4-18 Corn Man A Comin’
4-18 Corn Man A Comin’
Corn Man A Comin’
Settle down, Shaggy. It’s an owl. This is it.
Miss Parker
Corn Man A Comin’
Settle down, Shaggy. It’s an owl. This is it.
Miss Parker
Original air date: May 6, 2000
Written by: Mark M. Dodson
Directed by: Steven Long Mitchell
While Jarod tries to find two women abducted while hiking in the mountains, Miss Parker follows his advice to continue ‘digging’ for information about her mother’s death.
Jarod’s Discoveries: Camcorders, Home Movies
Jarod’s Occupations: U.S. Marshal
Jarod’s Aliases: Jarod Wilson
Official Synopsis
Clues from a videotape help Jarod track down a kidnapped daughter and mother.
Jarod discovers a disturbing videotape in a damaged camcorder that he purchases in a pawnshop. A rock climber had just found the camcorder under a cliff near Koomer Ridge. Part of the video shows Brooke Wright with her 16-year-old daughter, Leigh, climbing the cliff. Their conversations reveal that their trip is a way for Leigh to learn about her family heritage. Brooke grew up in the area on a ranch, where she and her husband, Ted, used to hike to a cave in the cliffs. Brooke starts to return to the car for her “fanny pack.” The video reveals Leigh calling for her mother and getting no response. Suddenly, Leigh hears her mother scream. The camera jerks as Leigh moves closer to the sound. The camera shows Brooke on the ground, bleeding. Someone grabs Leigh from behind, and she screams. The camera is kicked over the cliff.
Jarod rewinds the tape and watches the events that transpired with Brooke and Leigh before their abduction. Brooke and Leigh are at Junior’s Service Station. The rear of their red Mustang has been damaged as a result of an accident. Leigh pans the area with Brooke pumping gas. Leigh stops the pan on Deputy Adams, who is speaking with his brother, gas station attendant Kenny Adams. The next scene shows The Waterford Inn. Leigh pans the lobby as Brooke checks in with the inn owner, Raymond. Later, in their presidential suite, a noise draws Brooke to the window. Leigh is certain she saw someone. Brooke looks out again with concern. The video turns to snow.
Jarod travels to Junior’s service station and has Kenny check the blown radiator in his jeep. Kenny tells Jarod the jeep won’t be ready until the following day. Sheriff Ed Whalen eyes Jarod as he finishes gassing up his cruiser. Kenny asks Jarod where he got the busted bumper on the front of the jeep. Jarod tells him that two women in a red Mustang backed into him. Kenny states that the two had been at the station but some bikers gave them a hard time, so they left quickly. Subsequently, Jarod checks into the Waterford Inn and asks Raymond if he remembers two women with a red Mustang. Raymond denies they ever stayed at the Inn and reluctantly gives Jarod his requested room, the presidential suite. Jarod examines the ground outside the room and notices that it has been trampled. Later, Jarod drives out to Koomer Ridge and finds evidence of a struggle. He also discovers Brooke’s bloodied wallet.
Jarod sends a special message to Miss Parker concerning Edna Raines. In the message, Jarod reveals that Edna knows things about Miss Parker’s mother. However, time is of the essence, as an army of Sweepers are on Edna’s trail. Jarod keeps repeating that Miss Parker must keep “digging.” Miss Parker, Sydney, and Broots arrive at the Salvation Army and find Mr. Raines standing over a very dead Edna. Miss Parker snarls at Raines about the mysterious convenience of Edna dying with all his secrets.
Jarod drives his repaired jeep to the Flagstaff, Arizona address on Brooke’s driver’s license. Mr. Wright answers the door. Jarod explains that when he had the car accident with Brooke and Leigh they exchanged information, but Jarod lost the name and number of the insurance company. Mr. Wright says Jarod should send him an estimate, and he will send Jarod a check. As Jarod exits, a frightened Mr. Wright immediately makes a phone call. Jarod checks the insurance company and discovers that in the last year, large life insurance policies were taken out on Brooke and Leigh.
