2-16 Silence
2-16 Silence
Silence
I try to be strong, but sometimes all I see is darkness, fragments of who I am. Will I ever feel whole?
Jarod
Silence
I try to be strong, but sometimes all I see is darkness, fragments of who I am. Will I ever feel whole?
Jarod
Original air date: April 4, 1998
Written by: Denise Dobbs
Directed by: Joe Napolitano
Jarod impersonates and FBI agent to help a young boy who stopped talking after witnessing the murder of a DEA agent, and Mr Raines reveals the Centre has him under review.
Jarod’s Discoveries: Powdered Chocolate Milk
Jarod’s Occupations: DEA Child Psychologist
Jarod’s Aliases: Jarod Leary
Official Synopsis
Jarod assists a young boy who stopped speaking after witnessing a murder.
As a DSA plays, Young Sidney discovers Young Jarod sitting on the floor, a sea of torn photographs strewn about. Young Sidney addresses the camera, noting that his subject has never before grown so uncommunicative. In the present day, Miss Parker, Sidney and Broots meet with Jimmy, a carnival veteran. They observe a shattered mirror, a clue that they perceive to be a sign that Jarod is attempting to rebuild someone’s shattered life. Their theory proves correct. Jarod, impersonating an FBI agent/psychiatrist, springs into action when two Latin gunmen open fire inside a safe house. He shields Karla Parks and her five-year-old son, Nicky, from harm. The gunmen miss their target and race away in an automobile. Jarod comforts Nicky, who sits and rocks in much the same way Jarod did in the DSA.
It turns out that Nicky had witnessed the murder of a DEA agent, and it is believed that the triggerman was a dealer named Vasquez. The incident was so traumatizing that the boy stopped talking. Jarod hopes to end the boy’s silence by using emotion and memory to access the truth. His interference is resented by Agents Bingham and Stess, who prefer a more aggressive approach.
Karla tells Jarod that, on the day of the shooting, she had taken Nicky to a Laundromat. When Nicky’s cat, Charlie, ran off into the alley, Nicky followed. Gunfire erupted, and Karla ran into the alleyway. It wasn’t until much later that the missing Nicky was discovered beneath the body of the DEA agent. From that point forward, Nicky has remained silent.
Mr. Raines grows perplexed when he discovers Angelo was moved into a new cell. He informs Miss Parker of this latest development, and explains that the Centre has him under review. Later, Raines is attacked by an unknown assailant, who carves the numbers “155” into his arm. That number corresponds to the room from which Raines operated his experiments years earlier. Parker, Broots and Sidney begin tailing Willie the Sweeper. He leads them to a warehouse where they discover “Einnad 155” etched again and again into the walls. Noticing the words reflected in a mirror, the threesome realize “Einnad” is actually “Dannie” spelled backwards. By researching files, they discover the name of the man who attacked Raines: Daniel Hilton Minor. Minor had originally been diagnosed with mild depression. But the disorder became amplified when Minor was given drugs… medicine that left him with multiple personalities. The warehouse, the threesome realize, is Enid’s space. Parker busts down a plaster wall and finds Dannie’s room. Dannie comes at her with a straight razor, but Parker gains the upper hand.
Meanwhile, Jarod begins observing Nicky. He notices the boy playing with a plastic figure, its head having been broken off. Shortly thereafter, more gunfire erupts. Jarod leaps onto Nicky, but Karla is injured and taken to the hospital. Jarod and Agent Davis choose a new safe house. Later, when Jarod discovers Stess using strong-arm tactics to make the boy talk, he pulls him aside and, away from Nicky, punches him in the face. He warns him to stay away from the boy. Upon reviewing Stess’s personnel file, Jarod learns the once-decorated agent’s brother overdosed on drugs while serving time in an El Paso prison. Jarod confronts Stess with the information—having realized Stess holds Vasquez responsible for supplying heroin to his brother. He convinces him that the dead agent was not “dirty,” as Bingham maintains. Slowly, a bond of trust forms between the two men.
