1-06 To Protect And Serve
1-06 To Protect And Serve
To Protect And Serve
I won’t give up Sydney, I’ll never give up.
Jarod
To Protect And Serve
I won’t give up Sydney, I’ll never give up.
Jarod
Original air date: November 9, 1996
Written by: Tommy Thompson
Directed by: James Whitmore, Jr.
Jarod becomes a police officer in Miami Beach in order to solve the death of a security guard who was killed by two local policemen during a jewellery heist.
Jarod’s Discoveries: Donuts, Donut holes
Jarod’s Occupations: Motorcycle Cop, Canadian Mounty
Jarod’s Aliases: Jarod Starr
Official Synopsis
Jarod assumes the role of police officer as he probes the death of a security guard recently reunited with his father.
In flashback, inside a simulation lab, Young Sydney asks Young Jarod to examine a photograph of a soldier in Southeast Asia. Sydney explains that the people who love the soldier want to know if he’s still alive. Young Jarod compares the situation to his own parents.
In Cedar Point, North Carolina, at a suburban shooting range, Miss Parker speaks with a range manager, who points out that in less than 24 hours, Jarod went from a complete neophyte to an expert marksman. For reasons unknown, Jarod shot out the numbers “10-19” on all the bulls-eye targets. Meanwhile, in Miami Beach, Jarod, now a police officer, gives a motorist a ticket for speeding.
At the police station, Jarod meets Officers Bishop and Meyers. A desk sergeant explains to the pair that Jarod recently transferred to the precinct from Chicago. The conversation comes to an abrupt end when Karen Swindell, from the Internal Affairs division, reminds the pair they are late for a meeting with her.
While on street patrol, Jarod befriends Mildred Reynolds, an elderly motorcyclist with bad vision who ran a red light. Meanwhile, Miss Parker and Sydney make their way to Jarod’s old lair at a motor lodge. They find a copy of Criminology and Law Enforcement Procedure inside his room. Shortly thereafter, Sheriff Stanton arrives at the scene and places Miss Parker under arrest for carrying a concealed weapon.
Inside a Cuban bakery, Jarod quizzes a store clerk, Sanchez, about all things doughnuts. Sanchez turns her attention to Mr. Kembrook, who lost his son, Marvin, during a shootout with police. According to news reports, Marvin, who worked as a security guard, was killed as he was attempting to rob the jewelry store where he worked. Sanchez explains that the Kembrooks gave up Marvin for adoption when he was an infant. After Mrs. Kembrook died, her husband began a search for his son.
Miss Parker learns that Stanton stopped her when he received an anonymous tip about her weapon. Later, Sydney hires a washed-up attorney, Henry J. Munroe, to win Parker’s release from jail.
Jarod approaches Susan Granger, who runs a missing persons agency and helped Kembrook find his son. He tells her about his quest to find his parents. The only information he is able to provide is a photograph of his mother…and the fact that his father was an aviator. Jarod warns that he has only 72 hours to find his parents.
Jarod befriends Swindell by claiming is he putting in for a transfer to Internal Affairs. He reviews the field report detailing the events that led to Marvin Kembrook’s death. According to the report, Bishop and Meyers were responding to a robbery report when they encountered Kembrook and his accomplice. Supposedly, the accomplice shot and killed Kembrook, then made a getaway. But Internal Affairs was highly suspicious, as there was no evidence of the alleged accomplice. Swindell points out that the only hard evidence remaining is the slug removed from Kembrook’s chest. If the weapon that fired the bullet can be located, the killer’s identity will be revealed.
Jarod deliberately allows Bishop access to his transfer papers. He then arranges to have lunch with Bishop and Meyers the following day. Later, When Mildred gets into yet another accident, Jarod takes her to an optometrist for eyeglasses.
During lunch, Meyers reveals that he examined Jarod’s “file” and discovered that he had been investigated for taking payoffs from criminals. Meyers and Bishop offer Jarod the opportunity to join them on their criminal escapades. When Jarod attempts to pay for lunch with his credit card, only to be told by the waiter that the card was declined, the invitation is seemingly all the more attractive.
Granger informs Jarod that someone operating out of Delaware picked up the global photograph scan of Jarod’s mother sent out on the Internet. The party refuses send out any additional information over open phone lines and is, instead, sending it via special courier. Jarod tells Granger to proceed. Meanwhile, back at the Center, a technician alerts Broots that someone inside the agency made contact with the missing person’s agency in Miami. But that person’s identity is unknown.