Jarod goes to Sheriff Whalen’s office, where he notices a hunting photo behind Whalen’s desk. In it are the Sheriff, Raymond, and Mr. Wright. Thinking that the Sheriff must be involved, Jarod drives into the mountains. Another vehicle forces Jarod to crash. When Jarod regains consciousness, he discovers Mr. Wright, Raymond, and Whalen standing over him. Whalen interrogates Jarod about the whereabouts of Brooke and Leigh. Whalen and Mr. Wright think Jarod is involved in their abduction. But Jarod counters that the insurance policies on the women make it look like Mr. Wright and the Sheriff are conspirators. The accusations fly until Jarod claims he is an FBI agent who stumbled upon the video while vacationing. Mr. Wright and the Sheriff view the tape. Mr. Wright tells Jarod that four days earlier he received a phone call from a man who stated that if he wanted to his see his wife and daughter again, it would cost him $500,000. When Jarod started sniffing around, the trio figured that Jarod was involved. Now, they believe otherwise. Mr. Wright has been ordered to make a money drop in two hours. As Jarod, the Sheriff and Mr. Wright prepare to leave, Deputy Adams enters. Mr. Wright will make the drop, and Adams is to track the kidnapper. After Mr. Wright places the money in a trash bin, a gunshot is heard. Adams was unable to follow the kidnapper because he was shot in the leg. Jarod again scrutinizes the video of the kidnapping. He freezes a frame and sees a flash of an image in Leigh’s sunglasses. The image: Deputy Adams stepping out of a cruiser. Jarod tells the Sheriff, who concludes that Adam’s brother Kenny is an accessory. The trio race to the cave where Brooke and Mr. Wright used to play. Leigh escapes from the cave with the Deputy in pursuit. Jarod, Mr. Wright and the Sheriff arrive and rescue Brooke. Jarod finds the Deputy and Leigh on Koomer Ridge, where the Deputy is about to push Leigh over the edge. Jarod explodes in a rage and beats the Deputy. The Sheriff, Mr. Wright and Brooke pull Jarod off Adams.
Following Jarod’s insistent clues of “digging” and “burial,” Miss Parker and Broots drive to Hillcrest Memorial Cemetery. They stop in front of Catherine Parker’s grave and reluctantly start to dig. Finally, they are able to open the top of Catherine’s coffin…which turns out to be empty.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Transcript
Jarod | Let me get this straight. You buy personal items for a small amount of money, you sell them to perfect strangers for a lot more money? | |
Toni | Is America a great country or what? | |
[Bells Jingle] | ||
Patron | Yo, Toni. I got a nice surprise for you today. | |
Toni | You got a job? | |
Patron | Who needs one when you can find rich stuff like this? A digital camcorder. It’s got liquid crystal display, digital something, headphone jack. Nice! | |
Toni | Looks like it fell in the river. | |
Patron | It did. I found it in the washbasin below Koomer Falls. I figure some mope must have been makin’ a home movie and dropped it. | |
Toni | Give you 20 bucks for it. | |
Patron | Twenty? I was looking for more like a hundred. | |
Toni | Yeah, and people in hell are lookin’ for ice water. One Andrew J. Take it or leave it. | |
Patron | You drive a hard bargain. | |
[Bells Jingle] | ||
[Door Closes] | ||
Jarod | What’s a- a home movie? | |
Toni | Did you grow up in a basement or something? | |
Jarod | -Or something. | |
Toni | You know, mom, dad and the kids go off on the great American family vacation and record it for posterity in case anybody wants to watch it without a gun to their head. | |
Jarod | I would. I’d love to. How much? | |
Toni | Hundred bucks. | |
Jarod | Sold. | |
Toni | Like I said, is America a great country or what? | |
[Jarod Viewing Camcorder/ Taped Dialogue] | ||
Leigh | It’s Tuesday the 9th, day four of our vacation and today we’re officially starting our trip down memory lane. Here on the banks of “Kooner”- What is this? A stream or- | |
Nancy | It’s a creek. Koomer Creek. | |
Leigh | Koomer Creek. Well, whatever it’s called. It’s beautiful. | |
[Both Laughing] | ||
Leigh | I thought this was gonna be stupid, but it’s neat. | |
Nancy | Really? You mean Mom’s not a complete moron? | |
Leigh | Well, not complete. | |
Nancy | Ha, ha, ha. | |
Leigh | So this all used to be part of Gramp’s land? | |
Nancy | Yeah. This is where I grew up. Right over there on that log is where your dad first kissed me. Oh, my God. Look. It’s still there. | |
Leigh | What? | |
Nancy | Look. | |
Leigh | Here. Let’s get a shot. “Nancy and Ted.” Dad told me there was a place near here like, a cabin or something, you guys you used to go to, to be alone. | |
Nancy | Hmm. It’s an old mill. | |
