3-03 Once in a Blue Moon
3-03 Once in a Blue Moon
Once in a Blue Moon
Sometimes even the devil deserves a little privacy.
Sydney
Once in a Blue Moon
Sometimes even the devil deserves a little privacy.
Sydney
Original air date: October 31, 1998
Written by: Andrew Dettmann & Daniel Truly
Directed by: Chuck Bowman
Jarod assumes the identity of a criminal behaviourist in order to catch a copycat killer whose MO is identical to a psychopath Jarod helped capture twenty years ago.
Jarod’s Discoveries: Mexican Food & Chili
Jarod’s Occupations: FBI Profiler/Criminal Behaviorist
Jarod’s Aliases: Jarod Ressler
Official Synopsis
Jarod matches wits with a brilliant psychopath he helped incarcerate twenty years earlier.
After viewing a television news report on the disappearance of a young girl named Sarah Rickman, Jarod suddenly abandons his latest Pretend, which was to have taken place in Florida. Instead, he views a DSA of a simulation lab, one in which Sydney forces him to help solve the kidnapping of a young girl named Annie. Shortly thereafter, Jarod assumes the identity of a criminal behaviorist. He then travels to, and infiltrates, the latest crime scene, located in Maryland. There, he observes the words “Blue Moon Rising” written on the victim’s bedroom mirror. He also notes that the eyes of a Teddy Bear have been cut out, and ascertains that the bedroom curtains had been left open by the kidnapper. Jarod informs Lieutenant Alison Fawkes and Detective Maxwell that the m.o. is identical to the behavior of a killer who was ultimately imprisoned for Annie’s disappearance twenty years earlier. That man’s name is Douglas Willard.
Meanwhile, Broots, Miss Parker and Sydney storm the location of Jarod’s last lair. They notice many clues pertaining to the abandoned Pretend that was to have taken place in Florida. Later, Jarod faxes Sydney Annie’s photo, alerting him to the copycat killer. Rather than risk Jarod’s capture, and thereby allow a dangerous killer to remain at large, Sydney keeps his knowledge a secret. As a result, Miss Parker and Broots embark on a wild goose chase to Florida. But Miss Parker begins to suspect that Sydney is holding back information.
Jarod convinces Fawkes that a copycat killer is on the loose. He also explains that Maxwell struck on the second full moon in a calendar month. As Willard has been in solitary confinement since the first day of his sentence, Jarod concludes the copycat is someone Willard met inside the prison system. He convinces Fawkes that Willard must be transported to the scene for interrogation. Fawkes reluctantly arranges the transfer.
Jarod interviews the psychopathic but brilliant Willard inside his holding cell. As their cat-and-mouse conversation progresses, Willard eventually realizes that Jarod played a hand in his incarceration twenty years earlier. Willard refuses to tell Jarod where the copycat killer would take his victim, for if he did so, he would only be sent back to solitary confinement. With only 34 hours remaining before the copycat kills his victim, Jarod’s patience begins wearing thin.
Miss Parker recovers Annie’s photograph from Sydney’s office. She refuses Mr. Raines’ instruction to return to Florida. Later, Sydney tells Miss Parker to “leave this stone unturned.”
In flashback, a young Jarod moves through a recreation of Annie’s bedroom inside the simulation lab. Assuming the role of the kidnapper, the young Jarod grows frightened, refusing to go deeper inside the killer’s head. In the present day, Jarod disconnects the surveillance camera in Willard’s cell, giving them both more privacy. Willard tells Jarod that all of the answers he seeks are right in front of his nose. But Jarod is still unable to solve the riddle. Willard tells Jarod to transport him to Sarah’s bedroom. Only then will he be able to ascertain Sarah’s whereabouts. Jarod assures him it would be impossible to arrange his request.
Police tell Jarod that they have discovered the identity of the copycat kidnapper. That man is Carl Shuman, a guard who worked at the prison where Willard is incarcerated. Jarod and his colleagues storm Shuman’s house. Inside is a virtual shrine devoted to Douglas Willard’s crimes. Jarod discovers letters in Willard’s handwriting composed as recently as the previous week. Fawkes concludes that Willard climbed into Shuman’s head, “earwigging” him. Jarod wonders if Shuman is a copycat…or a puppet.
