one who’s on the run. | |
Clave | So you’re a handyman and a fugitive architect. You are versatile. Now open it. That’s very good. Let’s go. | |
Jude | Tell the cops to bring us something to eat. I’m starving. | |
Clave | You’re always starvin’. Get in there. Give me a bag. Keep an eye out. | |
Jarod | Mr Fenigor, my name is Jarod. Do you remember me? | |
Fenigor | Should I? | |
Jarod | I was one of the children that you and Catherine parker tried to rescue from the Centre. You tried to help me once. Please… help me now. | |
Fenigor | I-I don’t know what you’re talking about. | |
Jarod | You are the only person who can help me find out who my parents are. Look, you are being held against your will. You feel trapped and you feel terrified. I lived my entire life that way. Please…. help me. | |
Fenigor | You and her together? | |
Jarod | It’s complicated. | |
Fenigor | You don’t know what you’re asking of me. | |
Jarod | I am asking you to honour Catherine Parker’s memory. Please tell me who my parents are. Help me find out who I am. | |
Fenigor | I can’t. | |
Jarod | Please. | |
Fenigor | I cant. I’m sorry, I just cant. | |
Jarod | Mr Fenigor! No! | |
Jarod | No! | |
Clave | Hey! | |
Jarod | I have to help him. | |
Clave | I didn’t shoot him so he could be helped. | |
Jude | Clave. | |
Clave | Not now Jude. | |
Jude | Hey. Hey hey! | |
Jarod | It’s one thing to defend yourself against an armed bank guard. It’s another thing to shoot an innocent man in the back. If this man dies, so do you, in the electric chair. | |
Man | Is he alive? | |
Harold Rosen | I don’t know. | |
Jarod | The bullet punctured his lung. He’s drawing in air from the exit wound. I need hand towels and I need some soap. | |
Woman | In the bathroom. | |
TV Reporter | Details at this time are sketchy. However, another shot was just heard from inside the bank. I’m going to make my way to the SWAT commander now for confirmation. | |
Miss Parker | Don’t you die on me. | |
Jarod | I need a plastic bag, and I need some tape. | |
Harold Rosen | I’ve got a bag. | |
Jarod | I have to seal the wound, or he wont be able to breathe. Cut off strips about this long. Apply constant pressure to the wound like this. I have to get him to a hospital. | |
Clave | Nobody goes anywhere. | |
Jude | Maybe we should do it. It’s just one guy. | |
Clave | Nobody goes anywhere! | |
Jarod | Find me something to elevate his legs. He’s diaphoretic. His pulse is thready and he’s bleeding internally. I can stabilise him for a while but he needs to get into surgery. | |
Miss Parker | What the hell am I doing here? | |
Jarod | How does it feel to be the prey instead of the predator? | |
Miss Parker | Well, you wouldn’t be the prey if you’d get back to the Centre where you belong. Oh nice! | |
Jarod | Fitting. You are so willing to ruin my life. Is your father’s validation that important to you? | |
TV Reporter | I’m standing here with Kristi Isaac, whose daughter is Kaley is a hostage inside the bank. Kristi? | |
Kristi Isaac | Please don’t hurt my daughter. She’s all I have. | |
Kaley | Mom? | |
Kristi Isaac | Kaley, Kaley. I love you. Frank, please take care of her. | |
Jarod | It’s difficult for little girls to figure out their fathers, isn’t it? | |
Miss Parker | Your point? | |
Jarod | You give your loyalties to a man who fills your head with lies. Lies about those letters, lies about Fenigor. | |
Miss Parker | And I suppose my loyalty should go out to you? | |
Jarod | What would you do if Fenigor confessed that it was your father who killed you mother? | |
Miss Parker | He didn’t! He loved her. | |
Jarod | You are so sure of that aren’t you, Miss Parker? | |
TV Reporter | It appears that the police seem to be mobilising for a possible assault on the bank. | |
Clave | Everybody into the vault! Let’s go! | |
