3-17 Ties That Bind
3-17 Ties That Bind
Ties That Bind
No, you’re wrong, it’ll never be over.
Miss Parker
Ties That Bind
No, you’re wrong, it’ll never be over.
Miss Parker
Original air date: October 4, 1999
Written by:Dave Alan Johnson
Directed by: Fred Keller
Jarod becomes an IRS auditor to expose an unscrupulous law firm and reunite a teenage boy with his father and mother.
Jarod’s Discoveries: Lotteries
Jarod’s Occupations: IRS Auditor
Jarod’s Aliases: Jarod Tally
Official Synopsis
Jarod assists a boy whose father apparently committed suicide under mysterious circumstances.
Miss Parker and two sweepers escort a bloodied and battered Jarod into the Centre lobby. Miss Parker tells her father that the hunt is now over, and she announces her intention to leave the Centre once and for all. Suddenly, Miss Parker awakens from her dream.
Meanwhile, in Jacksonville, Florida, Rita Hartunian, the owner of a small convenience store, thanks Jarod for saving her business from the hands of an extortionist. Shortly thereafter, a boy enters the store and “accidentally” dumps over a gumball machine. As a distracted Jarod and Rita attend to the mess, the boy steals money from the cash register and runs out the front door. Jarod gives chase. He manages to cut off the boy as he attempts a getaway on his bicycle. Jarod searches the boy’s backpack and finds a newspaper ad featuring a circled rail fare to Atlanta. He also finds a man’s wallet, which holds a business card for Hoyt & Associates, along with a driver’s license for a man named Peter Hale. It turns out that Peter is the boy’s father. Jarod tells the boy, whose name is Dylan, that the next time he pickpockets his father’s wallet, he should make sure it contains cash. A short time later, Jarod escorts the boy to a boat harbor where Peter lives. As the pair appoach, Jarod spots Peter on deck. Moments later, the boat explodes.
Police search through the debris, but are unable to find Peter’s body. They do, however, find a suicide note posted on a bulletin board by the dock. Jarod’s interest is piqued when he observes Detective Chandler receiving a pay-off from two men from Peter’s company. Chandler tells the men, Edgar Hoyt and Craig Winston, that Peter has a son. Moments later, the boy disappears.
Jarod finds Dylan at a pay phone. The boy hangs up after attempting to contact his mother, who lives in London. Jarod tells him that police believe the explosion was not an accident. Unwilling to allow the boy to roam the streets by himself, Jarod arranges for Dylan to stay in a room above Rita’s store. Dylan tells Jarod that a month earlier, he observed his father get into an argument with Winston. During the exchange, Winston warned Peter not to cross the firm. He then slapped Peter in the face and walked off.
Jarod infiltrates Hoyt & Associates by impersonating an I.R.S. agent. His attempts to access Peter’s file using his laptop, however, meet a dead end. Later, Jarod uses his computer to find the phone number of the woman with whom Peter was having an affair (an affair Dylan believed led to his parents’ separation). But the search leads Jarod not to a lover, but to the F.B.I. It turns out that Peter had been in secret communication with Agent Matthew Ashley at the Bureau. But further investigating reveals that Ashley died in a car wreck five days earlier. Impersonating a Department of Justice worker, Jarod infiltrates the Bureau offices where Ashley was employed. Peter, it turns out, was working as an informant, collecting evidence implicating the firm in the death of a key witness who was to testify against one of their major clients.
When Jarod returns to Hoyt and Associates, he sneaks inside Winston’s empty office, which is filled with surveillance equipment and monitors. Luckily, one of the hidden surveillance cameras captures an exchange between Hoyt and Winston in which they discuss a man named De Paz. Jarod downloads De Paz’s file. Meanwhile, Miss Parker announces her decision to leave the Centre. Her father and Lyle are stunned by the announcement. Later, Mr. Raines threatens to have her stopped if Mr. Parker does not intercede.
Jarod tells Dylan the truth about his father, who was helping the FBI build a case against Hoyt and Associates. One of the firm’s clients, Vincent De Paz, had been facing trial for murder. The firm had the eyewitness killed before the trial began. Later, as Jarod walks down a street, he realizes he is being followed. He manages to trick his pursuer, and comes up on him from behind. That man turns out to be Peter Hale. Jarod convinces Peter that he is trying to help him. Peter then explains how he faked his own death after Ashley died in the mysterious car accident. It was the only way for him to buy more time so he could flee the country with his son.
