3-16 P.T.B.
3-16 P.T.B.
P.T.B.
There are places in me Tommy, dark places.
Miss Parker
P.T.B.
There are places in me Tommy, dark places.
Miss Parker
Original air date: April 3, 1999
Written by: Juan Carlos Coto
Directed by: Krishna Rao
Miss Parker faces a life-altering decision while Jarod helps a radio DJ who comes under attack from a mysterious and very angry listener.
Jarod’s Discoveries:
Jarod’s Occupations: Talk Back Radio DJ, Major Army Intelligence
Jarod’s Aliases: Middle Man, Jarod Turgidson
Official Synopsis
A radio personality who specializes in conspiracy theories finds himself the target of a vengeful listener.
Inside a dark and cluttered basement, radio personality Neil Roberts hosts his latest show. The program features live call-ins from listeners interested in conspiracy theories. Roberts communicates with his producer, Angela Somerset, who is located in a downtown Chicago radio station. Angela alerts Roberts to a call from a listener known as Middle Man. Roberts asks Middle Man if he is still running from the PTB’s, or Powers That Be. Middle Man, who turns out to be Jarod, tells the listening audience that he has been searching for his mother and father for a long time. Roberts envies his dedication, admitting that there is only one person in his life he feels close to—and she doesn’t know he exists. When Jarod hangs up, Roberts receives a phone call from First Time Caller. Roberts is instructed to look in his mail for a package. He opens the padded mailer…only to find a dead rat inside. Moments later, First Time Caller blasts open the basement door using a shotgun. Roberts runs for his life. The attacker then lobs a grenade into the room. Jarod hears the commotion on his radio and heads towards the station.
When Roberts disappears, Jarod shows up at the studio and takes over the show. Angela threatens to contact the police…until she realizes that Jarod is Middle Man. Meanwhile, Thomas tells Miss Parker that he sold the house. He intends to purchase another fixer upper, one they can work on together, in Portland, Oregon. Miss Parker informs him that it would be impossible for her to leave her job. But Thomas needs an answer soon. Later, Sydney encourages Parker not to allow the Centre to dictate her life.
Jarod replays Roberts’ last broadcast. He realizes that Roberts phoned Angela shortly before the grenade exploded. Angela admits this is true. She also reveals that Roberts told her to stay away from his house, as it was a matter of life and death. Angela escorts Jarod to Roberts’ home. They discover a bulletin board covered with pictures of a 19-year-old girl. Angela and Jarod are unsure who the girl is. But they do know that, for reasons unknown, Roberts documented the girl’s life.
Jarod hosts another of Roberts’ radio broadcasts. The First Time Caller makes another call, this time from a cell phone. Jarod dubs him “Pavlov.” Cell phone in hand, Pavlov exits his car, and watches as the 19-year-old girl descends an elevated train station on crutches. Sitting in a car nearby is Neil Roberts. As Pavlov and Roberts observe, the girl is met by a woman pushing a wheelchair. The women drive away from the scene. As Jarod converses with Roberts by phone, he hears the sound of the El train in the background. Jarod puts two and two together and warns Roberts to leave the area immediately. Roberts sees Pavlov, gun in hand, advancing upon him. Roberts floors the engine and makes a getaway.
Jarod discovers that the 19-year-old girl’s name is Patricia Marie Lorenz, and that she has suffered from a degenerative nerve disorder since birth. Both her parents served in the Army… and died on a base. It turns out that Roberts, a former Army physician, is funding a foundation that supports research for the disorder. Roberts had Patricia moved to a new apartment right after the first threats began. Jarod and Angela pay Patricia a visit, but the girl has no idea who Roberts is, even when she hears his voice on some self-help tapes provided to her by the foundation.
A distraught and paranoid Roberts pulls a gun on Jarod inside the radio station’s parking lot. He demands to know what Jarod was doing at Patricia’s apartment. Jarod calms him. Roberts explains how the Army subjected Patty’s pregnant mother to an experimental vaccine. Roberts protested, but didn’t protest enough. He was transferred away from the base. Meanwhile, the Centre’s monitors in Chicago take note of Jarod’s comments on the air. A sweeper team is dispatched to the station to investigate.