Lieutenant Fawkes denies Jarod’s request to transport Willard to the crime scene. As police begin transporting Willard back to the penitentiary, Jarod intercedes. He knocks Maxwell unconscious and abducts Willard. Jarod transports Willard to the crime scene. There, Willard admits that there has never been any rhyme or reason to his modus operandi. The truth, Willard confesses, is that he simply likes to kill. Suddenly, Willard attacks Jarod, knocking him unconscious.
Willard travels to a desolate barn. As he makes his way to the door, Jarod’s voice calls out. Jarod explains that Willard’s transport to Sarah’s bedroom had all been a lie, and that police had been monitoring them all along. The moment Willard headed up the mountain towards the barn, police moved in and captured Shuman. Jarod tells Willard that one needn’t become a monster to face one. Officers lead Willard away. Moments later, Jarod and some officers storm the barn and rescue Sarah. Jarod then discovers Annie’s locket lying in the dirt. Annie’s remains are recovered.
Later, a lone figure reviews the DSA of young Sydney consoling Annie’s father. That figure turns out to be Mr. Raines, who breaks into tears as he clutches his daughter’s locket.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Once in a Blue Moon Transcript
Jarod | Excuse me, is that what’s known as chilli? | ||
Cook | I don’t eat it I just stir it. | ||
Jarod | That little talking dog on the commercial says that it’s very good. | ||
Cook | That’s the wrong franchise. That’s our mascot. | ||
Jarod | Rico the Taco Rat? What do you recommend? | ||
Cook | That you go some place else. | ||
Jarod | Ha ha. Let’s see. You know, I think I will try the chimichanja? | ||
Cook | It’s your colon. | ||
TV | This normally quiet neighbourhood is gripped with fear following the disappearance ofseventeen year old Sarah Rickman, who according to police was taken from her home sometime during the early morning hours. The victim’s parents have made an appeal to the abductor begging for their daughter’s safe return. | ||
Mr Rickman | We just want whoever took abducted our daughter Sarah… | ||
Mrs Rickman | Anybody who can help us. | ||
Mr Rickman | …to return her unharmed. That’s all I ask right now. | ||
TV | Now among the bizarre details associated with the crime the kidnapper apparently removed the eyes from several stuffed animals and left a message scrawled on the mirror… | ||
Jarod | Blue Moon Rising. | ||
TV | We’ll have more as this story unfolds. Now Paul, back to you in the studio. | ||
Sydney | We need your help. Something terrible has happened. A girl has been kidnapped. You need to find her. | ||
Officer | Excuse me, Lieutenant Fawkes? | ||
Fawkes | Who’s he? | ||
Officer | Special agent from the Justice Department. | ||
Young Jarod | I can’t Sydney. I’m scared. | ||
Sydney | You want to help Annie don’t you. | ||
Young Jarod | Sydney no. I’m too scared. | ||
Sydney | Put your fear away. | ||
Young Jarod | But Sydney, I can’t! | ||
Sydney | You have to, Jarod. You’re the only one who can save her. You’re the only one who can save her. Jarod, you’re the only one who can save her…only one who can save her. | ||
Fawkes | That’s funny, I don’t remember calling in the Justice Department. | ||
Jarod | Jarod Ressler. I’m a criminal behaviourist. I’m here to help. | ||
Fawkes | Go back to Washington. We have enough cops to handle a kidnapping. | ||
Jarod | You won’t be receiving a ransom note, Detective. | ||
Fawkes | Lieutenant. | ||
Jarod | Look, the man who took Sarah is a killer. So every minute we stand here arguing is a minute closer to her death. He’s taunting you. | ||
Fawkes | You think? | ||
Jarod | He cuts the eyes out. It makes him believe he’s invisible. And these curtains, he left them open on purpose. | ||
Fawkes | Look again Kreskin. They’re closed. They’ve always been closed. | ||
Maxwell | Actually they were open Lieutenant. I shut them to keep the cameras out. | ||
Fawkes | Talk. | ||
Jarod | I’ve seen this MO before. A series of crimes committed by a man named Douglas Willard. | ||