When Bishop and Meyers reveal more details about their upcoming heist, Jarod questions them about the Kembrook shooting. Bishop explains that he carries an unregistered gun in an ankle holster, which he used to shoot Kembrook while he and Meyers were robbing the jewelry store. Afterward, he hid the gun in the trunk of his car, thereby evading the Internal Affairs’ ballistic tests.
Miss Parker is released from jail. As she leaves, she receives word that Broots has pinpointed “the target.” Jarod shows up at Granger’s office to pick up the courier envelope. But before he can open it, Parker and Sydney arrive. As Jarod escapes, Parker opens fire, shooting the envelope from his hand.
As Bishop, Meyers and Jarod break into the jewelry store, Jarod announces that the pair are under arrest for Marvin’s murder. Bishop pulls out his ankle weapon and opens fire, hitting Jarod in the chest. He then instructs Meyers to contact the station house and report that Jarod was gunned down while trying to prevent a robbery. But when Swindell arrives at the scene, Jarod’s body is missing…and in its place is a bulletproof vest. Swindell then asks for the keys to the trunk of Bishop’s car (so she can retrieve the weapon used to shoot Jarod and Marvin). Later, Jarod contacts the Centre and tells Sydney that “10-19” is what he made him. Later, Jarod becomes a Mountie.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
To Protect And Serve Transcript
DSA 7th Sep ’74 | ||
Young Jarod | Why am I here Sydney? | |
Sydney | I want you examine some photographs. | |
Young Jarod | Is he a warrior? | |
Sydney | Yes. He’s a soldier in South East Asia. | |
Young Jarod | Why do I have to look at it? | |
Sydney | There are people who believe that this photograph was manufactured, created. I want to know what you think. | |
Young Jarod | He’s afraid, sad. | |
Sydney | He’s missing and the people who love him want to know if he’s still alive. | |
Young Jarod | Like my parents? | |
Cedar Point, North Carolina | ||
Man | Why you so interested in Mr Starr? | |
Miss Parker | It’s a family matter. | |
Sydney | Could you describe his manner, his mood? You know. | |
Man | Uhh…I’ll tell you that ol’ boy was multi-faceted. He walked in here and he didn’t know a pickle barrel from a gun barrel. And in less than 24 hours… he’s doing this. 10:19. They’re all like this. Damned if I know what it means. And then there were the slugs. | |
Miss Parker | What about the slugs? | |
Man | He paid extra to come in after hours and dig ’em out of the back wall. Said he wanted to study ’em. He was real big on studying things. Like I say, this old boy was multi… | |
Miss Parker | Multi-faceted. Did he happen to say where he was going? | |
Man | He was staying at the lodge up near the highway. You might check there. | |
Miss Parker | Thank you. | |
Man | Sure enough. | |
Sydney | Can I? | |
Man | Free country. Oh hey! When you find him you can give him his toy. | |
Miss Parker | His toy? | |
Man | Yeah. When he was through shooting he’d run that all around the place. That ol’ boy was just a big kid, that’s all. Funny hey? | |
Miss Parker | Hysterical. | |
Streets in Miami | ||
Driver | Was I going too fast when I passed that truck? | |
Jarod | No sir. When you passed me. | |
intro | ||
Miami Beach, Florida: Police Department | ||
Criminal | I want my lawyer. I got rights. | |
Meyers | You better relax you hear me? | |
Bishop | Shut up and don’t move. | |
Meyers | You want a beer or a cappuccino or something? | |
Criminal | Ha Ha. | |
Bishop | Let’s see what we got here. Oh boy, a bona fide three time loser, Frankie. We know what that means don’t we? | |
Meyers | Automatic jail time isn’t it? | |
Bishop | Congratulations. Well it does seem a little harsh considering that you got only what? Six dollars and… thirty-seven cents off a lady. | |
Meyers | You almost got away with it too. | |
Bishop | You are what we call a top notch criminal. Where’s my coffee Frank? | |
Meyers | Run you little puke. | |
Criminal | Ow!!! | |
Meyers | Man! Maybe I should have got him a decafe. | |
Jarod | That looked like it hurt. | |
Bishop | See what happens when you act like an idiot. Put the track star in his cage. | |
Meyers | Looks like he ripped that pretty shirt of his. | |
Bishop | Slick move. Carl Bishop. | |
Meyers | How you doin’? Frank Meyers. | |
Jarod | Jarod Starr. Two r’s. | |
Meyers | Oh yeah, like Ringo. | |