Mr. Parker tells his daughter that if she leaves him, he might as well be dead. Later, Jarod contacts Miss Parker by phone. He reminds her that her mother was trying to take her away from the Centre on the day she was killed. Thomas, he points out, is trying to do the same thing.
After performing more research, Jarod discovers that the Army closed down the experimental vaccine operation. In the process, they convicted Roberts’ superior, Colonel Willard Spence. Spence served seven years in Leavenworth prison, during which time he developed diabetes. The mysterious Pavlov, it is revealed, is a vengeful Spence. A short time later, Roberts shows Jarod his research on a mysterious man who shows up in unexpected spots to defend the weak and abused. Jarod realizes the research is on him. He is speechless.
Jarod again takes to the airwaves. He baits Spence (Pavlov) to come to the studio and exact his revenge. But Spence makes his way to Patricia’s apartment and opens fire. The room, however, is empty. Jarod steps up behind Spence and places ether over his mouth. Spence passes out. When Spence awakens, he finds himself strapped to a wheelchair, feeling woozy from a lack of insulin. Afraid of going into diabetic shock, Spence admits that he tried to kill Roberts. He then injects himself with a syringe. Jarod plays an audio tape of Spence’s confession, which he plans on broadcasting at the station.
Miss Parker tells Thomas that there are things about her he does not know. Thomas assures her they can deal with her problems…together. They then kiss.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
P.T.B. Transcript
Neil | That my friend is Grade A American-made bear squat! | |
Listener | But I got an air force fax. It says the Trilateral Commission was inside Area 51 on June 10th 1974. | |
Neil | Right, and MJ is still bringing the ball up at the United Centre. Now listen my little misguided friend, I may be working at the tiniest radio station in the city of Chicago but our microphones work! A fax is not an original. | |
Listener | Well it could be. | |
Neil | Survey says BZZZZZZZZ MORON! Folks please, come on. We’re smarter than that. What is my credo? Never stop questioning. This is the Neil Robert’s program broadcasting live from the bunker somewhere deep inside the loop. My own little corner of anonymity. Now if somebody has a real conspiracy out there….something worth firing my synapses over please do give me a call. | |
Angela | We’ve got a listener on a cell phone with a comment on that last call. | |
Neil | Ah, that would be the voice of my lovely and talented producer Angela Somerset who’s in our main studio back at the corporate high rise. | |
Angela | It’s an old friend on line one. The Middle Man. | |
Neil | Double M! Now hit me! | |
Angela | There’s no way the Trilateral Commission was in Area 51 that day. They were in Delaware! | |
Neil | How do you know that? | |
Jarod | We had brunch. I sat on the other side of a two-way mirror eating optimised nutritional supplement. | |
Neil | Eating what? | |
Jarod | It’s a long story. | |
Neil | You still running from the PTB’s? | |
Jarod | PTB’s? | |
Neil | Ahhhhh you’re slipping Middle Man. The Powers That Be. What’d they do to you anyway? | |
Jarod | They separated me from my family when I was a little boy. I barely remember my mom and dad. I’ve been searching for them for a long time now. | |
Neil | Well, I have no sardonic response to that, only to say that that… kind of dedication comes from deep within. I kind of envy you. I don’t have anyone that close… with the exception of one person and ah she doesn’t even know I exist. But that my friend is a very long story and I know you’ve gotta run. | |
Jarod | As always. | |
Neil | Take care, and as always a very enlightened call from our friend Double M. Let’s now go to a disgruntled caller on a mobile phone. Hit me! | |
Pavlov | Hey squealer, you get my postcard? | |
Neil | Well you know my friend I get bushels of fan mail every day. | |
Pavlov | I sent a package this time. Express. | |