Fawkes | Maxwell, APB this Willard. | ||
Jarod | Don’t bother he’s been in prison for the last twenty years. | ||
Broots | Looks like the lights are on but there’s no one home. | ||
Miss Parker | Jarod’s life story. | ||
Sydney | Clearly he was here and he’s training for something aquatic. | ||
Miss Parker | Syd, did wonder boy every say that he wanted to be in Mr Limpet? | ||
Sydney | Not that I recall. | ||
Broots | You know, when I was a kid I always wanted to be Aquaman. You know, human gills and a … sorry. Hey look. Looks like we might be going to Florida. It looks like he did. | ||
Miss Parker | It’s too easy. Look at all these things he left behind. | ||
Sydney | Something unexpected must have come up and Jarod left before he planned. | ||
Miss Parker | The question is where is he. | ||
Fawkes | Doug Willard AKA Blue Moon Killer. | ||
Jarod | Made a series of abductions in the mid 70s. All young women snatched from their bedrooms. Eyeless dolls left behind along with the words, “blue moon rising.” | ||
Fawkes | If Willard is in maximum security… | ||
Jarod | We’re dealing with a copycat. | ||
Maxwell | Why blue moon? | ||
Jarod | It’s the second full moon in a calendar month. Willard killed his victims at midnight of the blue moon. | ||
Fawkes | It says here the police got an anonymous tip out of Delaware that helped them catch Willard but not before he murdered his last victim. | ||
Jarod | Her name was Annie. The body was never found. | ||
Maxwell | Here she is. | ||
Sydney | Jarod. You did everything you could. It’s not your fault. | ||
Young Jarod | She died because of me Sydney. I let her die. | ||
Fawkes | If they never found her, how could they be sure? | ||
Jarod | Willard sent a photo of her body to her parents. It arrived the day after he was arrested. | ||
Maxwell | Sick bastard. | ||
Fawkes | Where do we start? | ||
Jarod | We find the copycat. Now he’s meticulously recreating every detail of Willard’s MO. Details that weren’t in the papers. Which means that he had some kind of contact with Willard. | ||
Maxwell | An old cell mate? | ||
Jarod | No, Willard’s been in isolation since day one. | ||
Fawkes | No family, no visiting privileges. | ||
Jarod | Do a run down on all the prison personnel, guards, doctors, public defenders, anyone. | ||
Maxwell | I’m on it! | ||
Jarod | What would it take to get Willard transferred here? | ||
Fawkes | A damn good reason for starters. | ||
Jarod | How about someone is trying to become Willard. I need to pick the brain of the real thing. | ||
Fawkes | So do your picking at McCallister. | ||
Jarod | I need him here where I can have access to him. | ||
Fawkes | I can’t do that for you. | ||
Jarod | The night after tomorrow is a blue moon. If we don’t stop it another girl is going to die. | ||
Young Jarod | Sydney are those her parents? | ||
Sydney | Yes and they’re counting on you to find their daughter. | ||
Fawkes | The more I learn about this guy the sicker my gut feels. | ||
Jarod | The path to the man who kidnapped Sarah is Douglas Willard. | ||
Fawkes | I hope you’re right. I just got off the phone from McCallister. Willard’s in transit. He’ll be here ASAP. You owe me. | ||
Jarod | Big time. | ||
Miss Parker | You know Syd, sometimes I think you and I are the only people around here that are sane. Which isn’t saying much for me. What’s wrong? You’ve got that just eaten in the cafeteria look. | ||
Sydney | I’m sorry. I’m fine. | ||
Miss Parker | Well, I’m not. Raines has convinced Daddy I should go down to Florida after Jarod even though I made it clear that it’s pointless. | ||
Sydney | Raines had nothing to do with it. I convinced your father. | ||
Miss Parker | Didn’t we agree at the wharf Jarod wasn’t headed for Florida? | ||
Sydney | Maybe I was wrong. Maybe we overlooked something. | ||
Miss Parker | Cancel what I said earlier. I’m the only sane one around here. | ||
Sydney | Jarod? | ||
Jarod | How did you know? | ||
Sydney | Annie told me. | ||
Jarod | This time it’s a girl named Sarah. I can’t let it happen again. | ||