Jarod | Who’s Ringo? | |
Bishop | That’s funny. How come I haven’t seen you round here before? | |
Desk Sergeant | He just transferred in from Chicago. You’re late again today Starr and I’m still waiting on those transfer papers. | |
Jarod | I was just coming to talk to you about that Ma’am… | |
Swindell | Bishop, Meyers. You were due in my office a half-hour ago. | |
Bishop | Yeah, well, we’ve been kinda busy. | |
Swindell | I want you both inside now. | |
Meyers | Come on detective, give us a break. We’ve gone over this already. | |
Swindell | Now. | |
Meyers | That woman needs a hobby. | |
Bishop | She’s just doing her job Frank. See you later Chicago. | |
Jarod | Look forward to it. | |
Meyers | Yeah nice to meet you. | |
Jarod | Did I miss something? | |
Desk Sergeant | Typical IA broad. | |
Jarod | She’s internal affairs? | |
Desk Sergeant | Detective Karen Swindell. Don’t get any ideas Romeo – she’s the original ice princess. You were saying about transfer papers? | |
Jarod | Oh come on Sarge you know how it is with red tape, they should be along any day now. | |
Desk Sergeant | Well until I get the rest of your documentation you’re going to be riding a desk instead of a bike. You don’t want me to start thinking you’re up to something do you? | |
Jarod | Me? Sarge. I’m clean as a whistle. | |
Desk Sergeant | Get back to work. | |
Street Patrol | ||
Millie | Can I help you officer? | |
Jarod | Ma’am, did you by any chance happen to notice the colour… | |
Millie | Whoa! Is that a twin cam? | |
Jarod | Excuse me? | |
Millie | You guys bore out the cylinder heads don’t ya? Oh I’d love to soup up my honeypot. | |
Jarod | Your honeypot? | |
Millie | My hog! I was going to blow out the headers and open up the cylinder block but my social security cheque was late. | |
Bikies | Hey Mill, you’re looking good! | |
Millie | Ride… You devils!!! I rode with those dudes in Jacksonville. | |
Jarod | Ma’am. | |
Millie | Mildred Reynolds. My friends call me Millie. | |
Jarod | Millie, did you happen to notice the colour of the light back there in the intersection? | |
Millie | What light? | |
Hound Dog Haven | ||
Miss Parker | Wonder Boy checked out of this dirt water town three days ago. That’s all he left behind. Where’s the driver? | |
Sydney | Using the facility. | |
Miss Parker | Guy has the bladder of a squirrel. Hmm. What now? | |
Sheriff | Afternoon missy. | |
Miss Parker | Sheriff. | |
Sheriff | Would you mind taking off your jacket. | |
Miss Parker | Excuse me. | |
Sheriff | Oh it’s nothing personal I’d just like you to take off your jacket please. | |
Miss Parker | I will not. | |
Sheriff | Please. | |
Miss Parker | You are fired! I want you to know I’ve seen “Deliverance”. | |
Sheriff | You wanna give me one of these? Oh! That’s good enough. My my. Guess you can put some cuffs on this young lady. Ma’am you are under arrest for violation of Criminal code 369.7. | |
Miss Parker | And what the hell is that? | |
Sydney | Carrying a concealed weapon. It says so right here in the book. Hilighted in yellow. | |
Sheriff | I guess you’ll be going with me. | |
Miss Parker | Jarod. | |
Miami: Donut shop | ||
Jarod | So let me get this straight. This … starts out as a part of this, but then you punch it out and then you sell it as a separate product? | |
Waitress | I think you got it. Donut. Donut hole. | |
Jarod | I don’t mean to belabour a point, but if the hole is here, why do you call this the hole? | |
Waitress | The truth is I’ve always wondered that myself, but don’t tell my boss… I wouldn’t want him to think I don’t know the business. | |
Jarod | I promise. Um, I’ll have another one please. | |
Waitress | On the house. | |
Jarod | If you don’t mind I’d rather eat it here. | |
Waitress | Good morning Mr Kembrook. | |
Jarod | He seems very sad. | |
Waitress | Poor man, he hasn’t been the same since Marvin was killed. | |
Jarod | Marvin? | |
Waitress | His son. He was a guard at the Boswell Jewellers. About a month ago he was shot trying to rob it. | |
Jarod | Sounds like you know the family pretty well. | |
Waitress | Since I was born. Mr Kembrook anyway. | |
Jarod | I’m afraid you’ve lost me. | |
Waitress | The Kembrooks gave Marvin up for adoption when he was just a baby. A few years after Mrs Kembrook died Mr Kembrook started searching for his son. Found him, six months ago. | |
Jarod | He must have been very happy. | |
