3-22 Donoterase
3-22 Donoterase
Donoterase
Exactly like you. I felt for him… but I never let him know. I saw… pain… in his eyes… but I looked the other way.
Miss Parker
Donoterase
Exactly like you. I felt for him… but I never let him know. I saw… pain… in his eyes… but I looked the other way.
Miss Parker
Original air date: May 22, 1999
Written by: Steven Long Mitchell & Craig W. Van Sickle
Directed by: Fred K. Keller
Jarod and his father attempt a rescue mission after learning that the Centre not only conducted cloning experiments using Jarod’s DNA, but also created a young clone of Jarod.
Jarod’s Discoveries: His Father – Major Charles, his clone – Gemini
Jarod’s Occupations:
Jarod’s Aliases: Jarod
Official Synopsis
Major Charles and Jarod attempt to rescue Jarod’s clone from the Centre.
From their remote cabin, Jarod and his father tap into the Centre’s mainframe and discover that J2 is about to be transferred to the Triumvirate. In Miss Parker’s office, she and Broots share their disgust over the cloning records from the Gemini Project. It seems that 289 ova were fertilized before they achieved success with J2. Donor wombs were found in homeless women, coma patients…women who would not be missed. All the women disappeared without a trace. Miss Parker understands what her mother must have felt when she discovered Donoterase.
J2 receives a late night visit from Miss Parker, who wants to know how he feels about his Centre mission. Although he claims to be ready and willing to do the Centre’s work, his tears betray his real emotions. She decides to help him escape. But Raines and Sydney enter, preventing it. Just then, Sydney receives a phone call from Jarod, asking him when J2 is going to be transferred. Sydney tells him that another venture into the mainframe would be a waste of time because there is no refuge for him anymore. Jarod and Major Charles realize that someone else was listening to Sydney’s conversation and he was trying to send them a message.
At dawn, J2 is driven to an airstrip, with Miss Parker and Broots following. They are stopped by an overturned car blocking the road and a wrecker pulling out from behind it. A flagman comes over to them and reveals himself to be Jarod. He proceeds to fire a tear gas cannister into one car, incapacitating Lyle, Brigitte, Sydney and J2. His father comes out of the wrecker and does the same thing to the other car. Jarod grabs J2, while Broots and Miss Parker draw near. Major Charles drives the wrecker straight at them, as Jarod and J2 make their getaway in a pickup truck. Miss Parker captures Major Charles.
Big Mutumbo arrives at the Centre, angry over the loss of the boy. He places Brigitte in charge of interrogating Major Charles and assigns Lyle to lead the effort to track down Jarod and J2. Miss Parker feels left out and looks to her father for support, but none is forthcoming. Later, Mr. Parker explains to his daughter that he did what he had to do in order to assure their survival.
Miss Parker comes into Sydney’s office with the e-mail he left for Jarod in a box called Refuge. They have a nice connective moment, as they discover they are on the same side. He encourages her to go find the truth from Major Charles. She follows his advice and confronts Major Charles with his own gun, the one used to kill Miss Parker’s mother. He tells her that Raines shot him, stole his gun and killed Catherine Parker. She was trying to rescue children from the Triumvirate’s Gemini Project, including Miss Parker. The Triumvirate threatened Mr. Parker with the death of his wife and daughter. Miss Parker now plans to kill Raines.
Jarod takes J2 to the remote cabin. The young pretender is afraid of Jarod, finally explaining that Raines told him that Jarod killed his parents. Jarod tells him the truth about the cloning, convincing him with a DSA taken when he was J2’s age.
The next day, Jarod boldly walks into the Centre lobby and proposes a trade of Mr. Parker, whom he has just kidnaped, for his own father. Miss Parker agrees to the exchange, with Sydney to carry it out. Mutumbo is displeased that Miss Parker allowed Jarod to leave after delivering his offer, so he places Raines in charge. Jarod calls Raines and announces that the exchange is to take place at Iversonville Airfield in North Carolina. Raines tells Willie, a sharpshooter, that Mr. Parker is not to survive the exchange. Brigitte overhears this and tells Miss Parker. They reluctantly agree to team up.