Meanwhile, Mr. Parker offers Thomas a blank check to end his relationship with his daughter. When Thomas refuses, Mr. Parker and Lyle pay Thomas and Miss Parker a surprise visit. Mr. Parker tells his daughter she may leave the Centre with his blessing if she so chooses. Miss Parker cannot believe her ears. She kisses her father on the cheek. Afterward, Miss Parker discovers her gun on a table in the foyer of Thomas’ house (she had earlier turned in the weapon when she announced her resignation). She places the weapon inside the top drawer of the table.
Jarod stops Dylan from carrying out a vendetta against Winston. He then introduces him to his father. Dylan is stunned. Jarod then sets in motion a trap to expose Winston and his wrongdoing. Winston receives an extortion letter from Peter, demanding money in exchange for his silence regarding the eyewitness’s death. During the drive to the meeting, one of tires on Winston’s cars blows out (courtesy of Jarod). Winston exits his car to phone for help. As luck would have it, the breakdown occurred outside of Rita’s store. Moments after Winston enters the store, two masked, armed gunman (Jarod and Peter) stage a robbery. Rita is apparently killed during an exchange of gunfire. One of the masked gunman informs Winston that there can be no witnesses. Terrified, Winston tells them how they can get away with Rita’s murder… just as he had gotten away with the murder of an eyewitness and a federal agent. Suddenly, Jarod, Peter and Rita expose their scam. Jarod then hits a button on a TV remote… and reveals that he tape recorded Winston’s admission. Later, Jarod watches as Peter reunites with his wife.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Ties That Bind Transcript
Dream | ||
Mr Parker | You look like the cat that ate the rat. | |
Miss Parker | The hunt is over. | |
Raines | Outstanding. | |
Mr Parker | Corner office time, Angel. | |
Miss Parker | Corner office? Daddy, I’m out of here. | |
Mr Parker | You’re leaving the Centre? | |
Miss Parker | We had a deal. I bring back Jarod and I walk out on my own terms. Daddy? | |
Mr Parker | This is just the beginning, Angel. | |
Thomas | It’s okay. It’s okay. You’re awake. It’s over. | |
Miss Parker | No, you’re wrong, it’ll never be over. | |
Jarod | You don’t owe me anything Mrs Hartunian. | |
Rita | Jarod, please call me Rita. | |
Jarod | Rita. | |
Rita | Where I come from people show gratitude. You saved my store from that extortionist who calls himself a landlord. I owe you. Mi casa es su casa. | |
Jarod | Okay. | |
Rita | Oh, you like lottery? | |
Jarod | I’ve never actually played one before. | |
Rita | Ah. Here. Take. Scratch. Enjoy. | |
Jarod | Thank-you. According to the odds your chances of winning the jackpot are one in thirteen million nine hundred and eighty-three thousand, eight hundred and sixteen. That’s the same odds as… getting hit by lighting in a submarine. |
|
Rita | Look, you bring me good luck. Maybe I do same for you. | |
Jarod | Okay, I’ll give it a try. | |
Rita | Oh my… | |
Jarod | Are you alright? | |
Dylan | I’m sorry. | |
Jarod | It’s okay. | |
Dylan | It just fell over. | |
Rita | Oh all over the floor… | |
Jarod | Hey! Hey! Come back here. Hey! Hey! | |
Dylan | Ah! | |
Jarod | Are you alright? Stay right there. | |
Dylan | That’s my backpack. | |
Jarod | And Mrs Hartunian’s cash. What’s your name? | |
Dylan | None o’ ya. | |
Jarod | None o’ ya? | |
Dylan | Yeah. None of your business. | |
Jarod | You planning on taking a little train ride, None o’ ya? | |
Dylan | I don’t have to tell you anything. You’re not a cop. | |
Jarod | Let me give you some advice…. Dylan… Hale. The next time you want to pickpocket your dad’s wallet you might want to make sure that there’s some more cash in it. He looks like an okay guy. | |
Dylan | He’s a jerk. Most lawyers are. | |
Jarod | Clothes. Toothbrush. Now I would bet my lottery tickets you were running away from home. | |
Dylan | Why do you care? | |
Jarod | Because I was never lucky enough to have one. | |
Dylan | Well that makes two of us. | |