Teller | How’s he doing? | |
Jarod | He’s stable… for now. | |
Miss Parker | How well do you know him? | |
Teller | Comes in every Friday to pull cash out of his trust account. | |
Jarod | Does he ever come in to make deposits? | |
Teller | His account is funded by an outside source, some company from Blue Cove. | |
Miss Parker | So the Centre is paying Fenigor to keep quiet. The question is who? | |
Jarod | And quiet about what? | |
Sydney | Over here Broots. Anything? | |
Broots | No. Uh, police, locals, no one I recognise. | |
Sydney | Maybe we’re the only ones who know that Jarod is here. | |
Broots | Think again. It’s Gar and another of Raines’ guys. | |
Sydney | They’re not the only ones. There’s Sam. | |
Broots | This place is crawling with Sweepers. | |
Sydney | We need to figure out what Raines is up to. I’ll follow Sam. You follow the others. | |
Broots | Wait, wait, wait, wait! Sydney! Oh God, what am I doing here? I must be out of my mind. | |
Harold Rosen | What are they doing? | |
Jarod | Working on escape plan B. | |
Catherine’s Voice | April 13, 7am. I have a bad feeling about the people surrounding me. If I can just get through this tonight, we’ll be on our way to a better place. All my love, Mom. | |
Jarod | I know it’s not easy reading those letters. Look, I broke into your father’s house, trying to find something abut my past, but instead, I found out about yours. Your mother deserved a better fate than what she got. | |
Miss Parker | You’re damn right she did. She used to send me letters on my birthday, holidays. I never knew about these. My father paid me a visit this morning, talking about how you taint the memory of my mother with lies. | |
Jarod | And you believed him. | |
Kaley | Daddy, I have to go to the bathroom. | |
Frank Isaac | Hold it. | |
Kaley | I can’t. | |
Frank Isaac | These men are crazy, I’m not gonna risk getting us both killed. | |
Miss Parker | Clave! | |
Frank Isaac | What are you doing? | |
Miss Parker | Your job. Clave! The kid has to use the bathroom, So do I. | |
Clave | Hold it. | |
Miss Parker | Hey, give us a break huh? | |
Clave | Jude! | |
Kaley | Thanks for what you did back there. | |
Miss Parker | When you gotta go, you gotta go. | |
Kaley | My dad says that he wants to take care of me, but … but then he lies to me. | |
Flashback | ||
Miss Parker | Daddy, why are you here? | |
Mr Parker | Oh, bad dream, I was awake all night. | |
Kaley | I don’t know what to believe. | |
Miss Parker | Believe what’s in your heart. Come on. | |
Fenigor | Jarod. | |
Jarod | mr Fenigor, you’ve been shot. Don’t try to move. | |
Fenigor | You, you saved my life. | |
Jarod | I did what was needed to be done. | |
Fenigor | Jarod, I’m sorry. I’m sorry I took you from your family. I do want to let you know how… how sorry I am. | |
Jarod | mr Fenigor, please… tell me who my parents are. | |
Miss Parker | Is that the key to his safe deposit box? There might be something about my mother in there. | |
Jarod | If there is, you’ll get it. Miss Parker, I brought you this far, I’m not gonna shut you out now. | |
Miss Parker | Fenigor, my mother called you her friend. You owe her. You owe the both of us the truth. Who killed my mother? Who killed my mother? | |
Jarod | Miss Parker, please! He can barely breathe. | |
Miss Parker | Who’s paying you off to keep it a secret? What’s happening to him? | |
Jarod | There must be blood around his lungs. I need some sort of tube to drain it out. | |
Kaley | I have a sports bottle on Daddy’s desk. | |
Miss Parker | Jude! Jude! Jude, the old man can’t breathe. We need the water bottle that’s on the manager’s desk. | |
Jarod | I don’t know. | |
Miss Parker | He’s gonna die if we don’t help him. I know you couldn’t do anything about that guard, but you can do something now. | |
Jarod | Just hang on. Come on. | |