Sydney drives Major Charles to the airfield, as Miss Parker, Brigitte and Broots follow with a radio transmitter. Major Charles thanks Sydney for doing a good job of raising his son. At the airfield, Mr. Parker, J2 and Jarod wait in a small plane. Sydney and Major Charles arrive moments ahead of Miss Parker’s car.
Just as Miss Parker warns Jarod that her father is a target, a helicopter rises above the trees. Willie takes aim from the helicopter, with Raines commanding him. Miss Parker runs for the plane and gets right in the crosshairs of Willie’s rifle scope as he fires. She falls into her father’s arms. Jarod grabs her and runs for cover behind Sydney’s car as a bullet whizzes by. He instructs his father to take J2 away in the plane and he will meet up with them later. As Major Charles taxis down the runway, the helicopter tries to block its path, but Jarod shoots at it and forces the pilot to move out of the way. After Jarod’s clip empties, Brigitte points a gun at him. Jarod knocks the gun from her hand and attempts to escape on a motorcycle, but the helicopter reappears, Willie opens fire and Jarod loses control of the bike. Raines and his team then surround him.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Donoterase Transcript
Jarod | No. No. No. No please. No please no. | |
Major Charles | What did they do to you? | |
Young Jarod | I can’t open the hatch! I can’t open the hatch! It’s too hot! I… I can’t think! I’m burning! | |
Young Jarod | I can save him! Nooooooo! | |
Sydney | This is your last chance. | |
Young Jarod | I did tell the truth. I’m at peace. | |
Young Jarod | I feel tired. My legs hurt. | |
Young Jarod | I set myself on fire because I’m convinced it’ll send a message Sydney. | |
Sydney | Its been three days Jarod, with temperatures of over a hundred degrees. All you have to do is submit. | |
Young Jarod | It’s not for me. I’ll never give up | |
Jarod | It’s not your fault. | |
Major Charles | But…. | |
Jarod | We’re together now. That’s all that matters. That… and saving the boy. | |
Major Charles | I’m into the Centre’s mainframe. Damn! They’re onto me. But I’m into Gemini. They’re transferring the boy to the Triumvirate. | |
Jarod | When are they going to transfer him? | |
Major Charles | I don’t know. Damn it! They’ve shut me out. There’s gotta be some other way that we can find out. Someone who can tell us. | |
Jarod | Come on Sydney, answer the phone. | |
Brigitte | Are you going to answer it or shall I? | |
Sydney | It’s not important. | |
Lyle | What we have to say is.. | |
Brigitte | The timetable on the transfer of our young Pretender has been moved up. He goes at dawn. | |
Sydney | My work won’t be completed. | |
Lyle | It can’t be avoided. The mainframe’s been compromised and we suspect Jarod and Major Charles. My father says you can continue your work with the boy once he’s been transferred. | |
Brigitte | We expect your full cooperation. | |
Sydney | You have that. | |
Miss Parker | I vehemently disagree with Dr Raines’ conclusions about Gemini and despite some humane advances being made at Pakor I cannot in good conscience endorse moving forward with the project. While it represents a potentially major breakthrough for mankind one must wonder if mankind is or ever will be prepared for its ramifications. Catherine Parker | |
Broots | You got anything to drink? Preferably something that burns. | |
Miss Parker | Need to cleanse your palate? | |
Broots | No, my soul. I backtracked the cloning records from Donoterase. Over the years they fertilised 289 ova before they were successful with the boy. | |
Miss Parker | The results of which we saw at the specimen lab. | |
Broots | Well… some of them. And if you can believe it that sideshow wasn’t the weirdest part of the circus. They couldn’t just grow those ova in an incubator. They needed donor wombs. | |
Miss Parker | Surrogate mothers. | |
Broots | Seems Raines found the women himself. Mostly disenfranchised, homeless, loners or coma victims. | |
Miss Parker | Women who wouldn’t be missed if there were complications. | |