Leigh | Yeah. | |
Nancy | Mm-hmm. | |
Leigh | Is that where I came from? | |
Nancy | What do you mean “came from”? | |
Leigh | Well, you said this trip was something about my heritage. I was just wondering if you and Dad gave- | |
Nancy | [Chuckles] Yeah. | |
Leigh | A whole new meaning to “grinding the corn.” | |
Nancy | Let me tell you something, young lady. | |
Leigh | Hitting a little too close to home there. | |
Nancy | Um, you know what? I forgot my fanny pack in the car. I’ll be right back. | |
Leigh | Okay. You know, this place actually doesn’t suck. Can’t believe you didn’t bring me here before now. Mom, are you listening to me? I’m being serious for once, and she’s not listening to me. | |
Nancy | Stop it! No! | |
Leigh | Mom, you okay? | |
Nancy | Leave me alone! | |
Leigh | Mom? | |
Nancy | Help! | |
Leigh | Mom, are you okay? If you’re joking around, this isn’t funny. This isn’t funny. Where are you? Mom. Mom. Mom! Are you okay? What happened? | |
Nancy | Run. Run. | |
Leigh | What? | |
Nancy | Run. He’s- He’s coming back. | |
Man | Hey. | |
Nancy | Run. | |
Leigh | Help! Somebody help me, please! [Screams] | |
Man | Shut up. | |
Leigh | Help! [Screams] Help, please! Help me! Somebody help us, please! [Screams] Help me. [Screams] | |
[Jarod Rewinds Tape] | Somebody help us, please! [Recorder Beeps] Somebody help us! Help! | |
Intro | ||
[Taped Dialogue] | ||
Nancy | Leigh, honey, move over close to the sign. Oh, I sure hope this is gonna work. | |
Leigh | So, it’s Monday the 8th, day three of our vacation and we are here at…Slade. Oh, guess what, Dad. She’s gonna let me drive for a while. Your car. | |
Nancy | [Mouths Word] Yeah, now, that’s pretty. Boy, Dad’s gonna love that. | |
Leigh | Do you have to record this? | |
Nancy | Don’t you have something to say? | |
Leigh | Um, I had a little accident in your Mustang. And we need a new taillight. But Mom’s gonna check and see if they have one here. And I promise I’ll pay for it all. | |
Nancy | Yeah, right. Okay, here. Now, I’m gonna get some gas. And then I’ll check and see if they have a new light. | |
Leigh | “J.R.’s Service Station.” I feel like we’re in Mayberry. Only it looks like Goober’s had a lobotomy. Hey. [Chuckles] But Barney’s got a cute butt. | |
Nancy | Leigh, behave yourself. | |
Leigh | Like you didn’t notice. | |
Nancy | What? I didn’t notice. | |
Leigh | Yeah, right. | |
[Taped Dialogue Ends] | ||
[Jarod’s Remote Device Beeps] [Pop] (radiator blows) | ||
The Centre | ||
Sydney | Any news from Jarod? | |
Miss Parker | In a manner of speaking. He’s up to his old tricks, but this time with a new twist. One that’s right up your alley, Broots. [Snaps Fingers] Sit. | |
Broots | My alley. Ooh. | |
Miss Parker | Turn it on. | |
[Electronic Female Voice] | You have mail. | |
Jarod | Well, hello, Miss Parker. I’ve put together a little postcard for your viewing pleasure. Just click and enjoy. | |
Broots | Hey. This is cool. When Debbie and I go to Rock City, I can send you one of these. | |
Jarod | Now, you’ve already met Edna who despite being locked in an asylum for decades by her loving husband, Mr. Raines is an amazing historian of the Centre. Edna knows things about your mother, Miss Parker. Things she won’t tell to anyone but you. She wouldn’t even tell me. Edna wants to come home, but she can’t. There’s an army of sweepers out there looking for her. She told me her redemption will be to tell you what she knows before they catch her. So you better hurry. Be careful. And know that Edna said no matter what happens, she wants you to keep digging. That the secret your mother wanted to tell you when you were little is buried out there, and you need to find it. | |
Broots | Huh. [Beeps] It’s like an electronic trail of bread crumbs. | |
Miss Parker | That we better get busy following before someone gobbles everything up. | |
Slade, AZ | ||
Jarod | [Coughing] Damn it. | |
[Siren Blares] | ||
Jarod | [Coughs] | |
Sheriff | Havin’ a little trouble? | |
Jarod | You could say that. I don’t know what happened to it. | |
Sheriff | I don’t believe I’ve seen you around here before. | |
Jarod | I’m just passing through. Or I was passing through. Looks like I’m gonna be staying here for a while. | |
Sheriff | Well, J.R.’s just up the road up there. Hop in. I’ll give you a push. See if we can get you on your way. [Taps Car] [Chattering on Police Radio] | |
Kent | Looks like I’m gonna have to order the parts from Flagstaff seeing as we don’t stock parts for vintage cars like that. Be tomorrow before you’re up and runnin’ again. | |
Jarod | I can’t imagine what might be wrong with it. | |
Newt | Corn Man a-comin’. | |
Jarod | The Corn Man? | |