Neil | Ah, here it is, the package. You hear me opening it on the air. Here we are. | |
Pavlov | Hope it’s not over the top. | |
Neil | Oh my God. | |
Pavlov | Yeah it’s a dead rat. Sort of symbolises your status in life – choices made, choices to live with, or die from. Like the song says, this is the end my friend. Watch out for that cheese Neil. | |
Neil | I’m sorry Patty. | |
Pavlov | Hey Neil, you still there? I don’t hear anything. What’s the matter Neil, rat got your tongue? I’d love to see the expression on your face right now. In fact that’s just what I’ll do. Die rat! | |
Listener | If Neil was attacked how come the police aren’t all over it? | |
Angela | Because Neil broadcasts from an unknown location in the city. Neil if you’re listening, please call. It’s been thirty-seven minutes, we’re worried about you. | |
Listener | Cut the crap lady, it’s another one of Neil’s damn publicity stunts. | |
Jarod | Hey moron! | |
Listener | Who’s this? | |
Jarod | If Neil’s mission in life is to expose conspiracies and lies do you think he’d create one? | |
Listener | Ha! Hell yes. | |
Jarod | Then go back to the village pal, the one missing the idiot. I can explain. | |
Angela | Explain it to the police. | |
Jarod | You would have called them after Neil was attacked if you wanted them involved. | |
Angela | Who the hell are you? | |
Jarod | Someone running from the PTB’s. | |
Angela | Middle Man? | |
Jarod | My name is Jarod. I know you’re very afraid for Neil, I could hear it in your voice. Look I know this sounds crazy but trust me. Let me use this show to help you find Neil. We’re back and you’re listening to ….the Middleman. While we wait for word from Neil I’m going to tell you a little story that’s ah both near and dear. It’s about a boy that was raised by an organisation shrouded in secrecy. A Delaware corporation unlike any other. Weird, I know, but the truth often is. | |
Miss Parker | Hmm. You’ve gotta learn to sleep in. | |
Thomas | That was the realtor. | |
Miss Parker | So are they going to buy the place? | |
Thomas | They already did. I was going to tell you earlier but I was waiting- | |
Miss Parker | You don’t have to clear it with me. | |
Thomas | There’s something else. I, ah, I bought a new house for us to restore. Together. It’s in Portland. | |
Miss Parker | I love Maine. | |
Thomas | Oregon. Come with me Parker. | |
Miss Parker | Oh! To Oregon? | |
Thomas | Why not? | |
Miss Parker | Well first of all I have a career. | |
Thomas | Oh right, right. The same career that gave you an ulcer and nearly killed you. | |
Miss Parker | It’s not just the job. My family. | |
Thomas | You buy a plane ticket, you visit. | |
Miss Parker | You don’t know my family. Look it’s just not a decision I can make right now, here, in my bathrobe. | |
Thomas | What are you scared of? | |
Miss Parker | Nothing. You’re just asking a lot. | |
Thomas | I need to leave soon. | |
Pavlov | Your status in life. Choices made, choices to live with or die from. Like the song says, this is the end my friend. | |
Angela | Neil where are you? I’m coming to your place, right now. | |
Jarod | Neil called you before he was attacked didn’t he? You wanted to call the police but he begged you not to. He insisted. | |
Angela | He told me to keep up appearances until he called again, and to stay away from his place. It’s life and death he said, and not just mine. And then he said…. | |
Jarod | What? | |
Angela | He said, Ang, if you don’t hear from me tomorrow, I’m gone… forever. | |
Jarod | Then we don’t have much time. | |
Angela | Nobody heard a thing. I told him not to live in an abandoned building. | |
Jarod | They’re the best places to hide. He shot through the door. He fired at Neil. Chased him along this wall. The grenade landed over there. Neil’s only escape was through this door. | |
Angela | My God – Neil’s blood. | |
Jarod | He got out alive. | |
Broots | Jarod left this sign for us outside his place in Chicago. | |
Lyle | But this house is in Blue Cove. | |
Miss Parker | Traffic was a bitch. | |
Lyle | Or you slept in. Isn’t that your plumber’s house? | |