Broots | And believe me, there were plenty of them. Most foetuses never reached term. And… and… the ones that did…. well they didn’t even make it through… | |
Miss Parker | Childbirth. | |
Broots | Well if you…I. if you could call it that. | |
Broots | All of the surrogates who made it that far though, they… they just… | |
Miss Parker | Disappeared. | |
Broots | Without a trace. | |
Miss Parker | That’s what my mother was talking … talking about in this Gemini memo. What she feared could happen at Donoterase. What should I do? | |
Broots | Well, whatever it is, you better decide pretty quickly, because they’re moving the boy at dawn. | |
Miss Parker | Where? | |
Broots | Triumvirate station, Africa. Your mom’s first priority was the children. What would she do? | |
Miss Parker | The same thing she was trying to do when…. she was killed: rescue the children. | |
Gemini | I’m over here. I’m sorry I didn’t hear you come in. Do you want me to do something for you? | |
Miss Parker | No. I just came to talk. | |
Gemini | Talk? You don’t want anything? | |
Miss Parker | Just to see you. Are you all right? | |
Gemini | Yeah, I’m fine. Ready to work. | |
Miss Parker | You were crying. | |
Gemini | No, I wasn’t. I … I just…. Don’t tell Mr Raines. He gets angry if I show any emotion. It won’t happen again, I promise. | |
Miss Parker | It’s okay to cry. | |
Gemini | No its not. Not for me. I’m here to serve… to do what I’m told. | |
Miss Parker | Is that what Raines taught you? | |
Gemini | Yes. That I have been gifted with the intelligence designed to help others. Mr Raines says emotions get in the way. If you don’t want me to work, they why are you here? | |
Miss Parker | When I was your age I knew a boy just like you. Exactly like you. I felt for him… but I never let him know. I saw ….pain… in his eyes…. but I looked the other way. I see the same pain in your eyes. But I can’t look away anymore. | |
Gemini | I don’t understand. | |
Miss Parker | Do you want to be here, or do you want to do what other kids do? | |
Gemini | What do other kids do? | |
Miss Parker | Play, have fun. Experience life. | |
Gemini | Is this a simulation? | |
Miss Parker | No, no this is real. | |
Gemini | I’m doing what I want to do, SIM’s to help others. | |
Miss Parker | Then why were you crying. | |
Gemini | I.. I wasn’t… I just… | |
Miss Parker | Its okay. Its okay. | |
Gemini | If Mr Raines finds out, he’ll get angry. And when he gets angry, he…. he… | |
Miss Parker | I won’t let him hurt you anymore, I promise. Now we gotta get you out of here. | |
Raines | He’s not going anywhere with you. | |
Miss Parker | I can’t believe this Sydney. | |
Sydney | Yes. | |
Broots | Sydney why? | |
Sydney | You too Broots? | |
Miss Parker | You certainly fooled me for the last three years bumbling around the globe like a benevolent Dr Spock. When you’re really a, uh, psycho Dr Mengele. | |
Sydney | You don’t know what you are saying. | |
Miss Parker | It’s your original lab rat. What are you gonna tell him? | |
Sydney | Sydney. | |
Jarod | They’re going to move the boy. I need to know when. | |
Sydney | I can’t help you anymore. | |
Jarod | Sydney, I need your help. Please. | |
Sydney | And another excursion into the mainframe would be useless. There is no refuge for you anymore. | |
Jarod | He hung up. He’s helping them. | |
Major Charles | What did he say? | |
Jarod | He said that another excursion into the mainframe would be useless. | |
Major Charles | Why would he tell us where not to look? | |
Jarod | Because someone else was there. It was his way of telling us where to look. He said the mainframe was useless. There would be no ‘refuge’. I knew I could trust you Sydney. | |
Lyle | Straight to the airstrip. No stops. The transfer plane is meeting us just after first light. | |
Brigitte | You gotta be kidding me. | |
Lyle | What the hell is goin’ on? Let’s go junior. We got places to be. | |
Broots | Miss Parker, what’s going on? | |
Miss Parker | Jarod. | |
Jarod | Miss Parker. | |
Major Charles | Get him in the truck! | |
Jarod | Where are you going? | |
Major Charles | Just get him out of here now! | |
Jarod | Get in. | |