Newt | Well, you’re a stranger. There’s a curse on strangers come to Slade. Curse of the Corn Man. That’s why you’re having trouble with the car. | |
Kent | Newt, shut up about that old wives’ tale. | |
Newt | Ain’t no wives’ tale. Started when that stranger showed up at old man Koomer’s place back in the olden days. Stranger chopped up the family. The whole family. Tiny little pieces. They found them all down at the corn mill. The Corn Man’s soul ain’t never rested. You can see it lightin’ up the sky at night. His ghost still haunts strangers that come into this town. | |
Kent | I said shut up, Newt. | |
Newt | You can tell me to shut up all you want. Corn Man’s still a-comin’. | |
Kent | Not that I’m puttin’ any stock in Newt’s curse but does seem like you’ve been havin’ a streak of bad luck lately. | |
Jarod | I had a couple of women bash right into me. They said they were passing through here. Mother and daughter. Driving a red Mustang convertible. | |
Newt | Oh, they was pretty. | |
Kent | The blondes. Looked like they could be sisters. They needed a taillight, as I remember, but I didn’t have one for a ’65. They just got some gas and headed out. I haven’t seen them since. | |
[Bell Dings] | ||
Deputy Adams | Fill her up, little brother. And be sure and put it on the department’s account. | |
Kent | You ever get tired of telling me what to do, big brother? | |
Deputy Adams | [To Jarod] Brotherly love, you understand? You must be the guy the sheriff radioed in about. | |
Jarod | Word sure travels fast around here. | |
Adams | Yeah. Well, you know, we like to stay on top of things. Anything I can help you with? | |
Jarod | Actually, maybe you could recommend a motel. Looks like I’m going to be here for a while. | |
Adams | Well, Clearwater Inn’s the only one in town. Don’t get much business except for the occasional trucker, but, uh, it’s clean. I can give you a lift. | |
Jarod | Ah, no, thanks. Actually, I’d-I’d rather walk. Get to see your town. | |
Adams | Don’t blink. You’ll miss it. | |
Newt | Corn Man a-comin’. | |
Clearwater Inn
Slade, AZ. |
||
[Jarod Views Video Tape] | ||
Taped Dialogue | ||
Leigh | The Clearwater Inn. I’ve always wanted to stay at a zero-star resort. | |
Nancy | Leigh, try and be nice for five minutes. | |
Leigh | I am being nice. | |
Inn Keeper | Welcome to Clearwater Inn. | |
Nancy | Thank you. | |
Inn Keeper | Room’s all ready. Room 14. | |
Nancy | Room 14. | |
Inn Keeper | Presidential suite. | |
Leigh | What president stayed here? Millard Fillmore? | |
Inn Keeper (Raymond) | Well, actually, I just call it that so I can charge more to smart- mouthed kids and their mothers. | |
Leigh | [Chuckles] Clever. | |
Nancy | I’m sure it’ll be just fine. Thank you, Raymond. Come on. Let’s go. | |
Recorder Beeps Off/ Dialogue Ends | ||
Jarod | Hello. I’d like to rent a room, please. | |
Raymond (Inn Keeper) | Fill this out. Be sure and put down the make and model of your car. | |
Jarod | Actually, I’m going to need a rental. | |
Raymond | Uh, two blocks that way. And good luck with what you get. | |
Jarod | Well, it doesn’t matter. I just want to drive around. It’s beautiful here. | |
Raymond | [Chuckles] Well, that’s in the eyes of the beholder. | |
Jarod | Some friends of mine seemed to have thought so. As a matter of fact, I think they stayed here a couple of days ago. A mother and daughter. Beautiful, blonde. | |
Raymond | Mmm. Don’t remember ’em. | |
Jarod | I hear you only get the occasional trucker through here. Surely you remember two beautiful women in a red convertible. | |
Raymond | Hmm. Well, you’d think I would. But I don’t, because they weren’t here. Here we go. Think we’ll put you in room number five. | |
Jarod | I’ll take number 14, please. It’s my favorite number. | |
Raymond | Sure. Fourteen is it then. [Picks up phone after Jarod walks away] Yeah, there’s someone here asking about ’em. Even knew what room they were in. | |
Jarod Viewing/ Tape Dialogue | ||
Leigh | Mom. Do you believe in ghosts? | |
Nancy | Ghosts? | |
Leigh | Yeah. You know, the souls of the dead. They can come back to haunt the living. | |
Nancy | I don’t know, honey. I never really gave it that much thought. | |
Leigh | Then how do you explain those flashes? | |
Nancy | It’s called heat lightning. And it’s been happening around here for a long time. | |
Leigh | Whatever it is, it’s freaky. Like that story that guy was telling me back at the gas station. You know, the one that gave me this. He was telling me about the curse. All strangers are cursed. | |
Nancy | Hmm. | |
Leigh | It all started back when some Corn Man hacked up a family out by Grandpa’s old ranch. | |
Nancy | Honey, that’s just an old tale that people have been telling for years. It’s ridiculous. | |