Sydney | You caught her killer. You saved countless others. | ||
Jarod | But I couldn’t save Annie. | ||
Sydney | None of us can change the past Jarod. You did everything you could. You must get over it. | ||
Jarod | Willard gets transferred here in the morning. Sydney, I’ve never seen him face to face. | ||
Sydney | But running away will offer no solace. You know what you have to do. | ||
Fawkes | Jarod. Jarod. | ||
Jarod | I want to be alone with him. | ||
Fawkes | Bad idea. The psychiatrists at McCallister calls Willard an earwig. Give him half a chance he’ll crawl inside your head and chew on your brain. He’s left two suicides and a half a dozen psych discharges in his wake. I’m not afraid of much but I’m scared of him. | ||
Jarod | So am I. | ||
Fawkes | Jarod! | ||
Willard | And who might you be little boy? | ||
Fawkes | I hope Jarod knows what he’s doing. | ||
Willard | I owe you a thanks. | ||
Jarod | For what? | ||
Willard | Twenty years in solitary this is like a vacation. | ||
Jarod | I didn’t do it for you. | ||
Willard | Then why? | ||
Jarod | We’ll get to that. | ||
Willard | Nice accommodations. Of course I’m used to a little bit more privacy. | ||
Fawkes | Smart ass. | ||
Willard | Who are you? | ||
Jarod | I’m Jarod Ressler. I’m with the Justice Department. | ||
Willard | Justice? I never realised I was so important. | ||
Jarod | You’re not. | ||
Willard | Just what is it you want? | ||
Jarod | I’m a criminal behaviourist. You’re a case study. Interviewing you would broaden my knowledge. | ||
Willard | Why do I get the feeling that you’re lying? | ||
Jarod | And why do I find it shocking that you have feelings? | ||
Willard | Touché. The way I was abruptly jerked from my peaceful abode and rushed here makes me think that my presence was urgently needed. It was almost as if it was a matter of life and death. Now the Feds are involved. That narrows down the list of possible crimes doesn’t it? I doubt if I was pulled in for a terrorist bombing. It’s not really my specialty. No I’m going to take a wild guess and say . . . oh . . . abduction. Still there must be a reason why you chose me, why I was selected. And that’s the easiest one of all. | ||
Jarod | I’m on pins and needles. | ||
Willard | Tomorrow night is a blue moon. And that leaves us with one conclusion. There’s somebody else out there, someone like me. | ||
Jarod | I’m impressed. | ||
Willard | And you want my help? | ||
Jarod | Yes I do. | ||
Willard | Well as they say hell will freeze first. | ||
Jarod | Well I’m very sorry to have disturbed you. I’ll make sure that they take you back to your… peaceful abode. | ||
Fawkes | That’s it? Three minutes. He shuts you down and you just walk away. | ||
Jarod | Patience. | ||
Fawkes | I worked my tail off to get that guy here. | ||
Willard | Ressler! It’s not as if I have somewhere else to be. | ||
Miss Parker | We burn half a day in the Sunshine State, sniffing trails going nowhere. A standard clean up crew could have checked that out. Question is, why were we sent? And what‘s Sydney got to do with it? | ||
Broots | Sydney wouldn’t have sent us to waste our time. | ||
Miss Parker | Unless he wanted us gone. | ||
Broots | What? | ||
Miss Parker | I saw him staring at a photo in his office. I bet answers are there. | ||
Jarod | Yesterday a young woman was taken. This young woman. Every detail of the crime was identical to yours. | ||
Willard | Well let me guess. You’re looking for a white male 22 – 35 unmarried and a loner. His neighbours are amazed and say he was a quiet man. | ||
Jarod | I know the standard profile. I need more and there’s little time. | ||
Willard | If I give you what you need, will you give me what I need? | ||
Jarod | I already got you out of your hole, which means you owe me. Now the copycat is recreating your last abduction which means that he is going to take his victim to the last place you took yours. | ||
Willard | Oh Annie. They never found her, you know. It will be the same with the new one if the copycat is as smart as I am. | ||