Jarod returns to the ally where the murder transpired. There he discovers and retrieves a piece of (as yet unidentified) plastic. Slowly, Jarod begins to suspect that Vasquez is not the man who killed the DEA agent in the alley. By utilizing Nicky’s plastic figures, Jarod reaches out to the boy—and gets him to speak. Nicky describes seeing two men in the ally… one a Latino, and the other being Agent Bingham. Jarod pieces together the puzzle: Vasquez and Bingham had pulled off a drug exchange. Moments later, undercover agent Cruz drove up. Bingham pulled out a gun and shot Cruz, who fell atop Nicky. Later, Bingham threatened Nicky by promising to do his mother harm if he told authorities what happened. He illustrated his point by snapping of the head of one of the boy’s plastic figures.
Jarod and Stess tail Bingham from afar. Bingham offers Vasquez heroin in exchange for eliminating the boy. Later, Jarod puts his takedown plan in motion. He allows Bingham to believe that he and Nicky perished in an explosion. Later, he surprises Bingham in the alleyway where the drug exchange is about to occur. As the dealers’ car approaches, Bingham realizes his briefcase is filled with chocolate milk—not heroin. Terrified the dealers will kill him, Bingham confesses. Jarod gives him another case, which Bingham believes is filled with heroin. But he discovers it is empty. The dealers, however, turn out to be Davis, Stess, and other DEA agents. Bingham is taken into custody.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Silence Transcript
DSA | ||
Sydney | Jarod, you’ve done this a dozen times before. Choose a photo and become the person. Jarod’s been uncommunicative before, but never during such a routine exercise. And never with such disturbing results. | |
Miss Parker | Your merchandise is… fascinating. | |
Jim | That’s the word Jarod used. He was blown away by all the stuff we make He even tried his hand at some mirrors, the warped face, the torso crusher. The shattered image was his specialty. | |
Broots | Oh, this is weird. | |
Miss Parker | That is twisted. | |
Jim | You think that’s twisted, come see this, Jarod’s own house of mirrors. Jarod would stay in here for hours just staring at himself and working. | |
Broots | Wow. Huh. Check this out. | |
Jim | Jarod made that. He said it gave him another look into his soul. | |
Sydney | In child development, mirror stage is where the ego is born. The child realises he’s distinct from his mother. Identity begins. | |
Miss Parker | What’s it mean? | |
Sydney | Jarod’s attempting to reconstruct a shattered personality…. shattered life. | |
Jarod | Everything okay in here? | |
Carla | Fine. | |
Jarod | Hi Nicky. Get down! Take cover and stay down! | |
Carla | Nicky get down! Get down! Get down! Get down! Baby. | |
Jarod | It’s okay, it’s okay. Nicky, it’s okay. It’s okay. | |
Carla | Hey baby, mommy’s okay. | |
intro | ||
Bingham | Dr Leary. | |
Jarod | Actually, it’s Agent Leary. | |
Bingham | Special Agent Roger Bingham. This is Andrew Stess. | |
Jarod | Nice to meet you, Agent Stess. | |
Stess | I heard you weren’t here 30 seconds before the bullets started flyin’ and that you’re the one that jumped on the kid. | |
Jarod | Lucky timing I guess. | |
Bingham | I guess you’re gonna want a medal. | |
Jarod | Actually, I was just doing my job. | |
Stess | Meaning we weren’t? | |
Bingham | Listen ahh… Freud, it’s bad enough Davis thinks someone in the department is leaking safe house location. We don’t need him riding us because some outsider did our job. | |
Stess | If you wanna be a hero, go do it on somebody else’s watch. | |
Davis | Jarod, what are you still doin’ here? | |
Jarod | Commander Davis. I was trying to decide which welcome was worse the ambush last night or Bingham and Stess. | |