Miss Parker | Thomas is a carpenter, and yes he sold it. So? Jarod can read the classifieds. | |
Lyle | Is your boy leaving town? | |
Miss Parker | Oregon, maybe. | |
Lyle | Now, that commute is a bitch. Call me when the cleaners are back from Chicago. | |
Miss Parker | Don’t give me that look, Syd. | |
Sydney | Thomas is moving, isn’t he? He wants you to go? To leave Blue Cove? | |
Broots | Leave the Centre? Your father’s gonna freak. | |
Miss Parker | Thanks for pointing that out. | |
Sydney | Parker, a long time ago I lost a family because the powers that be chose my path. Don’t let them dictate yours. | |
Angela | So who is she? | |
Jarod | Someone this psycho knows is important to Neil. | |
Angela | Neil’s daughter? | |
Jarod | Maybe. One thing’s for certain, she means the world to him, although they never met. | |
Angela | You got all that from a postcard? | |
Neil | I don’t have anyone that close with the exception of one person and uh she doesn’t even know I exist. | |
Jarod | We have to think like he thinks, feel what he feels…. ‘Never stop questioning.’ | |
Angela | Neil’s signoff? | |
Jarod | Albert Einstein once said ‘The most important thing is to never stop questioning … | |
Angela | This stuff is all about the girl on Neil’s bulletin board. | |
Jarod | He’s documented her entire life. Her name is Patricia Marie Lorenz. She’s nineteen years old. She’s had a degenerative nerve disorder since she was a little girl. We find her, we may find Neil. | |
Angela | Or the guy who’s chasing him. This psycho’s not going to let up is he? | |
Jarod | No. He’s going to keep following him, hunt him down like an animal. Keep him from the people he loves. Make his world a living hell until it ends….one way or another. | |
Jarod | I mean come on. What kind of low forehead sends dead rats through the mail? | |
Listener | It’s the television, Double M! It makes us do things. | |
Jarod | Tsk tsk tsk, only if you let it. | |
Listener | Well I’ve got to go. Uncle’s sending me a secret message. | |
Jarod | My next caller please. | |
Pavlov | They can replace that son of a bitch but Neil can’t hide. | |
Jarod | And why should he have to? | |
Pavlov | You’ll have to ask him. He forced this, he put his own ass in my crosshairs. | |
Jarod | How did he do that? | |
Pavlov | He ambushed my life, a sucker punch. But actions have consequences and this time around I’m in control. | |
Jarod | Control, like ringing a little bell. | |
Pavlov | It’s not the bell, it’s who’s ringing it. | |
Jarod | I guess that’s you, Pavlov. It is okay if I call you Pavlov, isn’t it? | |
Pavlov | Maybe you should call me PTB. | |
Jarod | Oh. Are you one of the Powers That Be? | |
Pavlov | I’m the only one. | |
Jarod | Pavlov are you still there? You haven’t disappeared on me have you? | |
Pavlov | Neil took away what was important to me. Maybe I’ll return the favour. | |
Jarod | If you’re such a powerful PTB why not tell us who you are? | |
Pavlov | No no. Anonymity, that’s where the real power is. Even Neil, the coward, would tell you that. He had to get me with my back turned. Now I’m the shooter in the book depository. I’m the bullet you don’t see comin’. | |
Jarod | We all have the right to face our accusers. | |
Pavlov | Oh what a lovely thought. Maybe you could write that in Neil’s eulogy huh? | |
Recording | You’re listening to WLMJ, Talk Radio for Chicago. | |
Angela | You hear that? | |
Jarod | He’s near the L-train. | |
Angela | As long as he’s nowhere near Neil. | |
Neil | Angela. Angela- | |
Angela | Neil, thank God. Where are you? | |
Neil | That was him on the air. The son of a bitch isn’t gonna quit. | |
Angela | I found someone who could help. | |
Jarod | Neil, this is the Middle Man. You have to stop running. | |
Neil | Stay out of this. You don’t know what you’re dealing with. | |
Jarod | I know about Patricia Marie. | |
Neil | No. Not Patty. You stay away from Patty, you hear me?! Listen it’s hard enough with one- | |
Jarod | Neil, listen to me. Get out of there right now! Just go! Neil! | |