Waitress | Oh they both were. It turns out Marvin was looking for his parents the whole time too. Can you imagine meeting your own parents for the first time when you’re a grown adult? | |
Jarod | I guess it would be pretty emotional. | |
Waitress | Oh yeah. Even after all those years they still loved each other. | |
Jarod | What makes you so sure? | |
Waitress | Because they were blood and there’s nothing stronger than that. | |
Susan Granger’s Office | ||
Susan | Mrs Morgan we may have a sighting on your daughter. Our people are flying to New York as we speak. And If all goes well you should have your arms around Catherine by tomorrow night. Thank you. God bless you too. | |
Jarod | I don’t know who I am. | |
Jail Cell | ||
Miss Parker | You arrested me because of an anonymous phone call?! | |
Sheriff | Uh huh. | |
Miss Parker | Do you mind telling me how you knew that this person was telling the truth? | |
Sheriff | He sounded honest. | |
Miss Parker | It’s official – I’m in hell. | |
Sheriff | Now, now Darling, you did have that concealed weapon on you and you’ll be able to post bail just as soon as Judge Hargreave gets back from that bass tournament and we sign ourselves some papers. | |
Miss Parker | When exactly is that? | |
Sheriff | The day after tomorrow. | |
Sydney | The entire legal staff of the Centre is on their annual retreat in the South of France. So it will be at least seventy-two hours before we can even reach a lawyer. | |
Miss Parker | He knew that. Dammit Sydney he’s up to something and he needs me out of the way for three days. | |
Sydney | 10:19 – it could be a time reference. | |
Miss Parker | Forget that! Just get me a lawyer. Any lawyer. | |
Susan Granger’s Office | ||
Susan | Most missing person cases fall into one of three categories: Abductions, runaways and abandonment. | |
Jarod | I’m looking for my parents. | |
Susan | What makes you think I can help? | |
Jarod | I read in the paper that you helped reunite a father and his son after twenty-five years. | |
Susan | Friendly warning, they don’t all turn out that way. There’s a risk a person takes when they search for their past. It’s not always what they hope for. | |
Jarod | I’d be willing to risk anything for the chance to find out. | |
Susan | Are they still alive? | |
Flashback | ||
Sydney | Jarod is he still alive? | |
Young Jarod | The eyes. | |
Sydney | What about the eyes? | |
Young Jarod | He wants to cry but he can’t. | |
Sydney | Why not? | |
Young Jarod | He feels alone, forgotten. He just doesn’t care any more. | |
Sydney | Care about who? | |
Young Jarod | Himself. He’s given up. I won’t give up Sydney, I’ll never give up. | |
Susan | Officer Starr. Jarod. | |
Jarod | Hmm? | |
Susan | I was wondering if you knew if your parents were still alive? | |
Jarod | I don’t know. I was never told the truth. | |
Susan | Well why not use the police database to initiate a search? | |
Jarod | I can’t. Look this is probably going to be hard to understand but I don’t have much time. Seventy-two hours. | |
Susan | Without a name… | |
Jarod | I have a picture. It’s my mother. At least that’s what I was told. And my father might have been an aviator. | |
Susan | In the Service? | |
Jarod | I don’t know. | |
Susan | I’ll see what I can do. | |
Jarod | Thank you. | |
Susan | Officer Starr. There’s a group of people like yourself. There’s a meeting here tomorrow night, if you’re interested. Sometimes it helps just to know that you’re not alone. | |
Jail Cell | ||
Sydney | Miss Parker you wanted a lawyer. Henry? | |
Miss Parker | Tell me you’re kidding? | |
Henry J Munroe | Henry J Munroe, Esquire. Finest attorney in Cedar Point. Truth be known, the only attorney in Cedar Point. | |
Miss Parker | He knew this. | |
Miami Police Department | ||
Desk Sergeant | Ma’am there is nothing I can do. | |
Millie | You don’t understand. This is a death sentence for me. | |
Jarod | Millie? | |
Millie | Finally someone with half a brain in their head. | |
Desk Sergeant | You know this woman? | |
Jarod | We’ve met. What’s the problem? | |
Millie | I um, I accidentally side swiped the meat wagon down on Biscayne Boulevard, and now they want to put me in cement boots and dump me into the causeway. | |
Desk Sergeant | She ran an empty county ambulance off the road and we’re suspending her driver’s licence. | |
Jarod | Can you give us a moment please? | |
Desk Sergeant | Be my guest. | |
Millie | I wouldn’t trust that woman as far as I could throw her. | |