Jarod | And how does it feel to be the smartest man on the planet? | ||
Willard | Lonely. Clearly law enforcement has not raised their standards in the last twenty years. They’re still the same stupid people who bungled their way through my capture. | ||
Jarod | But they did catch you. | ||
Willard | Not in time. Besides they didn’t catch me. As I sat in my hole I studied those who were supposedly responsible for bringing me to justice. I knew them better than they knew their wives. | ||
Jarod | And? | ||
Willard | They couldn’t catch a cold. They got a lucky break from a very gifted informant. | ||
Jarod | How do you know he was gifted? Maybe he was just lucky. | ||
Willard | Because I’m smarter than that. He had to be really gifted, a genius. He was the worthiest adversary I’ve ever had. I was denied the opportunity to meet him. It was so disappointing. You see I got inside my victim’s heads. I knew where they lived, how they thought how they act. To know someone you’ve got to get inside them. See, that’s what I’ve wanted to ask the anonymous informant. For twenty years I wondered. How did he get inside me? Do you know this man, Agent? | ||
Jarod | No. | ||
Willard | Well I only ask because I was wondering if he was as lonely on this planet as I am. | ||
Jarod | Well like you said being smart gets lonely sometimes. Now where is this copycat going to take her? | ||
Willard | You said it already. The same place I took Annie. | ||
Jarod | Where? | ||
Willard | We’ve got till tomorrow midnight. | ||
Jarod | Tell me. | ||
Willard | Oh I can’t do you that. You’d send me back. | ||
Jarod | Answer me. Where is he going to take her? Where did you take Annie? | ||
Willard | Relax Ressler. Come on. If you don’t control your emotions you’re never going to find him, are you? | ||
Young Jarod | No Sydney! Don’t make me do it! I’m scared! | ||
Sydney | Time’s running out Jarod. It’s the only way we’re going to find her. | ||
Young Jarod | No! Please! Please. NO! | ||
Miss Parker | Angelo I’ve got something I want you to look at. | ||
Broots | Miss Parker I don’t like the idea of stealing from Sydney. | ||
Miss Parker | We’re not stealing we’re just looking at it. Angelo, tell me about her. Who is she? | ||
Angelo | She’s… she’s scared. Annie. | ||
Miss Parker | Tell me about Annie. | ||
Angelo | We want to go home. | ||
Raines | You were told to go to Florida. | ||
Miss Parker | Been there. Done that. A waste of time. | ||
Raines | A complete dry out? | ||
Miss Parker | There were a few bread crumbs. | ||
Raines | Then why are you here? | ||
Miss Parker | ‘Cause they were leading nowhere. Sydney, do you want to clue him in? Florida’s a boondoggle. | ||
Sydney | It’s still our best chance at finding Jarod. | ||
Raines | Get back down there. | ||
Broots | Geez, I just got done unpacking. | ||
Miss Parker | We’re not going anywhere Broots. | ||
Broots | But they just said that we had to go back down. | ||
Miss Parker | And I said we’re not. Those two are up to something. I want to know everything there is to know about her. This is the bread crumb to follow. | ||
Fawkes | Anything on prison personnel tied to Willard? | ||
Maxwell | Workin’ on it. | ||
Fawkes | Hurry up! We’re running out of time. | ||
Jarod | So are they. | ||
Young Jarod | I wanna meet Annie’s parents. If I talk to them maybe I . . . | ||
Sydney | That’s impossible. I don’t want their emotions to cloud your objectivity. | ||
Young Jarod | But why are they so upset? Don’t they have other children? | ||
Sydney | The emotions a parent and child share are strong and fragile. One child or ten, each relationship is unique. If threatened they all feel immense pain. | ||
Young Jarod | I wonder if my parents cried for me? | ||
Jarod | If you imagine hard enough it almost tastes like real coffee. | ||
Mr Rickman | Thank you. | ||
Mrs Rickman | Before she went to bed that night, I don’t even remember if I told her I loved her. | ||
Jarod | Mrs Rickman, Sarah knows you love her. | ||