Leigh | I hope so. | |
Nancy | It is. | |
Leigh | Okay. | |
Nancy | Wait. How do you turn this off again? | |
Leigh | Little red button. Mom. | |
Nancy | What? | |
Leigh | Mom, there’s somebody out there. | |
Nancy | What? Where? | |
Leigh | By the tree. He was standing- He’s staring at me. | |
Nancy | Okay. | |
Leigh | Look. | |
Nancy | I don’t see anyone. | |
Leigh | He was right there by the tree. I swear. | |
Nancy | If there was someone there, they’re not there now. | |
Leigh | He warned us we’d be in danger. Maybe he was right. Maybe the Corn Man’s coming, Mom. | |
Nancy | That’s not happening. Go to bed. How do I turn this off again? | |
End of Taped Dialogue | ||
[Owl Hooting] | ||
Flashback | ||
Young Sydney’s | Jarod, a 15-year-old girl is found brutally murdered in her bedroom. Part of an upper-class community in a small town. We don’t know what happened between the time she left her friends and when she was murdered. | |
Young Jarod | What is it you want me to do, Sydney? | |
Young Sydney | Take the evidence. Use your skills as a Pretender. Become the victim. Do what she did. Feel what she felt. | |
[Jarod’s Recap/Tape] | ||
Leigh | It’s Tuesday the 9th, day four of our vacation and today we’re officially starting our trip down memory lane. Here on the banks of “Kooner”- What is this? A stream or- | |
Nancy | It’s a creek. Koomer Creek. | |
Leigh | Koomer Creek. Yeah. Well, whatever it’s called, it’s beautiful. | |
Nancy | This is where I grew up. | |
Leigh | You, this place actually doesn’t suck. Can’t believe you didn’t bring me here before now. | |
Nancy | Stop it! No! | |
Leigh | Mom? | |
Nancy | Leave me alone! | |
Leigh | You okay? Mom? | |
Nancy | Help! | |
Leigh | Mom, are you okay? Mom, if you’re kidding around, this isn’t funny. Where are you? Mom! Mom. Mom. Mom. Are you okay? What happened? | |
Nancy | Run. He’s- He’s coming back. Run. | |
[End of Jarod’s Recap] | ||
[Flashback] Young Jarod | I can see it, Sydney. I can’t figure it out. | |
Young Sydney | You have to figure it out. The family is counting on you. | |
[Jarod Recaps Again] | ||
Leigh | [Screams] Somebody help us, please! | |
[Newt’s Voice] | Corn Man a-comin’. [Echoing] | |
J.R.’s Service Station
Slade, AZ |
||
Kent | Well, mister, you’re good to go. Funny thing, parts shop said they never heard of this happening with this model before. | |
Jarod | Well, that is funny. | |
Newt | Not if you’re a stranger it ain’t. It’s the curse. That’s why I went and made you this here corn man to keep you safe. If you’re gonna stay around here, you’re gonna need it. | |
Jarod | Thanks. I think. | |
[Bell Dings] | ||
[Man On Police Radio, Indistinct] | ||
Sheriff | Well, I see Kent’s got you all fixed up there Mr., uh- You know, I’m not sure I got your name. | |
Jarod | I’m not sure I gave you my name. | |
Sheriff | Guess you’ll be on your way then. | |
Jarod | Who knows? Maybe I’ll stick around. I’m growing kind of attached to the place. | |
Sheriff | You don’t got a job or a home to go back to? | |
Jarod | I’m sort of in between both right now. | |
Sheriff | Well, I’d advise you get one of the other. Idle hands are the devil’s playthings. | |
Jarod | I don’t plan to be idle. | |
Sheriff | I’m not too fond of strangers. | |
Newt | I hope the Corn Man don’t get him. | |
The Centre | ||
Miss Parker | Any luck finding Edna? | |
Broots | [Clears Throat] I’ve enhanced this photo from Jarod’s e-mail. There’s no one we recognize in the crowd but from the signage and license plates, it looks like a street scene in New York City. | |
Sydney | Somewhere in Harlem. | |
Broots | Hmm. [Beeps] | |
Jarod’s Voice | Edna wants to come home, but she can’t. There’s an army of Sweepers out there looking for her. She told me her redemption will be to tell you what she knows before they catch her. So you better hurry. | |
Broots | Hmm. | |
Miss Parker | Home. Redemption. Of course. One of my mother’s favorite charities was a halfway house in Harlem called Redemption Home. | |
Broots | Jarod’s telling you that’s where you can find Edna. | |
Flagstaff, Arizona | ||
Residence of Nancy and Ted Wright | ||
[Doorbell Rings] | ||
Jarod | Mr. Wright? | |
Ted Wright | Mm-hmm. | |
Jarod | I have to talk to you about your wife and your daughter. There’s been some trouble. | |
Ted | Trouble? What do you mean? I – I just spoke with them. | |
Jarod | When? | |
Ted | This morning. They said they were fine. What’s the problem? | |
Jarod | We’ve had a minor car accident. | |
Ted | Well, that’s strange. Nancy didn’t mention anything about it. | |
Jarod | That is strange. That car must mean a lot to you. Actually, it was your daughter who was driving. Leigh. She backed into me. Uh, your wife gave me the name and number of your insurance company but I- I seem to have misplaced it. Is your wife expected home soon? | |