Davis | Look, we’re all under a lot of pressure. Unless that rug rat testifies to what he saw the biggest drug dealer in the Southwest walks away. What’s all this? | |
Jarod | Nicky was traumatised by what he witnessed. This could help open him up and bring him out of his silence. | |
Davis | That kid watched Emiliano Vasquez execute one of the best DEA agents in Texas. Then a Vasquez hit team tried to kill him and you think this damn slinky’s gonna help him talk. | |
Jarod | Well, it’s not that simplistic. You see, studies have shown that if you take a child who’s been… | |
Davis | Listen, nothing personal Doc, but between you, me and that shot-out window I don’t give a damn about your studies. You got two days to make the kid talk. After that we do it my way. | |
Raines | Angelo has been moved. Do you know anything about that Miss Parker? | |
Miss Parker | Are you talking to me? | |
Raines | Exactly one hour after he was moved I was notified I’m under Tower review. As we speak, three sets of Cleaners are scouring my personal files, my office, everything. | |
Miss Parker | I’m crying on the inside. | |
Raines | Review sessions don’t happen without a directive. If I find out you’re behind this… | |
Miss Parker | You’ll what? Throw me in front of another T-board? What secrets are you protecting Dr Raines? The same ones my mother found? The ones that got her killed? Maybe they’ll get Angelo to talk, or is it Timmy? | |
Carla | Nicky, I think we’ll be safer here. | |
Jarod | Thanks, hi Carla. | |
Carla | Hi. | |
Jarod | Hiya Nicky. Oh, those are great toys. This, my friend, is my own personal stash of toys. You sir, can play with whatever you want. I got your Mr Potato Head, Magic 8 Ball. This is my personal favourite. | |
Carla | You know, I’ve never seen a shrink wear a gun before. | |
Jarod | By definition, I’m a psychological reconstructionist. I use memory and emotion to unlock the truth in somebody who’s suffering from post-traumatic stress. | |
Carla | Can you give me back my son? | |
Jarod | That’s the idea. Carla, in order for me to reveal his memories, I have to reconstruct the events of what happened that day. | |
Carla | Yea, I work as a nurse and I had a few hours before my shift started so I decided to take Nicky and Charlie down to the Laundromat. | |
Jarod | Charlie? | |
Carla | He’s Nicky’s cat. I put Nicky in a chair, gave him some chocolate milk. I turned to load the machine, and I started talking to another woman. I lost track of time, and later I heard this popping sound that was coming from behind the building.. I turned around, Nicky was gone. | |
Jarod | What happened next? | |
Carla | I panicked and I ran outside behind the Laundromat. And… I saw a man lying there in the alley. | |
Jarod | Where was Nicky? | |
Carla | He was gone. I looked everywhere for him while the other woman, she called the police. I’d warned Nicky never to go out by himself. But his cat, Charlie, he …. must’ve gotten out. | |
Jarod | Then he went to find him. | |
Carla | I was talking to one of the cops, that’s when we found him. | |
Officer | There’s the kid! | |
Carla | Nicky? Oh, little guy. He’d been trapped under the body the whole time. And he hasn’t said a word since then. Can you imagine that kind of fear? | |
Flashback | ||
Jarod | It must have been terrible. | |
Raines | Willie. | |
Dannie | Einnad, no! | |
Miss Parker | Hey! | |
Carla | Okay Nicky, wash time. Let me clean behind your ears. Come here, reach over. | |
Stess | I don’t hear this kid tellin’ us that Emiliano Vasquez shot Agent Cruz. | |
Jarod | Takes time. | |
Bingham | Sometimes it takes a good swat in the ass. | |
Stess | Odds are better that Bingham’s gonna match six in the next lottery than this kid locks Vasquez as the shooter. | |
Bingham | Don’t jinx me. The lottery’s up to 30 million. | |