Angela | I can’t reach him and the police don’t know anything. It’s over Jarod. | |
Jarod | It’s encrypted. I forgot who I was dealing with. | |
Angela | Even I don’t know his password. | |
Jarod | Yes! The New Vista Foundation. | |
Angela | Neil never mentioned anything about it. | |
Jarod | He’s made some sizeable donations. It supports research for nerve disorders. It also pays bills for Patricia’s at-home care. | |
Angela | According to this he had her moved to a new apartment about six months ago. | |
Jarod | Right after the threats started. | |
Mr Parker | Angel. I was just admiring how well you turned out. | |
Miss Parker | Daddy I… | |
Mr Parker | Damn. | |
Miss Parker | We need to… | |
Mr Parker | I could use some help from that friend of yours, what’s his name? Tom? | |
Miss Parker | Here. Actually I’m glad you mentioned Thomas. He’s… | |
Mr Parker | Got a new project, I know. Oregon. That’s kind of far away isn’t it? | |
Miss Parker | How do you know? | |
Mr Parker | Your brother’s a damn gossip. I could not imagine my daughter hanging wallpaper. | |
Miss Parker | Who knows, I might be good at it. | |
Mr Parker | Ah, trust me, renovating an old house is like pounding sand down a rat hole. It never ends. Besides, what would I do without my Angel? Hey, did I ever tell you why I call you that? | |
Miss Parker | No. | |
Mr Parker | Ah. Well, you were about three and a half years old. We were at the Summer place. | |
Miss Parker | My place. | |
Mr Parker | Mmm. I was high up on a ladder. I was trying to fix a leak in the skylight over your mother’s studio. I was about to take the last step when suddenly you screamed ‘Daddy! Broken!’ Sure enough if I’d taken that last step I would have fallen thirty feet down onto the rocks. You saved my life. Your mother said you were my guardian angel. You leave me……I might as well be dead. | |
Patty | My parents were killed in an accident at Fort Bragg when I was little. I don’t know what I would have done without the New Vista Foundation. It wasn’t the money either, it was the tapes. They’ve been sending these every month for years. Some are philosophical, some are inspirational, some just stories. Always the same voice. These books helped me learn, get focused, opened up the world for me. Helped me see the possibilities I’d given up on. I write for websites now. For the longest time I tried to find out who was funding the foundation but I never got close. | |
Jarod | Do you mind if we listen to a little bit of the tape? | |
Patty | No. | |
Neil | Hannah and Vronsky found themselves alone in the square, waiting for the snow to fall. It had been several hours since their last meal. | |
Patty | All I had was him. | |
Jarod | It’s a nice voice. | |
Patty | I know he’s just their reader, you know? But he sounds so… real, you know? I rejected a lot of people but irony of ironies, I couldn’t reject him. ‘Cause I don’t know him. I think of him as a guide. He’s kinda the reason I’m still fighting, still alive. | |
Angela | Neil dedicates his life to her. Now he’s in danger because of her? | |
Jarod | She doesn’t even know who he is. | |
Angela | It’s another dead end. | |
Jarod | Not exactly. Pavlov is still out there. We just have to get him talking again. | |
Jarod | I’ll tell you about the powers that be. When they can’t get to you they go after the people that you love. That what they did to Neil. The PTB’s try to rip these people out of your life, your guts right along with them. But that’s where they make their mistake because the people that you love may be your weakness, but they’re also your strength. They keep you fighting. They keep you one step ahead of the demons who breathe fire into your soul. | |
Angela | Line one. It’s him Jarod. Pavlov. | |
Jarod | Go ahead line one. | |
Pavlov | You got me in tears over here. Tears of laughter. | |
Jarod | Why don’t you stop hiding behind your phone? I’ve been inside your head. I don’t just see a tortured maggot, no I see a lonely, pathetic man whose only companions are his rage and the power of his anonymity. | |