Mr Rickman | I just can’t help but wonder if everything is being done. If there isn’t something more. | ||
Jarod | You have a lust for power. So be powerful. Save the girl. | ||
Willard | Careful Agent. Emotions cloud your eyes. They make you vulnerable. They make you . . . | ||
Jarod | Human? | ||
Willard | You’re a puzzle to me Jarod. Your passion makes me think there’s more to you than meets the eye. | ||
Jarod | I want to find Sarah. | ||
Willard | I want something too. The truth. | ||
Jarod | About what? | ||
Willard | I think you know. For 20 years I’ve obsessed about my capture. I’ve read every piece of paper, every file and every document. During those twenty years I found nothing about an anonymous informant. | ||
Jarod | Well that is the key word. Anonymous. | ||
Willard | It must have been somebody who knew me. Somebody who studied me as I study me. You seem to know me well. | ||
Jarod | I read your file. | ||
Willard | Oh you know more about me than is in my file. You know who I really am. And that makes me wonder who you really are. | ||
Fawkes | What the hell is he doing? | ||
Willard | It seems that you and I have a secret. You were a child then, a prodigy. | ||
Jarod | I heard the word used, yes. How did you know? | ||
Willard | I can see. I can feel your loneliness. A small child helps the police capture a genius. Now I am impressed. | ||
Jarod | I helped them capture a monster. | ||
Willard | But it wasn’t in time to save Annie, was it? It must be a terrible experience for someone as human as you. It makes me wonder how it’s all going to work out for little Sarah. Like you said time is running out. | ||
Young Jarod | She’s asleep when I enter. They all are. I know because I’ve been watching them. | ||
Sydney | Keep going Jarod. | ||
Young Jarod | I want to go to her but I… I can’t not while they are watching me. I have to stop them from watching me. There, I’m invisible. | ||
Sydney | Why open the curtains Jarod? You don’t want to be seen. | ||
Young Jarod | The moonlight. I need to feel it shining on me. I can’t go any further, Sydney. | ||
Sydney | Yes, yes you can, Jarod. | ||
Young Jarod | No I don’t want to be inside his head. I don’t want to have him inside of mine. | ||
Sydney | You have to! | ||
Young Jarod | No I can’t! | ||
Sydney | It’s the only way we’re going to find Annie. | ||
Young Jarod | I can’t Sydney. I don’t wanna feel that. I don’t wanna feel that. | ||
Maxwell | Detective Maxwell. Yeah. Give me the info. | ||
Fawkes | Why’d you pull the plug on Willard’s surveillance cam? | ||
Jarod | Privacy. | ||
Fawkes | His or yours? | ||
Jarod | I know what I’m doing. | ||
Fawkes | You’d better. He’s asking for you. | ||
Miss Parker | Talk to me. | ||
Sydney | You’ll have to be more specific. | ||
Miss Parker | Raines wants me out of the way and you’re singing backup. Why? | ||
Sydney | You’re beginning to sound paranoid. | ||
Miss Parker | Then this must be one of my delusions. What’s happening again? And why doesn’t anyone want me to find out about it? | ||
Sydney | Parker, leave this stone unturned. | ||
Willard | You know, for years I wondered who you were really were but inside I always knew. Is your name really Jarod? Are you truly from the Justice Department? | ||
Jarod | My name is Jarod. You wanted to see me? | ||
Willard | He’ll hold her until the moon is full. | ||
Jarod | Until midnight. I already knew that. | ||
Willard | Actually you already know everything. You have all the answers. You just won’t do what you need to do. | ||
Jarod | Help me. | ||
Willard | Why did I cut the eyes out of the dolls? | ||
Jarod | To make yourself invisible. | ||
Willard | Why open the curtains? | ||
Jarod | To feel the moonlight on your body. | ||
Willard | Why did he do it? | ||
Jarod | The same reason. | ||
Willard | Where is he? | ||
Jarod | I don’t know! | ||
Willard | Where is she? | ||
Jarod | I don’t know! | ||
Willard | Come on Prodigy. Do what you need to do. You have all the answers you needed to find Annie. I left them for you last time. He left them for you this time. Get inside his head. Get inside my head. | ||