Jude | Get back. | |
Miss Parker | Don’t move. Back off, or I drop little brother. | |
Clave | I’ve already shot two people, you think one more’s gonna make a difference? | |
Kaley | No! Please! Please don’t kill my father. | |
Clave | What’s it gonna be? | |
Broots | Mr Raines’ guy is in a SWAT uniform . He’s right up there. | |
Sydney | The target must be Jarod. We have to take care of this sniper before he shoots Jarod. | |
Broots | Well, well, don’t look at me. I cant even squash a bug Sydney. | |
Sydney | Then guard the alleyway. Don’t let anyone follow. Are you up to this Broots? | |
Broots | No, but it’s never stopped me before. | |
Gar | Sydney, mr Raines would like to see you. You wont be needing that. | |
Clave | What the hell where you doing in there? | |
Jude | She said the old guy needed help. | |
Clave | Help? I need help. You pull something like that again… you’re gonna end up just like the guard, brother or not. | |
Miss Parker | You okay? | |
Kaley | I wanna go home. | |
Miss Parker | Me too. | |
Frank Isaac | Get away from her. | |
Kaley | What? She tired to save us. | |
Frank Isaac | She could have gotten us all killed. | |
Miss Parker | It’s okay. | |
Kaley | No, it’s not. | |
Frank Isaac | You do as I say. I’m your father. | |
Kaley | Oh yeah? Since when? You know, you can keep your money. I cannot believe Mom thought it would make a difference if I came down here. | |
Frank Isaac | This is because of you. | |
Miss Parker | I can’t figure out if you’re ignorant or just stupid. | |
Frank Isaac | You listen to me. | |
Miss Parker | No, you listen to me! You think that little girl came down here today for money? There is something here a lot more important to her than cash and I … I feel real sorry for you if you’re too blind to see what that is | |
Jarod | Miss Parker reached out to help someone. | |
Miss Parker | Spare me. | |
Jarod | Your mother would be very proud of you. | |
Miss Parker | You put on quite a show today. Sydney taught you well. | |
Jarod | Sydney taught me to believe that you can be anything you wanna be. | |
Raines | You should have know better than to come here without a directive. | |
Sydney | You should know better than to defy Tower policy by having Jarod assassinated. | |
Raines | You’re in over your head Sydney. Shoot him if he tries to leave. | |
Frank Isaac | I’ve made some mistakes. I don’t want to lose you. | |
Miss Parker | mr Fenigor? You were my mother’s friend, her confidant. Please tell me who killed her. He’s not gonna tell me. | |
Jarod | Maybe he already has. | |
Sydney | Could you really do it Gar? Could you kill me if I stepped out of this car? | |
Gar | Yeah. | |
Cop | Move the car buddy. | |
Sydney | Thank you kindly Gar. Now do as the officer says, move the car. | |
Miss Parker | Fenigor’s deposit records. Transfer from a Centre bank in Bimini. $10000 a month. Every month for the last 28 years. | |
Jarod | Do you recognise the account number? | |
Miss Parker | No. | |
Jarod | It’s your father’s. | |
Miss Parker | How do you know? | |
Jarod | You’d be surprised what I know about him. | |
Miss Parker | That’s it? | |
Jarod | That’s it. | |
Miss Parker | What else does he know? | |
Jarod | Apparently everything. mr Fenigor, what secrets are in this envelope? What is it? | |
Fenigor | It’s about Prodigy. This is where you came from. Get me out of here and I’ll tell you everything, both of you. | |
Miss Parker | What are you going to do with that dye pack? | |
Clave | Well? | |
Jude | Handyman was right. There’s an access entry to the main sewer line. | |
Clave | We’re gonna get out of here, little brother. Come on. | |
Clave | This is your lucky day, people. Thanks to Jarod’s brilliant escape plan, none of you will have to die today. In spite of everything… It’s ben a real gas. | |