Jarod | You know the rumour in Washington is you boys thought that Cruz was dirty, that he wasn’t tryin’ to bust Vasquez, he was selling to him. And that he was using the seizure warehouse as his own personal drugstore. | |
Stess | Rumours are just rumours. That little boy in there is the only one that knows the truth, and hopefully, before Vasquez finds and silences him for good, you’ll stop playing with your little toys in here and get him to talk. | |
Jarod | And what would suggest I do? An interrogation? | |
Stess | Something scared the kid silent. I’m damn sure we could scare him into talking. | |
Carla | We’re all done here in the bath. | |
Carla | Hey, Nicky, I’ve got a treat for you. Chocolate milk. | |
Jarod | Now, I’ve heard about this powder. It somehow dramatically alters the composition of the milk right? | |
Carla | You’ve never had chocolate milk? | |
Jarod | It wasn’t allowed where I grew up. | |
Carla | Wow, can you believe that Nicky? | |
Jarod | Hmmn. Nicky, can I try? | |
Carla | Jarod, I’ve been shot. I’ve been shot. | |
Paramedic | Ma’am, we’re gonna roll you out now. | |
Carla | Don’t you worry Carla, I’ll take care of Nicky. | |
Davis | I want the leak sealed. If that means every agent takes a polygraph, then do it. I don’t trust anybody around here. | |
Jarod | Nicky, your mom’s going to be fine, just as soon as the doctor takes a look at her. In the meantime, would you like to go with me to check out your new place? Do you think maybe she needs a safe place? You can trust me Nicky. Would you mind if I put something in here too? This is my mom, I always keep her close. Will you take care of her for me? There. Nicky, after a while, it wont be so bad. And you’ll feel strong enough to put the hurt in a safe place. | |
Jarod | This house sits on a maze of tunnels. This is just one way in or out. | |
Davis | Why would anybody build something like this? | |
Jarod | Paranoia. People with everything are always afraid somebody’s gonna take it away. | |
Davis | They’re usually right. | |
Davis | Listen up people. Now this house has been built on a series of tunnels. Each tunnel connects the four sections of the estate with entrances and exits both within the house and on the grounds, like these drainage vents here in the driveway. I want every access point secured. Let’s get to work. | |
Agent | Right. | |
Agent 2 | Okay. I’ll take the point opposite. | |
Agent | Yeah. | |
Raines | Get me a real doctor. | |
Miss Parker | Who attacked you? | |
Raines | I don’t know. | |
Miss Parker | I’m trying to help you here. | |
Raines | Willie, let’s go. | |
Willie | No problem Mr Raines | |
Miss Parker | He’s hiding something. | |
Sydney | He’s still delirious from the anaesthesia. He kept repeating the same thing over and over. Name Enaid mean anything to either of you? | |
Miss Parker | Enaid? Disgruntled ex-employee? | |
Sydney | Possible, but those injuries aren’t random. The attacker slashed this into Raines’ arm. | |
Broots | 155. That’s the room in SL 27 where Raines used to run his experiments. | |
Sydney | Judging from the violence, Enaid may have been one of those experiments. | |
Miss Parker | You think my mother was trying to save Enaid too? | |
Sydney | We know she died trying to stop Raines. Possible. | |
Broots | What the hell was he trying to make out of him? | |
Jarod | Blake, Jackson, where the hell are you? Nicky? Nicky where are you? | |
Stess | Hey kid, I know you were scared but I’m not buyin’ your little silent act. You look at me when I talk to you. Tell me what you saw. | |
Jarod | Stess! | |
Stess | Not now. | |
Jarod | I need to show you something. Hey, why don’t you go to your room? I’ll be there in a sec. You so much as look at that little boy the wrong way again and his mother wont be the only one in the hospital. | |
Stess | Your way inst working. | |