Miss Parker | Get out! | |
Jarod | Dad. Oh damn! | |
Gemini | Who are you? | |
Jarod | I’m you. | |
Raines | You were the problem. | |
Miss Parker | You need to get off my back. | |
Mutumbo | Carelessness…. leads to chaos…. chaos to anarchy…..anarchy to ruin. This is the Centre. Ruin… is not an option! | |
Miss Parker | Mutumbo, if I may…. | |
Mutumbo | Excuses are only yesterday’s failures. Only solutions matter now. | |
Mr Parker | Mutumbo, we all… we all want the same thing here, the boy and Jarod back. | |
Mutumbo | I am listening. | |
Lyle | So we fumbled the kid. We intercepted Jarod’s father. He’s our trump card. Let’s play him. | |
Miss Parker | And I guarantee you sir you give me 10 minutes with Major Charles and I’ll have every answer you want about where Jarod and the boy are. | |
Mutumbo | Brigitte will handle Major Charles. | |
Brigitte | Thank you. | |
Miss Parker | If.. if I may sir… | |
Mutumbo | You will honour my wishes. Good answer. In the mean time we have Jarod and the boy to track down. Mr Lyle will lead that effort. | |
Miss Parker | Sir, with the possible exception of Sydney I know Jarod better than anyone here and he will not allow that boy to be captured. | |
Mutumbo | Yes, but what you are forgetting is the boy himself. | |
Raines | He wasn’t raised to cooperate, especially with Jarod. | |
Miss Parker | I’m just saying it’s a waste of manpower and money to go after Jarod when the key to it all is the man sitting down in Renewal Wing. Daddy? | |
Mr Parker | Well, uh, Mutumbo has a good plan here, we need to follow it. | |
Mutumbo | Then it is settled. Two points of attack. Two generals, one plan. | |
Miss Parker | Now I know what dirty laundry feels like. | |
Mr Parker | Not here Angel. | |
Miss Parker | Yes here. How could you just stand there while Mutumbo shut me out? | |
Mr Parker | For God’s sake, we’re talkin’ the Triumvirate here. Every action, every thought every word I utter could be a death sentence. | |
Miss Parker | We both know I’m the one who should be down there with Major Charles. | |
Mr Parker | And we both know sometimes I have to play things the way I have to play things whether you like it or not. | |
Miss Parker | Play? Oh my God. We’re talking about the man who killed Mom. We’re talking about our family. | |
Mr Parker | I’m talking about survival. The things I do, choices I make you probably never will understand. | |
Miss Parker | Tell me Daddy. Are you really afraid of Mutumbo…. or what I may find out from Major Charles? | |
Sydney | I thought I was off your Christmas list. | |
Miss Parker | You were. Until our nosy little bald friend Broots confirmed my suspicions with this. You left an e-mail for Jarod in a box called ‘refuge’. You let him know when and where to find the boy. I had you pegged for the wrong witch in Oz Sydney. I’m sorry I doubted you. | |
Sydney | I’m sorry I wasn’t able to confide in you, or in Broots either. | |
Miss Parker | Human cloning… I don’t think I probably would have believed you anyway. When I went down to talk with the boy. It was, um…. It was so surreal being with him. It was like I was suddenly 11 years old again. | |
Sydney | And yet…. | |
Miss Parker | And yet? | |
Sydney | And yet the boy is Jarod in every way except the most important one. He doesn’t have Jarod’s soul. | |
Miss Parker | And he didn’t have you. | |
Sydney | Miss Parker. When I found out they had made another Jarod…. I knew that if I didn’t take control something important would be lost. If facing Major Charles is important enough to you then go. Take it and everyone else be damned. | |
Jarod | There must be some matches around her somewhere. Aha, yes. Little light in here. There we go. You cold? It’s probably too damp out there to hunt for firewood but maybe I can break up some of these old chairs. I don’t understand. Why are you so afraid of me? | |
Gemini | Is this a bad man? | |
Raines | Very bad. | |
Gemini | What did he do? | |
Raines | This is the man who killed your parents. | |
Sydney | How can one feed such a terrible lie to a child? | |
Miss Parker | Raines could feed candy to a diabetic and sleep like a baby. | |