Jarod | Well, at least we won’t starve. | |
Jude | Give me that one. | |
Jarod | What? | |
Jude | Give it. | |
Clave | Come on Jude! Jude, what the hell you doin’? | |
Miss Parker | Everybody out! Help me with the old man. Be careful with him. Out out! Hurry! | |
Miss Parker | Mind if I cut in? | |
Jarod | I don’t like being locked up in little rooms. | |
Miss Parker | This is mine. | |
Harold Rosen | Oh, thank you Jarod. | |
Miss Parker | Let’s get out of here. | |
TV Reporter | The crisis is over. The hostages are coming out of the bank now, and the paramedics have gone in. | |
Jarod | Move! Move! Come on. | |
Sydney | Jarod! | |
Miss Parker | mr Fenigor. | |
Sydney | Jarod! | |
Miss Parker | mr Fenigor, why is my father paying you? Is it about who killed my mother? | |
Sydney | Jarod! | |
Miss Parker | Answer me! | |
Fenigor | It’s in the Red Files. | |
Miss Parker | Red Files? | |
Fenigor | Prodigy red files. | |
Miss Parker | Prodigy. | |
Broots | Freeze! | |
SWAT | All units. Shooter, second story, 641 building across the street from the bank. Move. | |
Broots | Please! | |
Raines | You were right. Fenigor was in there. | |
Mr Parker | Did we get him? | |
Raines | Wounded. He’s in an ambulance. I’ll take care of the details. | |
Mr Parker | Do you think he told her anything? | |
Raines | Nothing that can’t be denied. | |
Sydney | You alright? | |
Miss Parker | Perfect. | |
Mr Parker | Where’s Jarod? | |
Miss Parker | He got away. | |
Mr Parker | Another failure. | |
Miss Parker | I’m fine Daddy. | |
Mr Parker | What? | |
Miss Parker | Maybe you’ll sleep better tonight. | |
Catherine’s Voice | March 20, 1970. I’m counting the days until our trip to Europe. How excited I am at the prospect of showing you the world. For now though, my friend and I must amend some of the ugliness that exists around us. But I promise, you and I will put all of this behind us on April 14. All my love, Mom. | |
Miss Parker | Daddy. | |
Mr Parker | Am I still welcome here? | |
Miss Parker | It’s late. | |
Mr Parker | Thank God you’re alright. Um… sorry I didn’t say that earlier. | |
Miss Parker | You didn’t have to come all the way out here to tell me that. | |
Mr Parker | Oh, yes, Angel, I did. See I wasn’t entirely forthcoming with you this morning. | |
Miss Parker | Oh? | |
Mr Parker | Truth is, somebody broke into my house last night. | |
Miss Parker | That’s terrible. I hope you didn’t lose anything valuable. | |
Mr Parker | Oh, nothing that can’t be replaced. | |
Miss Parker | I wish I’d known earlier. I could’ve asked Jarod if he had anything to do with it. | |
Mr Parker | Hmmm. Well, I wanted you to know. Can’t have secrets between family, now can we? | |
Miss Parker | Daddy. | |
Mr Parker | Mm-hmmm. | |
Miss Parker | How come that Centre sniper shot that old man outside the bank? | |
Mr Parker | Oh, tragic accident. Any idea who he was? | |
Miss Parker | Not a clue. | |
Mr Parker | Get some rest Angel. You sure earned it. | |
Miss Parker | What? | |
Jarod | I never had a chance to say goodbye. | |
Miss Parker | How did you get away? | |
Jarod | Escape plan B, remember? | |
Miss Parker | The vent. How was it down there. | |
Jarod | Let’s just say I’m hoping my next pretend isn’t as a sewer worker. Did you talk to your father? | |
Miss Parker | He just left. He didn’t say it was you who broke into his home. Didn’t say it wasn’t either. | |
Jarod | Fenigor? | |
Miss Parker | I told him I didn’t know who he was. | |
Jarod | So you lied. | |
Miss Parker | Like father, like daughter. Jarod we were so close to finding the truth. | |
Jarod | You’ll figure it out… and so will I. The question is what becomes of us when we have all our answers? | |
Miss Parker | That is the question. | |
Fenigor’s voice | This is where you came from. |
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