Jarod | Look if you’re running away from your family take my advice. Don’t. Whatever the problem is you can work it out… together. | |
Dylan | Look, I’m going to Atlanta to live with my friends. It’s all the family I need. | |
Rita | That little thief. | |
Dylan | Are you going to let me go, or are you going to call the cops? | |
Jarod | How about I take you home instead? | |
Jarod | Wow. You live on a boat? | |
Dylan | Yeah. My dad moved into the harbour a few weeks ago, after he and my mum split up. | |
Jarod | Where is she now? | |
Dylan | London. She’s ah, setting up house, starting a new job. Look, I’m telling you, this is a waste of time. My dad’s at the firm. He’s always at the firm. There’s our boat over there. | |
Jarod | Hmm. Looks like somebody’s home. | |
Dylan | I can’t believe it. | |
Jarod | Is that your dad? | |
Dylan | I can’t believe he’s home. He’s never home. | |
Diver | Nothing. | |
Officer | So, you were saying about the boat? | |
Dylan | Before my dad got busy with the firm we were fixing up the boat. There was thinners, paints, all kinds of stuff that could have blown up on board. | |
Officer | Alright. We’re still trying to reach your mom overseas but until I’ll arrange for social services to put you up. Okay? | |
Jarod | There’s something you’re not telling him. | |
Officer | Yeah. Found this tacked up on the bulletin board. It’s Hale’s writing. | |
Jarod | A suicide note. Do you mind if I tell him? | |
Officer | Alright. Excuse me. | |
Winston | Thought we had an agreement, detective. I am always the first call. | |
Officer | Look I didn’t realise that this guy was from your firm. | |
Hoyt | What have we got? | |
Officer | Divers are in the water. But with an explosion this size and these currents it could take forty-eight hours before they find Hale’s body. | |
Winston | Make it thirty-six, okay? Now Hale has a son. Where is he? | |
Officer | Well he’s sitting right over th…. | |
Hoyt | Find that kid. His father may have said something to him. | |
Jarod | Oh no. | |
Broots | And Jarod was long gone by the time we got to his desert cabin but… um… this was in the desk drawer. | |
Sydney | Subtext is rather obvious. | |
Broots | Yeah. | |
Lyle | Parker’s conclusion? | |
Broots | Oh, well, uh… | |
Sydney | Miss Parker was unable to accompany us on the trip. |
|
Lyle | Unable? | |
Broots | She’s… uh… s… sick. | |
Lyle | I realise that she’s cultivated other interests. Far be it from me to pass judgment on somebody consumed by their passion. But…. there are others who won’t be as forgiving as myself if she is unable to focus on her responsibilities. |
|
Miss Parker | You’re going to make someone a wonderful wife. | |
Thomas | You should see me with a vacuum. Why aren’t you dressed for work? |
|
Miss Parker | Because it’s a beautiful day and I thought we’d grab some wine and go out to the… | |
Thomas | Parker, you have to talk to your father. | |
Miss Parker | I know. | |
Thomas | If we’re ever going to have a future together you’re gonna have to be honest with him. It’s the only way we can ever be free. | |
Miss Parker | I know. | |
Thomas | I can’t live without you. I don’t want to even think about it, okay? | |
Announcer | All passengers for the Florida Sun… alert, the train will be departing in five minutes from track C. | |
Jarod | You have to dial 011 first. You were calling your mother, weren’t you? | |
Dylan | What do you want from me? | |
Jarod | The police found a note. | |
Dylan | What kind of note? | |
Jarod | It was in your father’s handwriting. They don’t think that the explosion on your father’s boat was an accident. I’m really sorry. Here’s your father’s wallet. I thought you might like to have it. | |
Dylan | Keep it! | |
Jarod | So you’re just going to run? | |
Dylan | Yeah. Back to Atlanta where life made more sense. | |
Jarod | Your mother is going to be coming soon. | |
Dylan | They said she was away for the weekend. They keep trying to reach her. Look I can meet her in an Atlanta. I can’t go back to the police. They’ll put me in social services, or worse a foster home. | |
Jarod | Dylan. I… I can’t leave you out here alone. | |
Dylan | Where else can I go? | |
Rita | He robs me and then begs to stay in my extra room. | |