Pavlov | You sound a lot lonelier than I’ll ever be. What, not enough love from Mom and Dad? Yeah, I’ve been listening to your kidnapping sob story. | |
Jarod | My parents aren’t exactly the issue here. | |
Pavlov | No I’m guessing they’re your whole life. The life you’re desperately looking for night and day. Those little doubts, they’ve got to be gnawing in your gut right now. | |
Jarod | And what doubts are those? | |
Pavlov | Maybe my folks wrote me off? Maybe they think that their little boy is dead? Maybe they’re dirt napping. Here you are running all over creation searching, and they’re nothing but worm food. | |
Jarod | You know something Pavlov when I find you… | |
Pavlov | You’re never going to find me. I’m one of Neil’s secrets. A contradiction inside a paradox wrapped up in an enigma. The kind of conspiracy that even he can’t reveal. You forgot something orphan boy. | |
Jarod | What’s that? | |
Pavlov | I know where you work. | |
Recording | You’re listening to WLMJ, Talk Radio for Chicago. | |
Angela | The trace is no good. | |
Flashback | ||
Sydney | Parker, a long time ago I lost a family because the powers that B=be chose my path. Don’t let them dictate yours. | |
Broots | Your father’s gonna freak. | |
Mr Parker | Your mother said you were my Guardian angel. You leave me, I might as well be dead. | |
Jarod | Fort Bragg. That’s where Patty’s parents died. You’re making a mistake. Give me the gun. | |
Neil | You’re working for him? | |
Jarod | Pavlov said that he was one of your secrets. What does that mean? | |
Neil | None of your business. You stay away from Patty. | |
Jarod | He’ll kill her. | |
Neil | You were in her apartment. Why? | |
Jarod | I was trying to find you so I could help you. She’s not your daughter, who is she? | |
Neil | She’s someone I don’t deserve. | |
Jarod | That’s not true. You made her a fighter. | |
Neil | Oh God. She should never have had to fight! I was a doctor. | |
Jarod | In the army? How did you hurt her? Her disorder in congenital. | |
Neil | Spare me the official line of crap! Patty’s mother was a patient. No. She… she was a subject. | |
Jarod | An experiment? | |
Neil | Government sponsored. Oh, half of me wishes it was just one big conspiracy and I could just laugh it off on my show. I thought we were just testing vaccines on soldiers, very routine stuff. Or so I thought. Well, we knew Patty’s mom was pregnant. When some test results came back suggesting she might have an adverse reaction I was told to let it go. So I did. I was a coward. I convinced myself that my superiors knew better. I got transferred across country and I ignored the consequences… until I heard about the car crash. | |
Jarod | That’s when you found out about Patty’s disorder and that’s when you started providing for her. | |
Neil | Oh God. I didn’t speak up. | |
Jarod | Never stop questioning. Neil, you’ve dedicated your whole life to speaking up. | |
Jarod | To everybody but her. Pavlov is right. I… I’m a fraud. I mean I bitch about telling the truth but the ironies of ironies the one person I care most about will never hear the truth from me because I don’t have the guts to tell her. | |
Lyle | The Powers that be are everywhere. They take your loved ones away from you. Who wrote this drivel? | |
Broots | Nobody. A talk show host said it. Our Chicago monitors picked it up. | |
Miss Parker | WLNJ Radio has a new talk show host. | |
Sydney | He’s railing against us, calls himself The Middle Man. | |
Broots | Hmm. The middle, The Centre. | |
Lyle | You think? I want a sweeper team out there. | |
Miss Parker | Already dispatched two. | |
Lyle | So, are we back? | |
Miss Parker | Meaning? | |
Lyle | Oh, I just heard that you were making plans with the shop teacher. Lyle. Yeah she’s right here. Security on Concourse four. Shop Teacher’s here. | |
Thomas | This place is locked up like Alcatraz. | |
Miss Parker | What are you doing here? | |
Thomas | You didn’t mean what you said. That wasn’t you talking, that was your father, it was this place, whatever the hell this place is. | |