Jarod | Millie this is very serious. What if that ambulance was carrying somebody to the hospital? | |
Millie | Geez, I don’t want to hurt anybody. Look my uh… My husband’s dead and my kids are all gone, they’re on their own. I’m seventy-three years old and … I’m alone. You take my bike, you take my independence. You take that you might as well bury me ’cause I’ll… I’ll be dead. | |
Jewellery Store | ||
Assistant | Lovely. Ruby, emerald and sapphire trio bordered by diamonds. | |
Jarod | How much is it? | |
Assistant | Only $4000. | |
Jarod | Hmm. That’s not enough. | |
Assistant | Well I do have this brilliant Princess cut diamond, with a trillion on either side for $5000. | |
Jarod | With tax that would be $5328. That’s perfect. I’ll take it. | |
Assistant | You do realise this purchase is going to max out your credit card? | |
Jarod | That’s the idea. | |
Jarod’s Lair | ||
TV | An odyssey of searching for the past came to a dramatic and emotional conclusion earlier this morning as Harold Kembrook nervously waited for the doors of the taxi to open and deliver his son, given up for adoption some twenty-five years earlier. As fate would have it his son, Marvin Kembrook has spent the last 11 years on the very same hunt for his true identity. Also on hand to witness the emotional reunion was Susan Granger, the woman instrumental in bringing the two men together. Father and… | |
Jarod | Just a second. | |
Delivery Boy | Starr? | |
Jarod | That’s me. | |
Delivery Boy | You ordered the donuts? | |
Jarod | Raspberry Supremes? | |
Delivery Boy | Whatever. | |
Jarod | Hmm. This should cover it. | |
Delivery Boy | Hey! Um, I’m going to go out on a real limb here and guess that you’re a big donut fan? | |
Jarod | They’re very good. | |
Delivery Boy | What are you like, a cop? | |
Jarod | How did you know? | |
Delivery Boy | Funny. | |
Miami Police Department | ||
Jarod | Detective Swindell? I hope you don’t mind if I skip the birthday song, I never actually learned the lyrics. | |
Swindell | You read my file. That’s my job. | |
Jarod | That’s a Bavarian Cream. I was thinking about getting you a raspberry Supreme but somebody ate the last one. This one’s very good. | |
Swindell | Most field officers don’t socialise with IA. | |
Jarod | The truth is I’m thinking about putting up for transfer to Internal Affairs. The examination requires that the applicant break down an actual case file… | |
Swindell | And you want my help. | |
Jarod | I heard you were very thorough. | |
Swindell | Do you have any particular case in mind? | |
Jarod | Yes I do. Are you going to eat that? According to the field report Bishop and Meyers responded to a robbery call at the Jewellery store. When they get there a security guard, Marvin Kembrook, is robbing the place with an accomplice. So this accomplice shoots Kembrook and then he gets away. Now this sounds more like an unsolved homicide than an IA investigation. | |
Swindell | Forensics went over that store with a fine tooth comb. They didn’t find a print, a fibre, nothing. | |
Jarod | So this accomplice was efficient. | |
Swindell | Jarod if you’re ever going to make it in IA you have to realise that part of the job is to get inside the heads of the people involved in the case. Marvin Kembrook spent most of his life in foster homes. When he was eighteen he joined the marines. I looked up his military file; he tested in the lowest five percent of his unit, spent ten years in uniform and never busted corporal. | |
Jarod | Not exactly a criminal master mind. | |
Swindell | We’re talking about a young man who just found out who he was, where he came from. He had two thousand dollars in his bank account, his bills were paid. Are you going to tell me he’d throw all that away for a fast score? | |
Jarod | So if you don’t think that Kembrook was involved, and the accomplice was fictitious who did it? | |
Swindell | There was one piece of hard evidence left at the scene: the slug they dug out of Marvin Kembrook’s chest. Find the gun that fired that bullet and you’ve found the real killer. | |
Locker Room | ||
Jarod | Oh man! | |
Bishop | Late again huh? | |
Jarod | Yeah the desk Sergeant is going to have my butt in a sling if she catches me. Will you do me a favour? | |
Bishop | What’s that? | |
Jarod | My transfer papers got sent to my house by mistake. Would you give them to her… after I’m gone? | |