Jarod | This isn’t just another assignment to you is it? Vasquez is personal. The way I see it, you are not a bully by nature and I don’t think that it’s that innocent little boy’s silence that’s eating you alive. | |
Stess | You’re the shrink. | |
Bingham | Hey! What the hell’s goin’ on here? | |
Jarod | Just a free therapy session. | |
Broots | No reference to Enaid in the mainframe but I found out it’s a Welsh name. It means life or spirit. | |
Miss Parker | That’s useful. I need to know who Enaid is and why he attacked Raines. | |
Sydney | You sure you wanna lock swords with Raines? This tactic backfired against your mother. | |
Miss Parker | I’m not my mother. Broots. | |
Broots | Please don’t ask me to search Raines’ office again. My colon can’t take it. | |
Miss Parker | Relax your backside. I have a better idea. | |
Jarod | Hi. What you doin’? Boy, she doesn’t look too good. Maybe I could fix her. Want me to try? There, now she’s all better. | |
Carla | Can I play? Come here, ohhh I missed you so much. | |
Nicky | I missed you too. | |
Carla | You spoke. He spoke. | |
Jarod | I heard. | |
Carla | Oh baby. Oh. | |
Jarod | Boy you surprised me Agent Stess. | |
Stess | How’s that? | |
Jarod | Well, I never would’ve guessed you to be a decorated officer. | |
Stess | What the hell are you doing with my file? | |
Jarod | Let’s see. Decorated in ’93. But every year since then you’ve been on disciplinary review. Excessive force, questionable investigative techniques. In clinical terms Agent Stess, you’re losin’ it. | |
Stess | I’ve had just about enough of you. | |
Jarod | Your brother worshipped you didn’t he? But unfortunately his addiction got the best of him. And maybe he was just tryin’ to live up to you. Or maybe he just OD’d on purpose for the attention. | |
Stess | I could kill you. | |
Jarod | Save your anger for Vasquez. It was his operation that sold your little brother the heroin that killed him. Look, I know you miss your little brother. You are so hurt and so angry that you can’t see straight. I need your help. Help me bring down Cruz’s killer. Help me save that little boy’s life. | |
Miss Parker | What’s Marmaduke up to this week? | |
Broots | Ahhh, oh I haven’t got to Marmaduke yet. | |
Miss Parker | That was a quick butt. | |
Sydney | Since when does Willie smoke? | |
Broots | I got it, I got it! Phew, there’s gasoline everywhere. He was tryin’ to torch this place. | |
Miss Parker | The question is why. | |
Sydney | He was trying to cover Raines’ tracks. | |
Broots | What tracks? | |
Miss Parker | It’s written all over the walls. Einnad | |
Broots | Look at this! It belonged to a Daniel Hilton Minor, Davidson Psychiatric Hospital. | |
Miss Parker | That’s a surprise, another fun house. Where are the mirrors Syd? | |
Sydney | Miss Parker, a lot of these prescribed to DH Minor by a Dr Williams. Some of these go back 20 years. | |
Miss Parker | Williams, as in William Raines. | |
Broots | Huh. | |
Miss Parker | What about this wallpaper though? | |
Sydney | Obsessive. Methodical. | |
Miss Parker | And wrong. Strange way to spell Enaid, wouldn’t you say? | |
Sydney | But is that what he’s writing? The answer is in the mirror. | |
Broots | D-A-N-N-I-E. Dannie. Who’s Dannie? | |
Jarod | Hey. | |
Stess | Yeah? | |
Jarod | Check this out. | |
Stess | Check the Mexican bank account that Cruz was trying to check out? | |
Jarod | Look at the last transaction. | |
Stess | 500 thousand on April 9th. | |
Jarod | The day after Cruz was murdered. How much heroin did you say was missing from the seizure warehouse? | |
Stess | Half a mill. | |
Jarod | Mnn. There’s no name on the account, just a reference number. Hey, how did you get out of your r…. You couldn’t sleep huh? Is everything safe in there? Nicky, do you remember this man? Is this the man from the alley? | |
Carla | Nicky? | |
Jarod | It’s okay, why don’t you go back to bed? If Vasquez is the murderer, how come his photograph didn’t traumatise Nicky? | |