Ted | No. They’re both still out of town. Look. All my insurance is handled through Western Mutual. But, you know, I prefer to handle this myself. So why don’t you go ahead and get an estimate, and I’ll send you a check for the full amount. | |
Jarod | Yes, but I would not- Uh- [Door Closes] I’ll be in touch. | |
Ted On Telephone | Somebody was here. He was asking about them. Tall guy. Dark hair. | |
[Electronic Twittering, Beeps] | ||
Redemption Home
Harlem, NY |
||
[Horns Honking] | ||
Broots | Edna Raines is in this building. Here in room 24. But the guy said that I was the second person to look for her in the last half hour. | |
Sydney | Raines. | |
Raines | What the hell are you doing here? | |
Miss Parker | What the hell are you doing here? | |
Raines | She was my wife. | |
Broots | Was? | |
Sydney | Edna Raines is dead. | |
Raines | An overdose. | |
Miss Parker | How convenient. | |
Raines | I can only assume she couldn’t face the world any longer. | |
Miss Parker | With you in it, who could blame her? | |
Raines | I’ll miss her so much. | |
Miss Parker | Is that why you kept her locked up for 30 years? | |
Raines | That was to protect her. | |
Sydney | You never protected anyone but yourself, Raines. | |
Miss Parker | You can bury her again, Raines. Along with all the secrets she died for. | |
Sheriff’s Office
Slade, AZ |
||
Jarod | Sheriff | |
Sheriff | Yeah. | |
Jarod | We need to talk. | |
[Phone Rings] | ||
Sheriff | Uh, just a second there, sir. [Picks Up Phone] Yeah. Sheriff’s office. What? No. Your brother’s not here. Yeah. He- He is the deputy, Kent. He’s on patrol. Yeah. I’ll tell him to call you when he gets back. All right. Okay. Sorry about that. What, uh- What’s the problem now? | |
Jarod | I found something, and I want to show you. I was- | |
[Phone Rings] | ||
Sheriff | Damn it. [Picks Up Phone] Sheriff’s Office. Yeah. Uh, listen. I can’t talk right now. Um- I understand. I- | |
Jarod | [Reads Caller I.D. Display, Call Is From Ted Wright] | |
Sheriff | I’ll get right back with you. Soon. All right? Yeah. | |
Jarod | [Sees Photos of Ted, Sheriff and Inn Keeper] | |
Sheriff | [Still On the Phone] Just stay there. | |
[Door Closes- Jarod Leaves] | ||
[Engine Starts] | ||
[Birds Chirping] | ||
[Shot Fired] [Jarod’s Car Flips] | ||
Sheriff | Wake up. I said wake up! Start talkin’. | |
Jarod | Talkin’ about what? | |
Sheriff | Everything you know about Nancy and Leigh. From the beginning. | |
Jarod | I know they disappeared four days ago. And I know that Mr. Wright here has taken out a rather large insurance policy on them. | |
Ted Wright | Hey. What the hell are you sayin’? | |
Jarod | I’m sayin’ that you and the sheriff here have conspired to murder your wife and your daughter so you could collect insurance money. | |
Ted | Murder? Pal, we’re trying to save them. | |
Jarod | Is that why you tried to kill me? | |
Sheriff | Kill ya? We found you. | |
Ted | You kidnapped my wife and daughter and you’re gonna tell us where they are. | |
Jarod | Kidnapped? I didn’t kidnap them. I’m here to find them. Look. There’s a camcorder over there. There’s a tape in it. It will explain everything. | |
[Beeps] | ||
Taped Dialogue Begins | ||
Leigh | Are you okay? What happened? | |
Nancy | Run. Run. | |
Leigh | What? | |
Nancy | Run. He’s- He’s coming back. Run. | |
Leigh | Help! | |
Man | Hey. | |
Leigh | Help me, please! [Screams] Help. [Screams] Help! Somebody help us, please! | |
Ted | Oh, my God. Who the hell are you? | |
Jarod | I was on vacation when this sort of fell into my lap. Jarod Wilson, U.S. Marshals. | |
Ted. | A fed. Damn it, Frank. He finds out, he’s gonna kill them. | |
Jarod | What are you talking about? | |
Ted | Four days ago I got a call. A man. He said if I wanted to see my wife and daughter again to get $500, 000 by tonight and not to contact the authorities. | |
Sheriff | Ted got a hold of me and made me promise I wouldn’t bring in any outside help. We’ve been, uh, friends since high school- and Raymond here. Then you started sniffin’ around, and we figured you were involved. | |
Jarod | Do you think it’s someone local? | |
Sheriff | Well, a lot of people are aware of Ted’s financial success and his family. To tell you the truth, we don’t have much to go on. And even less time. | |
Tape Ends | ||
The Centre | ||
Sydney | I was Edna Raines’s therapist. I can assure you that she wouldn’t have taken her own life- at least not willingly. | |
Miss Parker | Edna knew she was in danger. That’s why Jarod was so cryptic about her location. | |
[Beeps] | ||