Jarod | No. | ||
Willard | Where is she? | ||
Jarod | I don’t know. | ||
Willard | You know you’ve never asked me what I wanted what I need to help you. | ||
Jarod | Oh really? Well what do you need? | ||
Willard | Take me to the crime scene. Take me to Sarah’s bedroom. | ||
Jarod | And why would I want to do that? | ||
Willard | Because I can feel it. Because I can do what you won’t do, become him. | ||
Young Jarod | I don’t wanna become him, Sydney. | ||
Jarod | They would never allow it. | ||
Willard | You’re a genius. You’ll figure it out. Do it for Sarah. Do it for Annie. | ||
Maxwell | Ressler. We found the kidnapper. | ||
Fawkes | The kidnapper’s name is Paul Schuman. He was a guard at McCallister for six years. Worked nights assigned to solitary confinement cell block and… | ||
Jarod | Douglas Willard. | ||
Fawkes | Oh it gets better. Willard and Schuman developed a continuing conversation. Eighteen months ago Schuman has a breakdown and vanishes. Well the acorn’s gone but we found the right tree. | ||
Jarod | We’ve got less than eight hours until the moon is full. | ||
Maxwell | Look at this. | ||
Jarod | Sarah. At home. Waiting for the school bus. He’s even got her class schedule. | ||
Fawkes | Nantauk. New Bedford. Cape May. | ||
Jarod | Schuman visited all the places that Willard struck. | ||
Fawkes | Historical tour? | ||
Jarod | Research trip. He’s trying to get inside of Willard’s skin. | ||
Fawkes | With taking Sarah he’s picking up where Willard left off. | ||
Maxwell | Over here. Letters from Willard as recent as last week. | ||
Fawkes | This is gibberish. | ||
Jarod | Mnn nnn. Code. To get past the prison censors. | ||
Fawkes | Willard climbed into his head and earwigged him. | ||
Jarod | The question is. Is Schuman a copycat or a puppet? | ||
Fawkes | What’s our next move? | ||
Jarod | We give Willard what he wants. | ||
Willard | Did you think about taking me with you? | ||
Jarod | Tell me about Paul Schuman. | ||
Willard | Answer me and I answer you. | ||
Jarod | He was your prison guard before you got inside of his head. | ||
Willard | He was an impressionable fan Jarod. Frankly it’s irrelevant at this point. | ||
Jarod | Like these letters you wrote to him. You were behind Sarah’s abduction from the very beginning. Schuman’s just your eyes, your ears and your legs out there, isn’t he? | ||
Willard | Now it’s just you and me. Déjà vu, Jarod. It’s like a snake eating its own tail. You’re right back where you started. A scared little boy. You know who the killer is but you can’t save the girl. At least not alone. | ||
Jarod | Where did he take Sarah? | ||
Willard | The same place I took Annie. | ||
Jarod | Tell me. | ||
Willard | Do the right thing Jarod. Take me with you. We can still stop him. | ||
Fawkes | He’s not going anywhere. Agent Ressler I wanna talk to you. | ||
Fawkes | What the hell is this? | ||
Jarod | I know it sounds crazy but if I can take Willard… | ||
Fawkes | Request denied! | ||
Jarod | A girl’s life is at risk. | ||
Fawkes | And risking more by letting that loose isn’t the answer. Request denied. | ||
Jarod | Look I know it’s… | ||
Fawkes | No! You know, at first I thought you knew what you were doing. But now I think he’s ear wigged you. You’re out of here. | ||
Maxwell | Ressler? What the hell are you doing? | ||
Jarod | I’m ending this once and for all. | ||
Maxwell | I don’t see any authorisation. | ||
Jarod | Stay out of my way Maxwell. | ||
Maxwell | I can’t let you do this. | ||
Jarod | No more time to waste. No more time. | ||
Willard | Such a display of violence, Prodigy. | ||
Willard | Mnnnn. Can you smell it? Death. It’s amazing how little girl’s rooms are the same wherever you go. | ||
Jarod | Tell me where she is. | ||
Willard | You know Jarod I can’t do my best work under these conditions. If you set me free, well then I’ll set you free. | ||
Jarod | You so much as sneeze, I end this. | ||