Bishop | No problem. | |
Jarod | Thanks. Hey listen, you know I’m kind of new around here and I don’t know many people I was thinking maybe I could take you and your partner to lunch one day, my treat. | |
Bishop | Yeah sure. What about tomorrow? | |
Jarod | Great, I’ll look forward to it. | |
Meyers | Hey partner, how’s it going? | |
Bishop | Read this. I think we found the guy we’ve been looking for. | |
Meyers | Yeah? | |
Susan Granger’s Office | ||
Elsie | … eleven years since my son disappeared and there isn’t a day that goes by that I don’t think I see him… standing on a street corner, or passing by on a city bus. My friends say “Elsie you should let it go” but I mean how do you deny yourself? How do you just walk away from your life? | |
Mr Kembrook | You don’t. We’ve been coming here for more years than I want to remember, more years than any of us want to admit. You people know my story, what happened to my son and I want to tell you that you should never give up. Never stop looking for the people that you love because it’s worth it. Even if it’s just a moment. Now we sit here and we talk about how much we miss them and how much we love them and in the end I think it’s… I think it’s the little things that we miss the most. The way we see ourselves in our children. The way… the way he sat in a chair, his laugh. The way he stirred his coffee. Never give up. Ever. | |
Street Patrol | ||
Millie | Pint sized moron. Nerd! | |
Young Guy | Nerd? | |
Millie | You weren’t looking where you were going! | |
Young Guy | I wasn’t going anywhere. | |
Millie | You don’t have to yell I’m not deaf. | |
Young Guy | No you’re blind Lady! You gotta take some… | |
Jarod | Whoa what seems to be the trouble here? | |
Young Guy | Evil Kinevil here almost cut me in half with her tricycle. | |
Jarod | Okay okay okay! That is enough! That is enough! You stay here. You, come with me. Is that it? | |
Young Guy | Yeah. | |
Jarod | It’s nothing that a little sandpaper and a little touch-up paint won’t cure. You do have insurance? | |
Young Guy | Yeah, but I’m not going to let that old bag get away. She almost wasted me man! | |
Jarod | What have we here? An expired licence place. That’s gonna cost you about hundred bucks in fines. And I could of course search your van. | |
Young Guy | Sandpaper and touch up paint? | |
Jarod | Hhn mnnn. Have a nice day. And you young lady, you’re coming with me. | |
Millie | Where? | |
Jarod | There. | |
Restaurant | ||
Meyers | So what did your wife do next? | |
Jarod | She walks in, she packs her bag, and then she splits. | |
Meyers | Oh you’ve got to be kidding me. | |
Jarod | Now why would I make up a story like that? | |
Meyers | They are so unbelievable. | |
Jarod | It’s incredible and the next time I talked to her it was in some lawyer’s office at a hundred bucks an hour. | |
Bishop | Sounds like my last wife. | |
Jarod | Marriage number three? | |
Bishop | No, four. | |
Jarod | Four? Please, what have you got like a thousand kids? | |
Bishop | No, six. Six real good kids. | |
Meyers | Yeah and they all look like him. | |
Bishop | Shut up Frank. | |
Jarod | It must be tough making ends meet with all those obligations. | |
Bishop | I make sure everybody is well taken care of. | |
Jarod | Still you know, there’s got to be a better way. | |
Bishop | What, like Chicago? | |
Jarod | Chicago? | |
Meyers | Yeah we know about the investigation. About the payoff money you were collecting from the dealers on the south side. | |
Jarod | You read my file. | |
Bishop | New guy comes in we check him out. You’d do the same thing. | |
Jarod | You had no right to read my file. Besides they never proved anything. | |
Bishop | It proves that you can cover your tracks. Take it easy. Frank and I do the job but we’re always looking for new opportunities, isn’t that right Frank? | |
Meyers | That’s right. | |
Bishop | It takes a special kind of cop to do what we do. We think you’re that cop. | |
Waiter | I’m sorry sir. Your credit card came back invalid. | |
Jarod | That’s impossible . Try running it through the right way. | |
Waiter | I know how to do my job. I tried it three times, okay? | |
Jarod | There is some mistake obviously; I always pay off my credit card. | |
Waiter | There is no mistake. | |
Bishop | Well Frank it looks like we’re going to have to bail this deadbeat out before he pulls his gun and tries to shoot his way out of here. | |