Gemini | He doesn’t seem like a killer. He seems sad Mr Raines. Like there’s this void in his life that’s depriving him of any true happiness. Perhaps loss of a loved one. Or the loss of family. Maybe he feels the same way I do… not knowing who he is or where he came from. | |
Raines | You’re not concentrating. He’s no different from any of the others. | |
Gemini | I don’t know. I just….I feel I have a connection with him. | |
Miss Parker | This boy’s good. | |
Broots | Mnnn, almost as good as the real thing. Wait a minute, what am I saying? He is the real thing. | |
Raines | If you can’t find him he’ll go out and kill another little boy’s parents just like he killed yours. Do you understand me? Good. | |
Jarod | I swear to you I had nothing to do with the death of your… of your parents. | |
Gemini | Then what happened to them? | |
Jarod | It’s complicated. You’re a gifted young man. You have the ability to grasp difficult concepts. When I was a boy I used to look in the mirror and think about my past, try to picture my future. Do you ever do that? | |
Gemini | Yes. But I can’t see a past. | |
Jarod | When I was a boy… I was stolen from my parents…. and I was held prisoner at the Centre. They exploited my mind. They made me do things. Things I never should have done. The same kind of things that they made you do. When I got older, I realised that they were using these things to hurt people. Even to kill them. So I ran away. | |
Gemini | You escaped. | |
Jarod | Yes, but not all of me. They kept part of me behind. Some of my….some of my DNA. I guess they had a plan… a way to always keep me prisoner. | |
Gemini | I don’t understand. | |
Jarod | I think you do. If you could look into that mirror and see your future it would look exactly like…..me. | |
Gemini | But my parents. | |
Jarod | They don’t exist. They never did. At least not in the way you were taught. | |
Gemini | No, you’re lying. Mr Raines said you were clever. You’re lying. | |
Jarod | I wish to God I was. But I’m not lying. I’m sorry. I want to show you something. That’s me when I was your age. | |
Young Jarod | No, I can’t do it! | |
Sydney | You shut down now, you all die! | |
Gemini | I’m you? I come from nowhere? | |
Jarod | You come from here. And I come from two people who love me very much. It’s okay to cry. | |
Gemini | I can’t. Mr Raines wont let me. | |
Sydney | No! Keep her back! | |
Young Jarod | Leave me alone! | |
Young Miss Parker | No! Momma! | |
Major Charles | You can beat me all you want. I’d rather die than give up my son. | |
Miss Parker | You’re going to die, but its not about your son. Its about my mother. | |
Major Charles | You look just like her. | |
Miss Parker | You should know. You killed her. | |
Major Charles | That’s my gun. | |
Miss Parker | The one you used to shoot her. | |
Major Charles | No. It’s the one a man named Raines stole from me the day your mother was killed. She knew trouble was coming. | |
Miss Parker | Why should I believe that? | |
Major Charles | Because its true. It was the day I was supposed to help her rescue Jarod and two other children. Raines shot me, left me for dead, took my gun. I still carry the bullet in my back. | |
Miss Parker | You bought yourself another second, talk fast. | |
Major Charles | Your mother located me. She knew I was searching for Jarod. She was afraid of something called the Triumvirate. She said we’d have to move fast, that this Triumvirate threatened her husband because of her action to rescue the children, and her opposition to something she called Gemini. | |
Miss Parker | They threatened Daddy? | |
Major Charles | They threatened his wife and his daughter. You were the other child we were trying to rescue. Your mother was gonna take you to Europe the next day. Don’t you remember? | |
Miss Parker | My father knew about these rescues?MY rescue? | |
Major Charles | That was how I saw it. But I can’t be certain. But I do know for sure your mother was scared for your safety and his. Afraid of how the Triumvirate controlled him. Raines was the Triumvirate watchdog then. | |