Willard | If you close your eyes you can almost hear the sounds of her muffled cries. She’s sleeping as he cracks the door and slips inside. She has a summer cold. Her breathing is heavier than normal. He kinda likes that. | ||
Jarod | And then? | ||
Willard | He notices the eyes. He can’t leave witnesses. He sits on the bed. He watches her. Oh he can smell the soft scent of sweet powder and what is that? Shampoo? | ||
Jarod | Then what? | ||
Willard | You tell me. | ||
Jarod | No. | ||
Willard | Tell me. | ||
Young Jarod | I don’t wanna become him Sydney. I don’t want him to be inside me. | ||
Willard | What does he do next Jarod? | ||
Jarod | He wants to scream because it feels . . . so . . . good, so . . right. | ||
Willard | He takes her down the hallway doesn’t he? | ||
Jarod | Past her parent’s bedroom. He pauses. They’re asleep. They look so innocent, so unaware. | ||
Willard | Where does he take her next Jarod? | ||
Jarod | I don’t know. | ||
Willard | Feel it. The moon is full. It’s almost midnight. | ||
Jarod | Look I took you where you wanted to go. Now just tell me where she is. | ||
Willard | It must be frustrating to be so close and yet so far. | ||
Jarod | Tell Me! Tell me where she is. Tell me. | ||
Willard | Follow the clues. Do what you have to do. | ||
Jarod | I don’t know, now tell me where she is? | ||
Willard | It’s so obvious. | ||
Jarod | Why can’t I figure it out? Why doesn’t it make any sense? | ||
Willard | Because it’s all a lie. There is no rhyme or reason to any of this Jarod. There is no midnights, no blue moons rising. It’s all meaningless. The truth is I kill them because I wanted to! I like it! Now it’s time for me to see Sarah. I expected a much more worthy adversary prodigy. Goodbye Jarod. It’s time for the monster to leave now. | ||
Miss Parker | What did you get on the girl? | ||
Broots | Ah. Wasn’t a lot. Not even a last name, there’s absolutely no reference to her last name. It’s.. it’s weird. | ||
Miss Parker | Broots don’t waste my time telling me what you didn’t find. | ||
Broots | Okay. All I could find is that she was kidnapped and murdered twenty-three years ago. And there’s not even a body been found. | ||
Miss Parker | Where did this happen? | ||
Broots | Ah, about forty miles from here. A place called Snow Hill, Maryland. Snow Hill? | ||
Miss Parker | Snow Hill. | ||
Jarod | And who might you be little boy? | ||
Willard | Well, if it isn’t the young prodigy. | ||
Jarod | How does it feel, to be the smartest man on the planet? | ||
Willard | Lonely. | ||
Jarod | It’s time to go back to your hole. | ||
Willard | You found me Jarod but once again not in time to save the little girl. | ||
Jarod | Not this time. You see a request to visit the girl’s bedroom was a ploy, so was my taking you there. I followed you here. Actually I was one step ahead of you. We all were. Carl Schuman never got near this place. |
||
Willard | Prodigy. You got inside my head. | ||
Jarod | No. You don’t have to become a monster to face one. | ||
Sarah | Help. | ||
Jarod | She’s over here. It’s okay. We’re here to help you. It’s okay. It’s okay. It’s okay. Nobody’s gonna hurt you anymore. Get her out of here. | ||
Fawkes | It’s okay Sarah. Come on. You’ll be okay. | ||
Maxwell | Agent Ressler? | ||
Jarod | It’s time for you to go home too, Annie. | ||
Miss Parker | I’m looking for this man. | ||
Fawkes | Special Agent Ressler? | ||
Miss Parker | Special Agent, right. Where is he? | ||
Fawkes | He’s right over … right over there. | ||
Sydney | You saved her Jarod. | ||
Jarod | I wish I could have done the same for Annie, for her parents. | ||
Sydney | I know you tried. | ||
Jarod | I hope that finally being able to bury her will bring them some kind of peace. | ||
Sydney | I’m sure it will. I gave her father the locket. I know he’d like me to thank you. | ||
Sydney | I’m sorry. I’m so very sorry. | ||
Miss Parker | You let me run all around the country instead of telling me the truth. | ||
Sydney | He wanted it that way. | ||
Miss Parker | I don’t get it. | ||
Sydney | Sometimes even the devil deserves a little privacy. | ||
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