Waiter | Thanks. | |
Bishop | Look, I got to take my kid to Little League practice. Why don’t you drop by the park in a couple of hours? We’ll talk about it then okay? | |
Jarod | I’ll think about it. | |
Bishop | Yeah you do that. Got a little something right here. Thanks for lunch. | |
Jarod’s Lair | ||
Susan | We got a red flag on your mother’s photo, some place in Delaware. | |
Jarod | Delaware? | |
Susan | Mean anything to you? | |
Jarod | It used to. | |
Susan | Well someone picked up the global scan on the net that we sent out and we got an anonymous phone call. Whoever it was recognised the woman in the picture and has a name, but they’re adamant about not sending anything over the computer system or the phone lines. I mean it seems strange. Do you want to go forward with this? | |
Jarod | Yes. | |
Susan | Okay. They’re spending the information by special courier. I’ll call you the second it gets here. | |
The Centre | ||
Tech | We’ve found Jarod. | |
Broots | Where? | |
Tech | A missing person’s agency in Miami. But we’ve also monitored a response signal emanating from inside the Centre. | |
Broots | Someone on the inside made contact with this agency? Well what kind of information was breached? | |
Tech | We’re not, we’re not sure. | |
Broots | Has anyone alerted Miss Parker? | |
Tech | We thought you’d want to. | |
Broots | I’d rather stick my head in a bear trap. | |
Park | ||
Bishop | Yeah! | |
Jarod | How many of these jobs have you pulled? | |
Bishop | What difference does it make Jarod, we’re throwing you a rope. The question is are you smart enough to grab it? | |
Jarod | Why do you need a third guy? | |
Bishop | Because we had problems the last time round. We need a third guy to plug up the leak. | |
Jarod | How does it work? | |
Meyers | Ah, we use security codes to access the stores. | |
Bishop | Low risk. High reward. | |
Meyers | Oh yeah. | |
Jarod | What if something goes wrong? | |
Bishop | It won’t. | |
Jarod | Humour me. What if somebody walks in? | |
Meyers | We’re in blue, we’re the good guys. They’re not going to suspect us of a crime. Hell they think we’re responding to ’em. | |
Jarod | What if they pull a gun? | |
Bishop | Then we take ’em down and we’re free. I mean, we just make it look like we stopped a robbery in progress. | |
Jarod | Is that what happened with Marvin Kembrook? | |
Meyers | What do you know about that? | |
Jarod | Come on. I read your files too. What I don’t understand is… how did you tamper with the ballistic report? | |
Meyers | What? | |
Jarod | They never made a match to the weapon that killed Kembrook. Internal Affairs always checks the weapons of the first officers that arrive at the scene of a homicide. | |
Bishop | I think I was wrong about you Jarod. Let’s go Frank. | |
Jarod | Whoa whoa whoa! Wait a minute. You’re asking me to risk everything. All I’m asking is if something goes wrong do I have a way out? | |
Bishop | Throw away. Ankle holster. Unregistered. If something goes down we use it, put it in the trunk of my car and wait for the heat to blow over. | |
Meyers | Look are you in or what? | |
Jarod | I’m in. | |
Meyers | Okay. | |
Bishop | I’m glad you’re on the team Starr but if you cross me I’ll put a bullet in your heart. | |
Kids | Dad! Dad! | |
Bishop | Let’s go Tommy. That a boy. Want an ice cream? | |
Tommy | Yeah! | |
Jail Cell | ||
Miss Parker | I plan on suing this entire dirtwater town for every penny it’s worth. | |
Henry | My card. | |
Sheriff | Denton. | |
Miss Parker | Let’s get out of here. | |
Sheriff | Oh Miss Parker do you know a man by the name of Broots? | |
Miss Parker | Take a message. | |
Sheriff | He says he’s located the target! | |
Cafe | ||
Jarod | Gracias | |
Mr Kembrook | The way he stirred his coffee. | |
Jarod | Mum? Starr here. | |
Susan (phone) | It’s Susan Granger. Your envelope is here. | |
Jarod | I’m on my way. | |
Car: en route | ||
Miss Parker | You know Syd, I ought to hand it to him. He almost kept me out of the picture long enough. | |
Sydney | He wants to know the truth. | |
Miss Parker | He can’t and you know it. | |
Sydney | Hmmm. It’s only because of his heart. | |
Miss Parker | What? | |
Sydney | That we are this close Miss Parker. Jarod knew that if sent that photograph on line we’d find him. He’s willing to risk everything for an identity, for a life. | |
Miss Parker | That’s what I’m counting on. | |
Susan Granger’s Office | ||