Miss Parker | He’s still howling. | |
Major Charles | I didn’t understand why he took my gun all those years ago, but I do now. All your mother and father ever wanted was what I wanted, to love and be with our children. | |
Jarod | Good morning. Breakfast. | |
Gemini | That isn’t wheatgrass and tomato juice. | |
Jarod | No, that’s what they feed you. It’s called ice cream. You’ll never forget the first bite. Go ahead try it. Go ahead. | |
Gemini | Mmmm. It’s very good. | |
Jarod | There’s so many incredible things in the world to try. | |
Gemini | Hope they’re all as good as ice cream. So what are we gonna do now? | |
Jarod | Right now I have to figure out a way to get my… our father out of the Centre. | |
Gemini | Maybe we should trade them for something just as important. | |
Miss Parker | I can’t believe I doubted him. All these years. All these years I’ve… I’ve wondered why Daddy hid things from me, lied to me, dissuaded me from digging into her past, but it was all for my own good. | |
Sydney | We all want to believe that our parents have out best interests in mind. But…. | |
Miss Parker | I finally find some peace of mind and you want to lobotomise it? | |
Sydney | Isn’t there an apparent conflict between your newfound joy and your loading of this weapon? | |
Miss Parker | Its very simple. Raines dead, me happy. | |
Sydney | Not an easy man to kill. | |
Miss Parker | Can’t help it if you’re a lousy aim. I don’t plan to miss. | |
Broots | Miss Parker. Y-you both. You gotta come quick- to the lobby. | |
Miss Parker | Later Broots. | |
Broots | Oh no, no, no, no. Trust me, you’re not gonna believe this. He’s right here. | |
Miss Parker | Move. | |
Jarod | Remember me? | |
Miss Parker | Where’d you find him? | |
Sam | We didn’t. He came in on his own. | |
Miss Parker | Three years on the run, and its finally homesickness that brings you back. | |
Jarod | Well actually, I came to cut a deal. | |
Miss Parker | Broots, go get my father. | |
Jarod | Oh, he’s not in his office. | |
Miss Parker | What kind of game is this? | |
Jarod | It’s a simple one, you’ll get your father back when I get mine. | |
Brigitte | So you’re proposing an equal trade? Your father for my husband. | |
Jarod | I wouldn’t say that it was equal, but it will do. Yes. | |
Lyle | And how do we know you’re not bluffing? | |
Jarod | Seeing is believing. I’ll call you in two hours to arrange the exchange. One of you will bring me my father. Only one. | |
Miss Parker | That’d be me. | |
Jarod | That’d be Sydney. | |
Miss Parker | Sydney? This is my father we’re talking about. | |
Lyle | Our father. | |
Jarod | All the more reason to keep cool heads. Sydney’s the only person I can trust to play by the rules. | |
Sydney | Where will the exchange take place Jarod? | |
Jarod | Like I said, I’ll call you. I wouldn’t want anybody showing up early and complicating things. I really have to go now. Do you want to see your father again? Alive? | |
Raines | And you let Jarod walk right out? | |
Miss Parker | He has my father! | |
Raines | And we had him! | |
Miss Parker | I made the only move there was you son of a bitch! | |
Mutumbo | It was your last one Miss Parker. The Centre’s chain of command is clear. As long as Mr Parker is absent, Mr Raines is in charge. | |
Brigitte | And you plan is Mr Raines? | |
Raines | We organise two Sweeper teams. Once we know the location, one will scout and secure… and the other will execute. | |
Miss Parker | No. No. No. You’re gambling with my father’s life. We do this just as Jarod said. | |
Lyle | Well, Raines’ experience with Jarod is just administrative. Look… I know how this guy’s mind works. | |
Mutumbo | This is not a democracy. My decision stands. | |
Raines | Jarod. | |
Jarod | Interstate Road 40. Iversonville, North Carolina. At 3 o’clock, not 2:59, not 3:01. | |
Raines | 3 o’clock, that barely gives us enough time for Sydney to…. | |
Jarod | Then he’d better get moving. | |
Miss Parker | Jarod, I want to talk to my father. Daddy are you there? | |
Raines | Sydney, go. Get Major Charles. Let’s move. Like I said, two teams. And I’ll need our best sharpshooter. | |