Dylan | I don’t even want to be here. | |
Rita | Oh, and so polite. | |
Jarod | You did say that I brought you good luck, didn’t you? | |
Rita | Huh! Oh, it would be good to hear footsteps on these tired floorboards again. I’m sorry about your father. | |
Jarod | Dylan, are you alright? | |
Dylan | Before I left this morning I told my dad that I hated him, that I wished that he would go away forever. | |
Jarod | We all say things that we don’t mean sometimes. | |
Dylan | That’s the problem, I’m not sure that I didn’t. My dad…. was having an affair with some woman named Ashley. I heard him and mom fighting about it. He was always sneaking off to the payphone in the marina to call her. He didn’t even try to deny it. Then mom left to set up the house and that’s when me and dad moved to the boat. | |
Jarod | Dylan, who were the two men on the dock? | |
Dylan | They’re from my dad’s law firm. The old guy is Edgar Hoyt. The other one’s name is Winston. He’s head of security. He’s a bad man, Jarod. | |
Jarod | Why do you say that? | |
Flashback | ||
Dylan | About a month ago I heard arguing. And it was Winston and my dad on the dock. He was threatening him, telling him that he’d better not cross the firm and he had no idea how powerful they were and that he should do the right thing to protect his family. Then he slapped my dad in the face and walked away. I wish that he’d never started working at that place. |
|
Jarod | I have to get on the inside. Now what is it that a group of tax attorneys would fear the most? | |
Rita | Same thing we all fear. | |
Secretary | The Internal Revenue Service. We’re all a little surprised by your visit. | |
Jarod | Well surprise is what we’re all about. After all we are the IRS. Very nice building. | |
Secretary | We’re very proud of it. Mr Hoyt’s Office. He’s expecting you. | |
Jarod | Thank you. | |
Hoyt | Mr Tally. Welcome. | |
Jarod | Mr Hoyt. I hope I’m not here at an inconvenient time? | |
Hoyt | Well if I said you were, would you leave? | |
Jarod | No, I guess I wouldn’t. | |
Winston | We’re a very busy firm. | |
Jarod | I’m sorry, I didn’t catch your name. | |
Hoyt | This is Mr Winston. He’s head of security. | |
Jarod | As I told your assistant, the Service has discovered some irregularities in your previous year’s tax files. It’s nothing serious. We’ve just changed the limits on some deductible items and it’s thrown off your balance sheets. | |
Winston | How long is this going to take? | |
Jarod | Well if I don’t find any unforeseeable problems I should be out of your hair in, oh, forty-eight hours. | |
Hoyt | They’ve set up an office down the hall. If there’s anything I can do, you just ask. | |
Jarod | I’ll do that. Mr Hoyt. Mr Winston. | |
Jarod in his office | ||
Winston watching Jarod | ||
Jarod | Is there any word from his mother? | |
Rita | No. I thought he’d wear his finger to a nub dialling it, redialling. Ah, he’s keeping his chin up but his eyes can’t cover the pain. His father? | |
Jarod | I got the number off a payphone he used to call Ashley. | |
Rita | The other woman? | |
Jarod | Now Dylan said that he called her on his mother’s birthday. Phone company records show all the calls made from that location on that day. | |
Rita | What… what are we looking for? | |
Jarod | The one number that was called a lot on the previous days. That must be Ashleigh’s phone number. Now by running the number through a reverse directory we can find out exactly who this woman is. | |
Rita | So who’s the home wrecker? | |
Jarod | There wasn’t one. Ashley wasn’t a woman. He was an agent with the FBI. Hale wasn’t having an affair. | |
Dylan | Then why did my dad let my mom leave? | |
Jarod | My guess is that he was trying to protect you. Pushing you and your mother away was the only way he knew how to keep you safe. | |
Dylan | Protect us from what? | |
Jarod | Let’s find out. Agent Matthew Ashley, please. Excuse me? When? No, thank you anyway. | |
Dylan | What’d they say? | |
Jarod | Agent Ashley is dead. He was killed in a traffic accident five days ago. | |
Agent | Ashley never said anything about working with the DOJ. | |