Jarod’s Voice | Be careful. And know that Edna said no matter what happens, she wants you to keep digging. That the secret your mother wanted to tell you when you were little is buried out there, and you need to find it. | |
Broots | Buried? But where? | |
Miss Parker | Who’s the most adept at burying things around here? | |
Broots | [Gulps] Mr. Raines. | |
[Printer Whirring] | ||
Sheriff’s Office
Slade, AZ |
||
Sheriff | Got the cash. Everything’s ready to go. | |
Ted | He should’ve called by now to tell me where to drop the money. | |
Jarod | He’s going to call, Mr. Wright. Just be patient. | |
Ted | I don’t want to be patient. I want my family back. | |
Sheriff | Ted, he’s on our side. | |
[Cell Phone Rings] | ||
Jarod | Keep him on the line as long as possible. Tell him you demand to speak to Nancy- that you won’t make a delivery until you know that your wife is safe. | |
[Ringing Continues] | ||
[Computer Beeps] | ||
[Beeps] | ||
Ted | This is Wright. | |
[Beeps] | ||
Kidnapper | Put the money in a duffel bag. At midnight, you, and you alone [Distorted Voice] will take it and leave it in the trash bin at the bridge on Long Tunnel Road. | |
Ted | I want to talk to my wife. | |
Kidnapper | You’re not in a position to make demands. | |
Ted | I am not paying $500,000 for two dead bodies. | |
Nancy | [Whimpers] Ted? | |
Ted | Nancy. | |
Nancy | Oh, Ted, thank God. | |
Ted | Are- Are you and Leigh all right? | |
Nancy | Yeah. We’re a little ground up, but we’re, um- we’re alive. | |
Ted | Just hang in there, sweetie. Everything’s gonna be okay. | |
Nancy | Ted, I love you. | |
Ted | I love you too. Both of you. | |
Kidnapper | Midnight. | |
Ted | I’ll be there. | |
Jarod | I got it. | |
[Bird Squawking] | ||
[Ted On Walkie-talkie] | I made the delivery. | |
Sheriff | [Sighs] All right. It’s been over an hour. I haven’t seen anything yet in my position. How about you, Raymond? | |
Ted | Yeah. Do you see anything? How’s it goin’? | |
Raymond | Nothin’ so far. | |
Frank (Sheriff) | Well, keep your head up. Jarod. | |
Jarod | I don’t like this, Sheriff. He should’ve shown up by now. | |
Raymond | Jarod, I think I got something. | |
[Gunshot On Walkie-talkie] | ||
Sheriff | Damn Raymond! | |
Jarod | Raymond, can you hear me? | |
Sheriff | What the hell happened? | |
Raymond | I saw the guy coming straight at me. [Sighs] He was on a motorcycle. I thought I could stop him. Next thing I knew I was down. | |
Jarod | The bullet entered from behind. | |
[Owl Hooting] | ||
Sheriff | How can that be? | |
Jarod | There are two kidnappers. | |
The Centre | ||
[Elevator Bell Dings] | ||
Broots | Never again. You hear me? Don’t even ask. Never again. | |
Miss Parker | Calm down and check your pants. | |
Broots | [Sighs] | |
Miss Parker | Now tell me what you found. | |
Broots | Nothing. Well, almost nothing. [Clears Throat] Excuse me. I cross-referenced everything in Raines’s files with Edna’s name, and the only thing- the only thing I came up with was section “G,” 14, dash, six in a communiqué intercepted by Raines from Edna to you. Wh-What? | |
Miss Parker | Section “G.” Row 14, plot six. That’s my mother’s grave. Jarod’s e-mail said to keep digging. The answers…are buried out there. | |
Broots | You don’t think Jarod wants you to dig her up? Miss Parker, it’s your mother’s grave. | |
Miss Parker | Get shovels. We’ve got work to do. | |
Broots | [Sighs] | |
Sheriff’s Office
Slade, AZ |
||
Ted | They’re dead. If the kidnapper’s haven’t killed them already, they will now for sure. | |
Sheriff | What are you doin’? | |
Jarod | I’m gonna watch this video again. Maybe I missed something. | |
Taped Dialogue | ||
Leigh | Can’t believe you didn’t bring me here before now. Are you okay? If you’re joking around, this isn’t funny! Well, not complete. | |
Nancy | Ha, ha, ha. | |
Dialogue Ends | ||
Young Jarod’s Voice | I’ve studied the evidence, Sydney, and read the interviews, but it just doesn’t make sense. | |
Young Sydney’s Voice | The answer’s right in front of you. Everything you need is there. | |
Young Jarod’s Voice | But I can’t see it. | |
Young Sydney’s Voice | But she can. See what it is that she sees. Look, Jarod. Look hard. | |
Jarod | Did you see that? | |
Sheriff | What? | |
Jarod | That. | |
Young Jarod’s Voice | The answer’s there. It was there the whole time. She sees him. | |
Sheriff | Adams? He was in the parking lot? | |
Ted | Adams? Who’s Adams? | |
Sheriff | My deputy. | |
Jarod | And one of the kidnappers. | |
Ted | Then who’s the other one? | |
Jarod | My guess is his brother Kent from the gas station. | |
Ted | So these guys have gone to kill my family? | |
Jarod | Not if we get to them first. Wait a minute. Listen to this. | |
Conversation on Recorder | [Ted] Nancy.