Stess | Well, maybe all your Slinky stuff is workin’. | |
Jarod | Maybe we’re just not seeing the whole picture. | |
DSA | ||
Sydney | Jarod has been silent for 36 hours, however he’s showing signs of lucidity. Attempting to sketch an image over and over, this woman without a face. I’ve decided to intervene. Can you tell me who she is? | |
Young Jarod | I can’t see her. | |
Sydney | Who Jarod? | |
Young Jarod | I cant remember. I cant remember anymore. | |
Sydney | Is it your mother? | |
Young Jarod | Can’t remember, she’s gone. She’s gone Sydney. | |
Jarod | She’s gone. | |
Broots | Out boy Einnad is actually Daniel Hilton Minor, part of a Centre study group in the late ’60s. This file ends in 1982. | |
Miss Parker | Right after the fire in SL 27. | |
Broots | That’s right. | |
Miss Parker | Once Raines lost Room 155, he had no place to work. | |
Sydney | So he took it elsewhere. | |
Miss Parker | Preliminary diagnosis, mild depression. What a crock. | |
Sydney | Well, mild depression can always be amplified. | |
Broots | Brain-wave manipulation. | |
Sydney | Whatever Dannie’s initial treatment, the outcome warranted drugs, prescribed in increasing dosages. | |
Miss Parker | That’s Dr Raines. You got a headache, lobotomise. | |
Sydney | And a perfectly treatable illness becomes a dissociative identity disorder, multiple personalities. two of them we know as Dannie and Einnad. Looking in the mirror can be comforting to someone suffering from DID. The mirror reflects the image of a unified self. | |
Miss Parker | My mother couldn’t save him. | |
Sydney | She tried Miss Parker, she tried. | |
Miss Parker | But Raines got in the way. | |
Jarod | Charlie? | |
Jarod | Look what I found. Do you know what this is? That’s a very very nice hat. And who are you? | |
Nicky | Mommy. | |
Jarod | Well, hello Mommy. It’s okay, I’m here to help you and Nicky. you have a cat don’t you? | |
Nicky | Charlie. | |
Jarod | Charlie. Well I bet Charlie loves to play in the alley. Is that what happened the day at the Laundromat? | |
Nicky | I found him. | |
Jarod | Okay, you found him. And then a man came up right? Two men? | |
Nicky | I was in the boxes. No one could see me. | |
Jarod | But you could see them. These men, did they look like they came from Mexico? One of the men? And the other man? Jackpot. Um, Mr Jackpot was with the other man? They both had suitcases. And they switched them. | |
Nicky | And that’s when it happened. Another man came. | |
Jarod | Agent Cruz. What happened next Nicky? | |
Nicky | They got really mad and Mr Jackpot pulled out a gun. He shot the other man. Then he fell on me and I was scared and I couldn’t move. | |
Stess | Jarod, it’s Bingham. | |
Jarod | Then the policeman came and your mommy came and you were okay. | |
Carla | Don’t you remember honey? Agent Bingham came with the others and while Mommy was talking to the police, he was talking to you. | |
Nicky | He took me away. | |
Flashback | ||
Bingham | Kid, you tell anyone, this is your mommy. | |
Bingham | Any progress? | |
Jarod | Nothing. Transfer’s gonna happen tomorrow night at 8:30. | |
Stess | Why? | |
Bingham | Dr Shrink’s time is up. They wanna take the kid over to divisional headquarters. | |
Miss Parker | What have you got? | |
Sydney | Dissociative identity disorder where both personalities are compelled to carve out a living space even if it’s within the same home. So far we’ve found only Einnnad’s space. | |
Miss Parker | We didn’t find Dannie’s. | |
Stess | Anyone ever tell you you’re an odd duck? | |
Jarod | Duck? Mnnn-mmm. Odd occasionally. | |
Bingham | Howdy. | |
Vasquez | We’re running out of time. | |
Bingham | We nail this kid, and five keys will be waitin’ in the alley south of Querube Avenue. | |
Stess | Brown heroin from the lockup. | |