Jarod | Ashley was investigating a local law firm the DOJ has its eye on. Now I propose that we marshal our forces. | |
Agent 2 | Senator Meek’s office is on line two. | |
Agent | Call him back. | |
Agent 2 | He’s very unhappy. | |
Agent | Yeah, well that makes two of us. | |
Jarod | It’s quite a zoo you’re running here. | |
Agent | That’s what happens when one of your best people dies unexpectedly. | |
Jarod | Is there any word on what caused the accident? | |
Agent | There was road construction. Ashley lost control. It was a freak thing. | |
Jarod | A freak thing? | |
Agent | Ashley had an informant inside Hoyt and Associates. This informant was collecting evidence implicating the firm in the death of a key witness set to testify against one of their major clients. | |
Jarod | Does this informant have a name? | |
Agent | He refused to identify himself. | |
Jarod | And the evidence? | |
Agent | Ashley died before he received it. Now if you’ll excuse me. | |
Hoyt | Great. It’s great. Well I hope you find everything in order? | |
Jarod | So far so good. | |
Hoyt | Fast and sharp. A lethal combination. | |
Jarod | Well a corporation in Delaware kept me on retainer for several years. It was a scary place but I learnt a few things along the way. Oh, one more thing. I ran into a lot of references to work done by a man named Peter Hale. I tried to browse his expense reports but I was denied access. | |
Winston | Well, certain files are need-to-know only. | |
Jarod | Well I need to know. | |
Hoyt | I’ll arrange to have those files delivered immediately. | |
Jarod | Very good. | |
Winston | If you’ll excuse us. | |
Jarod | Even the boss’s office. Why doesn’t that surprise me, Winston? | |
Watching the Security feed | ||
Hoyt | He’s an IRS grunt, what’s to like? | |
Winston | I don’t know I have a bad feeling about this. | |
Hoyt | Craig you’re paranoid. | |
Winston | Look, you pay me to be paranoid, okay? The last thing we need is somebody asking questions about Peter Hale. | |
Hoyt | Hale is dead. Besides it wasn’t me that got us into this mess. It was you. | |
Winston | Hey, I did what had to be done. | |
Hoyt | I never suggested murder. | |
Winston | If I hadn’t shut those people up De Paz would still be sitting in jail. Do you know what that would mean? | |
Jarod | De Paz. | |
Winston | How do you think the rest of the directors would react if they thought that Hoyt and Associates couldn’t handle a case like De Paz. Getting him out of jail was crucial to the firm’s survival and you know that. | |
Jarod | Gotcha. | |
Winston | And you also know that a trial could have ruined us. Look I might have innocent blood on my hands but if I go down so do you. Don’t ever forget that. I’ll be in my office. | |
Jarod | Come on. Come on, come on. Come on, come on. Come on. Ah, Mr Winston I’ve been looking for you. | |
Winston | Well here I am. | |
Jarod | I found a few questionable entries in your expense account deductions and I thought, maybe, after lunch we could go over them. | |
Winston | No we can’t. | |
Jarod | I see. Well I would hate to bump these up to collections. I mean, after all a busy man like yourself; the last thing you would need is an audit. | |
Winston | Are you threatening me, Mr Tally? | |
Jarod | I don’t have to threaten, sir. After all I am the IRS. | |
Mr Parker | Angel, you said it was urgent. What is it? | |
Miss Parker | Daddy, I’m leaving the Centre. | |
Lyle | Wh… Leaving? But this is your home. | |
Mr Parker | It’s the only life you’ve ever known. | |
Miss Parker | The only life I’ve been allowed to know. Ever since I was a little girl all I wanted was to please you. After Momma died it was my sole reason to live. But I’m not that little girl anymore. And I won’t be needing this. | |
Mr Parker | Ah, this is about the carpenter, right? | |
Miss Parker | He’s name is Thomas. And this is about me. Daddy please, please give me your blessing. | |
Brigitte | That doesn’t seem fair. You agreed to stay here until you captured Jarod. | |
Raines | Which hasn’t yet happened. | |
Miss Parker | I’m entitled to a life. | |