[Nancy] Oh, Ted, thank God. [Ted] Are you and Leigh all right? [Nancy] We’re a little ground up, but we’re, um- we’re alive. We’re a little ground up- We’re a little ground up- |
|
Sheriff | I don’t understand. | |
Jarod | “Ground up.” On the video, Leigh kept referring to an old mill. | |
Ted | Yeah, near my father-in-law’s ranch. Nancy and I used to go there all the time. | |
Jarod | Your wife was trying to tell you where she and your daughter were being held. | |
Sheriff | Let’s go. | |
Ted | Let’s just hope they’re still alive. | |
Cemetery | ||
[Crickets Chirping] | ||
[Owl Hooting] | ||
Broots | You’ve made me do a lot of things I don’t want to do, Miss Parker but this has gotta be the worst. What if someone finds us? | |
Miss Parker | Then you’ll just have to hold them off while I go for help. | |
Broots | Oh, great. That’s-That’s lovely. | |
Miss Parker | Row 14’s over here. | |
[Thunder Rumbling] | ||
[Clank] | ||
Broots | [Whispers] Whoa. Sorry. I feel like I’m in a Scooby-Doo cartoon. | |
[Owl Hoots] | ||
Broots | Wait. What was that? | |
Miss Parker | Settle down, Shaggy. It’s an owl. This is it. | |
Broots | Miss Parker, this just isn’t right. Are you sure you want to do this? | |
Miss Parker | Jarod’s done a lot of twisted things but he would never lead me here just to torment me. | |
[Thunder Rumbling] | ||
Miss Parker | Now dig. | |
Mill
Slade, AZ |
||
[Vehicle Approaching] [Door Opens] | ||
Kent | Where the hell have you been? | |
Adams | Wright tipped off the sheriff. We gotta get out of here. | |
Kent | No one followed me. | |
Adams | That’s because I put a bullet in the leg of the guy who could’ve. | |
Kent | What about them? | |
[Adams Gives Gun To Kent] | ||
Kent | This wasn’t part of our plan. | |
Adams | Yeah, well, plans change, little brother. They can identify us. | |
Nancy | [Grunts] Leigh, now! Run! | |
Adams | I’ll get the daughter, you take care of her. | |
[Nancy Backhands Kent] | ||
Kent | Damn, mom. That hurt. If that’s the way you’re gonna be- | |
Jarod | Oh, I don’t think so. | |
[Jarod Strikes Kent] | ||
Kent | [Groans] | |
Ted | Nancy. | |
Nancy | I’m fine. But Leigh- She ran out, and the deputy went after her. | |
Leigh | [Panting] [Panting, Whimpers] | |
Adams | [Panting] You can’t get away. | |
Leigh | [Groans] Get away from me! | |
Adams | Don’t work that way. It’s nothing personal. You understand. | |
Leigh | Please. I want to go home. | |
Adams | Just business. | |
Leigh | Please. I want to go home. | |
Adams | The only place you’re going is in Koomer’s Creek! | |
Leigh | No! [Screams] | |
Adams | Stop screamin’. No one can hear you scream out here. | |
Jarod | I can. Come here! | |
[Fight Scene] | ||
Jarod | [To Leigh] Are you okay? Are you okay? | |
Leigh | [Sobbing] | |
Jarod | It’s okay. [Whispers] It’s fine. It’s fine. It’s fine. | |
Nancy | Leigh. | |
Jarod | Go. Go. | |
Ted | Leigh. | |
Nancy | Leigh. | |
Ted | Baby. Oh. [To Jarod] I don’t know how to thank you, Jarod. | |
Jarod | Just take care of them. | |
Ted | I will. [To Leigh] You ready to go? Let’s go home. | |
Cemetery | ||
[Thunder Rumbling] | ||
Broots | Well, this is it. Miss Parker, are you sure you want to do this? | |
Miss Parker | Ah. | |
Broots | Huh? | |
Miss Parker | [Sighs] Open it. | |
Broots | Miss Parker- [Sighs] Why don’t we just get the hell out of here and let her rest in peace? | |
Miss Parker | [Sighs] I want to rest in peace. Now open it. | |
Broots | Are you sure? | |
Miss Parker | Go ahead. | |
Broots | [Grunts] Oh, my God. | |
Miss Parker | What? | |
Broots | Miss Parker, your mother- She’s not in here. | |
Miss Parker | Then where the hell is she? | |
Miss Parker | Jarod, I’m only going to ask you this once. How did you know she wouldn’t be there? | |
Jarod | I didn’t. | |
Miss Parker | Then who? | |
Jarod | Edna did. She knew all the secrets. Especially about the Mirage Project. | |
Miss Parker | Unfortunately, she took them to her grave. | |
Jarod | Well, I am sorry for you. Edna was someone you could have trusted. | |
Miss Parker | Unlike the Centre. Or my family. | |
Jarod | You were right in putting your trust in your mother. She knew the importance of family. Of helping people. If she kept any secrets from you, it was to protect you. | |
Miss Parker | Protect me from what? | |
Jarod | The truth. Keep searching, Miss Parker. But remember. You can’t believe everything you see. After all, life is a mirage. Sometimes the things that scare you the most can be the things that save your life. | |
[Beeps] |
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