Miss Parker | It’s so easy for you isn’t it? Waltz into somebody’s life, rip it apart like it was some damn remodelling job? Keep your favourite parts but throw out the rest. No consequences, no commitment. | |
Thomas | This is a commitment. Can’t you see that? | |
Miss Parker | I see someone who’s only connection to the world is an empty house, a box of nails and a rusty pick truck. I don’t have that luxury. I have obligations, I have relationships. | |
Thomas | Obligations? Relationships? You make it sound so personal, so warm. All your mail is stamped Occupant. Your… your phone number is unlisted and I have yet to meet even one of your so-called friends. | |
Miss Parker | I have a life. | |
Thomas | Which you refuse to share. That’s not a life Parker, it’s a life sentence. Parker. Please don’t make me leave part of my life here. Please. | |
Miss Parker | I’m sorry, I don’t want to hurt you Tommy. | |
Jarod | No. It’s me. | |
Miss Parker | Jarod. You got another clever message for me? | |
Jarod | I only wanted you to know that Thomas was selling. From the sound of your voice you’ve already discussed it. | |
Miss Parker | Yeah. He’s moving to Oregon. He wants me to go with him. | |
Jarod | So go. | |
Miss Parker | You’d like that wouldn’t you? It’s too late anyway. | |
Jarod | You picked a fight with him, didn’t you? This isn’t what you want Miss Parker. | |
Miss Parker | Why does everybody suddenly know what I want? | |
Jarod | Your mother always knew. She was trying to leave the Centre the day that she was killed. She wanted to take you as far away from there as possible. That’s what Thomas wants. It’s no coincidence. | |
Jarod | The federal archives were a gold mine. Pavlov is Colonel Willard Spence. | |
Neil | Spence? He was one of my superiors. | |
Jarod | And after he got you transferred he intensified his drug experiments. | |
Neil | I did a bunch of shows on the subject when I first got on the air. How the army was pumping these soldiers full of potentially lethal experimental drugs without telling them. | |
Jarod | Well your shows got the army nervous. They shut Spence down. Some families tried to sue but of course they lost. The brass conducted an internal investigation. They convicted Spence and locked him up in Leavenworth for seven years. | |
Neil | That’s a long time. | |
Jarod | Time enough to develop a heck of a grudge. He blames you and your radio show for ratting him out. | |
Neil | Jarod, his parole office is on Olympia Fields, that’s close to Patty. | |
Jarod | We’ll find him. | |
Neil | Army Intelligence. A very clever contradiction in terms. I suspect you’re a very clever man. You know I’ve been tracking reports of another clever person, very mysterious. Shows up at unexpected spots. Always there to help the needy and the abused. Well you didn’t think I’d tell my secrets to any schmo did you? | |
Jarod | Why didn’t you expose me on the air? | |
Neil | Nah! No, I only go after bad conspiracies. | |
Angela | Neil? | |
Neil | Hi! It’s good to see you. | |
Angela | You too. I’m so glad that you’re okay. There were some people down at the station. They asked for Jarod. Guys in suits, one answering to the name Sam. | |
Jarod | Sweepers. | |
Neil | Who are they? | |
Jarod | The powers that be. | |
Lyle | So the sweeper team’s already in place at Chicago and we’re still stuck waiting in Blue Cove? | |
Broots | No one at the Centre has seen Miss Parker and she’s not answering her cell phone. | |
Lyle | Well that’s it. We’re out of here. | |
Sydney | Lyle… | |
Lyle | She made her decision doctor and I’m making mine. Yeah this is Lyle. Let’s go. | |
Jarod | It’s another deep dark night out there and you’re back for another session with the Middle Man and my guest Neil Roberts. | |
Neil | Thanks for subbing for me Middle Man. | |
Jarod | Well I’m just glad that our wacko friend Pavlov wasn’t able to hurt you. | |
Sam | Mr Lyle, Jarod must have gotten upstairs through another entrance. The show’s already started. | |
Jarod | Oh look who’s on line one. Go ahead Pavlov. | |
Pavlov | You shouldn’t have done this. | |