Lyle | Come on. Certainly an organisation as powerful as the Centre can replace one individual. | |
Mr Parker | This is much too important to be decided on whim. | |
Miss Parker | It’s not a whim. I know what I want. | |
Raines | This is unacceptable. If you don’t stop her, I will. | |
Mr Parker | Don’t you ever threaten my family. Ever. | |
Dylan | My dad was a hero? | |
Jarod | He was helping the FBI build a case against the firm. One of the clients was a drug dealer named Vincent De Paz. He was facing trial for murder. The State had an eyewitness. A woman named Molly Brophy. Three days before she was to testify…. | |
Dylan | They killed her. | |
Jarod | I found these on the Internet. | |
Dylan | Winston murdered these people to protect a client? | |
Jarod | I think so. The trick now is to prove it. | |
Dylan | That’s why my dad was so afraid. | |
Jarod | He must have found out about the murders. Dylan, he was trying to do the right thing. | |
Dylan | I miss him Jarod. I miss him so much. | |
Jarod | I know you do. | |
Jarod | Alright, what do you want? Hale? You’re still alive! | |
Hale | What have you done with my son? | |
Jarod | Dylan is fine. He’s some place safe. | |
Hale | I saw you leave the waterfront with him. You work for Hoyt and Winston. Where is Dylan? | |
Jarod | My name is Jarod. I am trying to help you. | |
Hale | Why should I believe you? | |
Jarod | Because your son does. And right now he is scared and he is confused because he thinks his father is dead. | |
Hale | You don’t know what you’re getting yourself into. | |
Jarod | I know about the cover up to protect Vincent De Paz. I know that Molly Brophy and her grand daughters and Agent Ashley were all murdered. Now you’d better talk to me Peter because right now I’m your last chance. | |
Hale | I stumbled onto some irregularities in an unrelated case. When I realised what I found I contacted the FBI. |
|
Jarod | Agent Ashley. | |
Hale | He had me collecting evidence so that the Feds could build a case, you know, bring down De Paz and the firm. And now he’s dead. He had a wife and child. | |
Jarod | The FBI think his death was an accident. | |
Hale | I met with Ashley that morning. I handed over the evidence on de Paz. The next thing I know Ashley’s dead and the files had disappeared. It was no accident. It was Winston. And I was next. | |
Jarod | So you staged your own death. | |
Hale | I panicked. Winston watches everything. He knows everything. I figured the only way out was if he thought I was dead. At least that would buy me the time to get Dylan away from here. Blowing up the boat was the best idea I could come up with. I sealed up the cabin, starting filling it with propane gas. I called Dylan’s school. I was going to have him meet me. But he wasn’t there. I started to worry that something might have already happened to him. I knew Winston was having me watched. Either way we stood a better chance if he thought I was dead. So I left the note, got back on board. I had rigged a flare gun in the cabin. I grabbed a scuba tank and slipped into the water. | |
Jarod | So by the time Winston realised that there was no one on the boat you and Dylan would be safe with your wife in England? | |
Hale | And when I saw you coming out of the firm I thought I’d had lost my boy for good. | |
Jarod | Dylan thinks his father is dead. | |
Hale | How ever did things get so bad between the two of us? But I did it to protect him. Do you think he’ll ever be able to forgive me? | |
Jarod | Why don’t we ask him? | |
Mr Parker | Ah. Nothing like the smell of freshly cut wood. What’s the spacing code on those for floor studs? | |
Thomas | Ah, two and a half feet. | |
Mr Parker | Lot more than 18 inches. That’s bad economics. | |
Thomas | It’ll double the life of the structure. That’s all I care about. | |
Mr Parker | A man of integrity. | |
Thomas | You, ah, you know something about carpentry? | |
Mr Parker | I know a little about a lot of things. | |
Thomas | Could you, uh, could you hand me a bonding clamp please? | |
Mr Parker | I guess you’re wondering why I’m here. | |
Thomas | She told you she wanted to leave. Your daughter and I don’t keep secrets from each other. | |