Bingham | They’re gonna transport this kid tomorrow night in a government van. Here’s the address. I want you to make sure that transport never leaves the driveway. | |
Vasquez | No problem. That’d better be primo junk, or I swear, you’ll end up like Cruz. | |
Bingham | No problemo. | |
Broots | I checked all the doors. Uh, nothing. | |
Miss Parker | It’s not the doors, it’s walls. | |
Dannie | Make him stop. kill….kill me please. Please. Kill me and he’ll stop. | |
Miss Parker | I’m not here to hurt you Dannie. | |
Jarod | It’s time to move. | |
Bingham | Good luck. | |
Jarod | Thanks. | |
Stess | I don’t know about you but it’s gonna be a cold day in June before I wanna see that kid again. I’ll call it in. | |
Bingham | I’ll take a drive around the perimeter. | |
Stess | You okay? | |
Jarod | Thank goodness for paranoia. | |
Carla | What do we do now? | |
Jarod | We get the bad guy. | |
Bingham | Jarod? | |
Jarod | Don’t look so shocked. I couldn’t resist surviving that explosion. I had to see what a little boy’s life was worth to you. What is it? Five keys? Ten? Now, these guys, they think Nicky’s dead. And Vasquez is gonna want his heroin pronto. | |
Bingham | I’m gonna have to kill you. | |
Jarod | Like you killed Cruz? Well, before you pull that trigger, I strongly suggest you check out your primo junk. Mnnnn chocolate. Somehow I don’t think these guys are the chocolate milk type. What’s the matter Rog? Cat got your tongue? Imagine how Nicky felt. he witnesses a brutal murder, has a dead body fall on top of him. Do you have any idea what that kind of fear can do to a child? And then when it’s all over, you threaten to kill his mother if he talks. Well, he’s talking now. He’s telling Davis all about how you deal drugs, how you killed Cruz. | |
Bingham | You got nothing on me. | |
Jarod | Come on Rog, admit it. I can stop these guys. I’ve got the real stuff right here. | |
Bingham | Okay, I killed Cruz, give me the keys. | |
Jarod | Whatever you say Rog. Got milk. | |
Miss Parker | You’ve healed nicely. | |
Raines | Where did you get that? | |
Miss Parker | Handball. | |
Raines | Tower review has been given new evidence. Something about my extracurricular activities. | |
Miss Parker | You should hire better people. Smoke? | |
Willie | N… no. | |
Miss Parker | Oh. | |
Raines | You remind me of someone I used to know, someone who looked exactly like you. | |
Miss Parker | I’m not my mother. Don’t make the mistake of forgetting that. | |
Raines | We should all be careful about the mistakes we make. Shouldn’t we? | |
Sydney | I just spoke with the hospital. Dannie has been transferred, he’s now my patient. | |
Broots | Why would Raines wanna create something like him? | |
Miss Parker | Maybe he was trying to make his own little assassin, but it backfired. | |
Sydney | Only God knows. | |
Miss Parker | God and the Centre. When Dannie attacked me, my instinct was to kill him. But when I looked at him, he was begging me to shoot him. I saw someone who might’ve had a chance if the Centre hadn’t gotten its claws into him. | |
Sydney | You saw yourself. | |
Stess | Looks like Vasquez and Bingham will be going away for a long time. You think you know a guy, and then you find out you don’t really know him at all. | |
Jarod | Tell me about it. Hey! Thank you for keeping her safe. I have something for you too. | |
Nicky | Charlie, you came home! | |
Jarod | So did you Nicky. So did you. | |
Sydney | This is Sydney. | |
Jarod | Do you think it’s possible to forget all the terrible things that happened to us when we’re young? | |
Sydney | Forget? Hell no. But I believe we can use them to make ourselves stronger. | |
Jarod | I try to be strong, but sometimes all I see is darkness, fragments of who I am. Will I ever feel whole? | |
Sydney | I don’t know Jarod. I hope so. | |
Jarod | Me too. |
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