Jarod | Why not? Neil’s ready. Come down to the studio and get your revenge. Pass your sentence PTB. | |
Pavlov | I will, but not where you expect. | |
Jarod | Oh that’s right. You’re an enigma wrapped up in a paradox, or is it the other way around? The Powers that Be don’t call the shots any more. | |
Pavlov | We always call the shots Orphan Boy that’s why they call us The Powers That Be. | |
Neil | Well look here, the powers that aren’t. | |
Jarod | The show’s all yours Neil. Now it’s time for a commercial break. Don’t go away! | |
Jarod | A funny thing about traps. They don’t discriminate between the hunter and the hunted. Sorry to have stolen your metaphor but it really is perfect. Rat. Trap. Rat. Trap! Gotcha. | |
Pavlov | Let me out of here! | |
Jarod | You really stepped into this one didn’t you Pavlov? Or should I call you Doctor? Doctor Willard Spence? | |
Pavlov | Let me out! | |
Jarod | I wonder how many times Patricia Marie said that to herself. She was one of your victims. You just trapped her in a different kind of way. Oh, pictures of human lab rats. People that you decided didn’t deserve to know the truth! Lab rats, guinea pigs. Human experiments! People! | |
Pavlov | I went to prison for that! | |
Jarod | You don’t know the first thing about prison! Sometimes the worst kind of prison is the kind you have to wake up to every morning, when you think you’re out free in the world and you’re being hunted and stalked! That’s what you did to Neil Roberts isn’t it? Just because he told the truth. You look a little pale Doctor. It’s a good thing I read your file. Diabetes, what a shame. And it’s about time for your insulin shot. Ah before you do that I should warn you. Only one of those syringes contain insulin. The other two a potentially lethal experimental drug. But whatever’s good enough for Doctor Spence’s subjects is good enough for him. Hmm Sugar. Yum. | |
Pavlov | You’re crazy. | |
Jarod | You could try that “Eeny meeny miney mo†thing but I got to tell you, as a probability quotient it kinda sucks. Good luck picking. | |
Pavlov | No wait! Wait! I’ll die! | |
Jarod | I’m giving you a better chance than you gave Neil Roberts. Have fun playing spin the syringe. | |
Pavlov | Okay! Okay! I stalked him. I wanted to kill him. He ruined my life, I swore I would ruin his. Which one has the insulin? | |
Jarod | Actually all three of them do. Enjoy the cheese. | |
Pavlov | I stalked him. | |
Jarod | Neil’s next show. | |
Pavlov | I wanted to kill him. | |
Jarod | It’s going to be a real doozy. | |
Neil | Good evening Chicago. Uncle Neil is back and in one piece I’m happy to say….Once again I’d like to thank the Middle Man for filling in for me during my absence…. We’re going to be clearing the phone lines here…. | |
Patty | Hey! That voice. That’s him isn’t it? | |
Jarod | And he’s expecting you. | |
Neil | But before we get to the phones I need to take care of some very personal business. There’s something that I’ve been wanting to tell a special someone for a very long time now. Patty I only hope that once you’ve heard the truth, you will forgive me. | |
Thomas | Is that a yes? | |
Miss Parker | There are things about me, things that you need to know before you make me a part of your life. | |
Thomas | Parker there are… | |
Miss Parker | You were right. It wasn’t me talking. I haven’t been me for a long time, not since… I think you made me realise that… there are places in me Tommy, dark places. | |
Thomas | And you’re afraid that if I see them, that I’ll reject you? Parker, if something is not right we’ll deal with it… together. I’m a fixit man, remember? | |
Miss Parker | I guess that makes me your new project. | |
Thomas | And this one I’ll never sell. | |
Neil | Sooner or later we all hit a crossroads. As some of you know I recently hit one, a big one. But I made it through, thanks to a new friend. I know you’re out there listening Middle Man. You watch your back and don’t ever quit because somewhere up ahead you’ll find your crossroads. Good night Chicago. |
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