Mr Parker | Your tools are old. You could use some new ones. | |
Thomas | Can I help you with something Mr Parker? A blank cheque? | |
Mr Parker | Fill in any amount you want, we shake hands, get on with our lives. All of us. | |
Thomas | I love your daughter Mr Parker. No amount of money in the world could ever change that. | |
Jarod | Dylan! | |
Hale | Dylan! Where is he? You said he’d be here. | |
Rita | Oh Jarod. Thank God you came back. | |
Jarod | Where’s Dylan? | |
Rita | I tried to stop him, but he was so angry, so upset. He took my Otto’s pistol. | |
Hale | Where would he go? | |
Jarod | He’s going after Winston. | |
Jarod | Give me that. | |
Dylan | You can’t stop me. | |
Hale | What about me? | |
Dylan | Dad? I thought you were dead. | |
Hale | Oh, so did I when I thought that I wouldn’t see you again. I’m sorry, I’m so, so sorry. | |
Dylan | I saw the boat explode. | |
Hale | I know. I know none of this makes sense to you but I promise that I will fix things so they can be the way they were. The way they should be. | |
Dylan | With mom too? | |
Hale | Especially with mom. | |
Jarod | Come on you two. We still have a lot of work to do. | |
Jarod preparing the pretend | ||
Miss Parker | It doesn’t matter what I do, they’ll never let me go. | |
Thomas | I don’t understand, you’re a grown woman. Certainly you can make your own decisions. | |
Miss Parker | It’s not that simple. | |
Thomas | Who could that be at this hour? | |
Mr Parker | I hope we’re not interrupting anything Angel. | |
Miss Parker | No. We were… What are you doing here Daddy? | |
Lyle | We just dropped by to make sure you were alright. | |
Miss Parker | Alright? | |
Mr Parker | Oh, to hell with it. I wanted to talk to you sweetheart. Do you mind if we come in? | |
Miss Parker | Sure. | |
Winston | Son of a bitch. | |
Hoyt | What’s wrong? | |
Winston | Hale’s still alive. | |
Hoyt | It’s impossible. This is some kind of a scam. | |
Winston | Look at that paper he’s holding. That picture was taken today. According to this letter it was all a set up. Hale knows about Molly Brophy and the FBI agent. He wants money to go away. |
|
Hoyt | What else? | |
Winston | He wants me to meet him in a parking lot. He says to come alone or he tells the FBI the whole story. | |
Hoyt | What are you going to do? | |
Winston | I’m going to meet him, alone. Then I’m going to kill that son of a bitch, once and for all. | |
Thomas | Are you sure that I can’t get anybody anything to drink? | |
Mr Parker | No thank you, Thomas. | |
Miss Parker | Daddy, you wanted to talk to me about something. | |
Mr Parker | Ah, I am not young anymore… | |
Miss Parker | Daddy… | |
Mr Parker | No no, let me finish. I’m a creature of habit. I don’t like change, that’s the way I am. But I’ve been thinking about you and your young friend here. And uh… well I’ve been selfish. | |
Miss Parker | I don’t understand. | |
Lyle | The um, Yakuza have a saying that love and fear fly to heaven on the same wing which means the things we do because we love somebody are also the things we do because we’re afraid. Like when Dad tried to pay Thomas to go away. | |
Miss Parker | What? Why didn’t tell me that? | |
Thomas | Because it wasn’t a big deal. He just… he made an error in judgment, that’s all. | |
Mr Parker | One of many, I’m afraid. Angel, I am terrified. | |
Miss Parker | Of what? | |
Mr Parker | You’re all I have, you and your brother. You leave I lose probably the best part of me. But if you think that leaving is the best for you then, um, go with my blessing. | |
Miss Parker | Are you serious? | |
Mr Parker | I just want you to be happy, that’s all I’ve ever wanted. Well it’s late and, ah, we have to get up early so, ah, goodnight sweetheart. Thomas. | |
Thomas | Yeah. | |
Lyle | Goodnight. | |
Thomas | Well congratulations Parker. It looks like you’re finally in control of your own life. | |
Miss Parker | Yeah | |
Thomas | How does it feel? | |
Miss Parker | Confusing. | |
Thomas | I’ll bet. Listen I’m gonna go lock the back door. You shut off the lights, okay? | |
Miss Parker | Okay. | |
Winston | Damn it. Damn it. Come on. | |