Willie | I’m your man. Jarod will not walk away from this. | |
Raines | No, I want Jarod alive. And the boy too. It’s Mr Parker who’s outlived his usefulness. | |
Raines | That waste of skin Raines is gonna get my father killed. | |
Broots | Well, I don’t think Jarod would hurt your father, I don’t think. | |
Miss Parker | Jarod’s been searching for his father his entire life and he’s gonna do whatever it takes to get him back. I could see it in his eyes. | |
Broots | Well, then what do you think we should do? | |
Miss Parker | Same thing, whatever it takes. | |
Brigitte | Miss Parker. Jarod isn’t the only enemy this time. | |
Miss Parker | Don’t worry Brigitte, I wouldn’t forget about you. | |
Brigitte | I know what you think of me but believe me, we both want the same thing this time. Mr Raines is planning to kill your father. | |
Miss Parker | Why should I believe you? | |
Brigitte | Because if you don’t, somebody we both love very much is going to die. With or without you, I’m going. Let’s do this together. Please. | |
Major Charles | I’d like to thank you Sydney. | |
Sydney | What for? | |
Major Charles | For raising my son. What he’s become is a reflection of you. What was he like as a child? | |
Sydney | Someone a father would feel very proud to call his son. I’m sorry that you never had that chance Major. In fact, I can’t imagine anything worse that what you’ve had to endure. | |
Major Charles | I can. Not ever finding him at all. | |
Jarod | Sydney, are you there? | |
Sydney | Yes Jarod. | |
Jarod | You’ll see a road a quarter of a mile up, turn right. My father will know where to go from there. | |
Sydney | All right Jarod, I’ll follow his instructions. | |
Broots | Well he…. he didn’t say where, only that his father knew. | |
Miss Parker | Great, we’re in the middle of nowhere with no Sydney and no idea where he’s going. | |
Brigitte | I know exactly where he’s going. | |
Miss Parker | Yeah? Well, where might that be? | |
Brigitte | To the beginning of this little odyssey. | |
Mr Parker | Well I gotta hand it to you. Capturing the king is inspired. Walking into the Centre to cut your deal. Real bold. | |
Jarod | Not bold. Prudent. Necessity. Exhibition of resolve. You people only understand one thing, power. | |
Mr Parker | Whatever it was it was brilliant. No wonder my people have such a hard time catching up to you. Of course, that’s why we want you back, ’cause you’re brilliant. | |
Jarod | I’m not going back. Neither is he. I do have one question. | |
Mr Parker | It’s your nickel. | |
Jarod | Why? Why do you do it? Why the Centre? | |
Mr Parker | Give and take. For a cause bigger than both of us. Oh hell, I don’t expect you to understand it, but in the end it does all add up. | |
Jarod | You steal children. You create them. How does that add up? | |
Mr Parker | Rape, incest, murder. Survival. Given enough incentive man is capable of almost anything. | |
Jarod | It’s time to go. Dad. | |
Sydney | Now take care of your father, and of yourself. | |
Jarod | Thank you Sydney, come on Dad. | |
Sydney | Jarod. I’m glad you found your family. | |
Jarod | I told you. Sydney comes alone! | |
Miss Parker | Jarod I had no choice, they’re planning to kill my father. | |
Jarod | Who? | |
Miss Parker | Daddy get back! | |
Willie | I’ve got him. | |
Raines | Shoot him! | |
Broots | God no! | |
Jarod | She’s losing a lot of blood. Keep this compressed against the wound. | |
Raines | Forget Parker, stop the plane! | |
Major Charles | Jarod, let’s go! | |
Jarod | You go ahead without me! | |
Major Charles | Jarod. | |
Jarod | That boy needs a father, now go. We’ll, we’ll catch up later. | |
Major Charles | I love you Son! | |
Jarod | I love you too Dad. | |
Raines | Go! Go! Go! | |
Jarod | I’ve got to get her to the hospital. | |
Brigitte | You’re not going anywhere. Looks like you’re out of luck. Now, you want to do this the easy way, or do you want to end up like her? | |
Raines | Stop him! | |
Raines | Welcome back to the Centre Jarod. | |
Mr Parker | Angel, don’t leave me. Don’t leave me Angel. | |
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