Susan | I thought you should be the one to open it. | |
Jarod | I’m so nervous. | |
Susan | It isn’t every day you find out who you are. What’s going on? Who are you people? | |
Miss Parker | Where is he? I won’t ask again. Sam. Sam, he’s going for the roof! Parker: Stop! Or I swear, I’ll shoot you in the back! Jarod! Sam, Get him. You sent this didn’t you? | |
Sydney | I was with you Miss Parker. | |
Miss Parker | So close and yet so far. | |
Pretend Preparations | ||
Jarod’s Lair | ||
Jarod | Hi. This is officer Starr. I was wondering if you could do me a favour? | |
Jewellery Store | ||
Bishop | All right we have fifteen minutes before the security car comes back around. You’ve got the alarm code right Frank? | |
Meyers | Yeah I’ll shut off the juice and then clip the video lines to the surveillance cameras. | |
Bishop | Good now once we’re inside, Frank’s going to go to the manager’s office and get the gems. You hit the gold cases and I’ll keep an eye on the front door. | |
Jarod | What if the security guard is early? | |
Bishop | He won’t be. | |
Jarod | What if you’re wrong? | |
Bishop | If I’m wrong they’re dead. Now the clock is running gentlemen, let’s do this thing. Alright guys, let’s do this. Frank you’re alright? | |
Meyers | I’ve got the manager’s office. | |
Bishop | Starr. Coins, rings and chains alright? Stay away from the stupid costume crap. Do it. What are you doing? | |
Jarod | I was just wondering how Marvin Kembrook felt the night he died. | |
Bishop | Alright, alright. We’ll talk about that later okay? | |
Jarod | He answers an alarm. His heart is pounding at the potential danger. He is afraid, with good reason. He just got his life back. He’d just figured out who he was. He had just rediscovered his family. Imagine his relief when he gets here and he finds two police officers on the scene. The good guys. His relief didn’t last very long did it? You’re under arrest for the murder of Marvin Kembrook. | |
Bishop | But I don’t want to be arrested. | |
Jarod | You’re going to jail. You and Meyers. | |
Bishop | Alright Starr. I’m going to put the gun down. | |
Meyers | Hey! What the hell is going on? | |
Bishop | Sorry about that Jarod. I don’t do jail. Too many mouths to feed. | |
Meyers | Oh my god. | |
Bishop | Call it in Frank. | |
Meyers | What am I supposed to tell ’em? | |
Bishop | Tell them the truth. Tell them that one of our finest was gunned down trying to prevent a robbery. | |
Bishop | We turned up the alley here and we saw somebody running out the back door. Frank and I went inside and identified ourselves as officers of the law. The place was empty except for the body. | |
Swindell | The body? | |
Bishop | Officer Starr. Apparently he was the first one on the scene. We came back outside and searched the adjacent area but the shooter was long gone. | |
Swindell | Is that the way it happened? Meyers, is that the way it happened? | |
Meyers | Yeah. Yeah,that’s how it happened. | |
Swindell | Show me. | |
Bishop | Yes Ma’am. Inside. | |
Swindell | Let’s get the lab boys down here to check out that slug. | |
Officer | Right away detective. | |
Swindell | Care to revise your story Officer Bishop? | |
Bishop | The body was lying right here, I swear, I saw it myself. | |
Swindell | Keys. | |
Bishop | Keys? | |
Swindell | To have a look in the trunk of your car. | |
Jarod | Let’s roll! | |
Millie | Hold on tight. I’m legal! | |
Swindell | You’re under arrest for the murder of Marvin Kembrook. You have the right to remain silent. If you give up the right to remain silent anything you say can and will be used against you in a court of law. You have the right to speak with an attorney . . . | |
The Centre | ||
Sydney | Jarod was in your sights, you could have killed him. What made you change your mind? | |
Miss Parker | I just missed Sydney. No more, no less. | |
Sydney | Hello. Jarod! | |
Jarod (on phone) | I told you when I was 11 years old that I would never give up, and I never will. | |
Sydney | I know you won’t Jarod. Miss Parker won’t either. | |
Jarod | Goodbye Sydney. | |
Sydney | Hold it. Just tell me one thing Jarod, what do the numbers mean? | |
Jarod | What? | |
Sydney | 10:19. | |
Jarod | It’s who I am Sydney. It’s what you made me. | |
Sydney | Where will he go now? | |
Miss Parker | South. | |
Sydney | What makes you so sure? | |
Miss Parker | Instinct. |
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