Rita | Good evening. How may I help you? | |
Winston | You gotta a pay phone? | |
Rita | It’s on the side of the store… but it’s broken. | |
Winston | Look, I have a flat tyre and I’m late for a very important meeting so do you think I could use your phone? | |
Rita | A local call? | |
Winston | Yes. | |
Rita | This could be some kind of a trick. You might say it’s a local call then when the phone bill comes I see it’s long distance and I get stuck with the bill. | |
Winston | this is a twenty-dollar bill, okay. So, now do you think I could use your phone? | |
Rita | Make it snappy. | |
Winston | Thank you so much. | |
Jarod | Alright everybody freeze! This is a robbery. | |
Hale | Alright lady come out from behind the counter. | |
Rita | No. | |
Jarod | Don’t push me lady. Get out from behind the counter. | |
Rita | You get out from my store. | |
Jarod | Put the gun down lady. | |
Winston | Are you crazy lady? Do what he says. | |
Rita | Not while you rob my store. I fight or I die. | |
Winston | No no no. You’re not going to fight. You’re going to lose this one. Look put the gun down. Let these men walk away. | |
Jarod | Do what he says. Put the gun down now. What the hell are you doing? | |
Hale | I panicked. I’m sorry. | |
Jarod | Go check on her. | |
Winston | I didn’t see anything. | |
Hale | Oh my God! I killed her. | |
Jarod | You stupid idiot. | |
Hale | I’m sorry man. Come on. Let’s get out of here. | |
Jarod | Shut up! Shut up! Shut up! Just let me think here for a second. | |
Winston | I didn’t see anything! | |
Jarod | You’re so stupid. Alright, get over there! Get over there! | |
Hale | What are you doing? | |
Jarod | You just killed someone you idiot. We can’t leave any witnesses. | |
Winston | Wait a minute. Wait a minute. You don’t have to kill me. I can help you with this. | |
Jarod | What are you talking about? | |
Winston | Well you’ve killed somebody. Look it’s no big deal. It was an accident. | |
Jarod | What do you mean it’s no big deal? He just killed an old lady in cold blood. We could fry for this. | |
Winston | No. No. No. You’re not going to fry for this. You do exactly what I say and you will walk. Listen to me. Listen to me. I work for one of the top law firms in the city, okay? | |
Jarod | You’re a lawyer? I don’t like lawyers. | |
Winston | No. No. I’m not a lawyer. I’m not a lawyer. I’m just like you, alright? | |
Jarod | You are nothing like me. Now get down on your knees. You never killed nobody. | |
Winston | I did. I killed an old lady in a store just like this and I walked away. Please, please don’t kill me. Please. You gotta to believe me. Please. | |
Jarod | I believe you. You believe him? | |
Hale | Yeah, I believe him. | |
Winston | What the hell is this? | |
Rita | I believe you too. | |
Dylan | So do I. | |
Jarod | You forgot one thing. You also killed her two granddaughters. And you killed a federal agent. | |
Winston | Who the hell are you? | |
Jarod | Somebody who is going to turn these tapes over to the FBI. | |
Winston | I may have innocent blood on my hands but if I go down so do you. Don’t ever forget that. |
|
Winston | I killed an old lady in a store just like this and I walked away. Please, please don’t kill me. Please. You gotta to believe me. Please. | |
Jarod | It;s kind of a nice ring to it don’t you think? | |
Winston | You’re a son of a bitch, you know that? | |
Jarod | Oh relax. Hey, you never know. Today may be your lucky day. | |
Hale | What you say, something like that? Or maybe a really big sail boat? | |
Dylan | I don’t know dad. Maybe we should live on dry land for a while. You know, maybe like a little house. | |
Hale | Maybe you’re right. | |
Jarod | At least you finished what you started. | |
Hale | I couldn’t have done any of it without you. Thank you Jarod. | |
Jarod | So what’s next? | |
Hale | Now I try and put my family back together again. | |
Hale | Well I think a missing part of that puzzle just pulled up. | |
Dylan | Mom! | |
Rita | Ah! Ah! Ah! | |
Jarod | Rita, what’s wrong? | |
Rita | It’s a miracle. Lightning just struck my submarine. |
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