2-03 Over the Edge
2-03 Over the Edge
Over the Edge
Relax Broots. They are looking for a shooter not a whiner.
Miss Parker
Over the Edge
Relax Broots. They are looking for a shooter not a whiner.
Miss Parker
Original air date: November 15, 1997
Written by: Tony Blake & Paul Jackson
Directed by: James Whitmore, Jr.
While Jarod tries to uncover the truth surrounding the apparent suicide attempt of a search and rescue team member, a criminal behavourist at the Centre tries to discover who shot Mr Raines.
Jarod’s Discoveries: Spiderman, Comics, Watermelons, Bungee Cords, She-Hulk
Jarod’s Occupations: Urban Search & Rescue Team, Psychological Re-constructionist, Triage Surgeon, Congressional Advisor, Rodeo Clown
Jarod’s Aliases: Jarod Shatner
Official Synopsis
Jarod impersonates a rescue worker in hopes of uncovering the truth behind the apparent attempted suicide of another team member. Meanwhile, a criminal behaviorist questions Sydney, Broots and Miss Parker regarding the Raines shooting.
Miss Parker and Sydney question Timothy, a middle-aged hippie, about Jarod’s activities in Serenity Beach, Oregon. Timothy describes Jarod as a simple—yet brilliant—spirit who enjoyed spending days floating in a sensory deprivation tank.
Meanwhile, Jarod, now part of the Spokane Urban Search and Rescue Team, participates in the rescue of a bridge worker who dangles precariously from a broken scaffold hanging under a bridge. With the aid of fellow squad members Jo Ellen Gillespie and Bobby Cain, Jarod snags the man moments before the scaffold plummets to the ground below.
Back at the squad room, the soon-to-be-retired Captain Wright congratulates Jarod for a job well done, comparing him to Spiderman (Jarod is unfamiliar with the comic strip character). The team then deposits money in a collection jar marked “for Chris.” Jo Ellen explains that Chris, a team member, fell into a coma after he attempted to commit suicide by jumping from a practice tower. As a result, he is not covered by insurance.
Meanwhile, back at the Centre, Brigitte introduces Broots, Sydney and Miss Parker to Dr. Curtis, a criminal behaviorist whose job it is to determine who shot Mr. Raines.
While practicing rappelling moves on a drill tower, Jo Ellen tells Jarod that Chris’s mother walked out when he was a little child. When Chris’s father died, Chris began a search for his mother. Unsuccessful in his search, Chris was consumed by a sense of emptiness. Her story meshes with a newspaper clipping Jarod keeps in his red notebook. Jarod tracks down Chris’s mother, Grace Welman, at a methadone clinic. She insists Jarod has the wrong person and walks away.
Jarod speaks with Chris’s physician, and learns details about his injuries—facts that cast doubt on the fall being the result of a suicide attempt. His suspicions are given credence by Spenser, a homeless man who was nearby when the incident occurred. Spencer claims he heard someone say, “no, don’t” moments before Chris fell. He told this to a man wearing gear and a helmet, but his statement did not end up in a police report. Spencer describes how the man pulled a money clip, featuring a web design, from his clothing and gave him twenty dollars to go away. Later, Bobby pulls out just such a money clip in front of Jarod.
Jarod again approaches Grace, having examined the visitor sign-in sheets for the days her son was in intensive care. He noticed her maiden name listed on the sheet. Grace explains she went to the hospital to see her son, believing it might be for the last time. But she didn’t have the strength to open the door.
Jarod notices Jo Ellen recoil when Bobby places his hands on her shoulders. He correctly deduces that Jo Ellen is the victim of sexual harassment. Jo Ellen fears that Bobby is so well connected that filing charges against him would be useless.
When the squad room is all but deserted, Jarod tells Bobby another bridge worker has become stuck on a scaffold. The pair race to the scene and, this time, Bobby goes over the side, rappelling downward on a rope. Jarod suddenly slams on the brake, bringing Bobby to a violent halt. He repeats the process until a terrified Bobby finally confesses that it was he who pushed Chris from the drill tower. The conversation is recorded on audio tape (with some help from Spencer), and Bobby is later charged with murder.
After conducting interviews of Sydney, Broots and Miss Parker, Curtis tells Raines anyone one of them could be responsible for the shooting. Afterward, Curtis meets Jarod at a shadowy location, telling him “I did what you wanted.” Curtis then hands him a photo of the person whom he suspects actually pulled the trigger: Jarod himself.
Season 1
- 1-01 Pilot
- 1-02 Every Picture Tells A Story
- 1-03 Flyer
- 1-04 Curious Jarod
- 1-05 The Paper Clock
- 1-06 To Protect And Serve
- 1-07 A Virus Among Us
- 1-08 Not Even a Mouse
- 1-09 Mirage
- 1-10 Better Part Of Valor
- 1-11 Bomb Squad
- 1-12 Prison Story
- 1-13 Bazooka Jarod
- 1-14 Ranger Jarod
- 1-15 Jaroldo!
- 1-16 Under The Reds
- 1-17 Keys
- 1-18 Unhappy Landings
- 1-19 Jarod’s Honor
- 1-20 Baby Love
- 1-21 Dragon House
- 1-22 Dragon House
Season 2
- 2-01 Back From the Dead Again
- 2-02 Scott Free
- 2-03 Over the Edge
- 2-04 Exposed
- 2-05 Nip and Tuck
- 2-06 Past Sim
- 2-07 Collateral Damage
- 2-08 Hazards
- 2-09 FX
- 2-10 Indy Show
- 2-11 Gigolo Jarod
- 2-12 Toy Surprise
- 2-13 A Stand Up Guy
- 2-14 Unforgotten
- 2-15 Bulletproof
- 2-16 Silence
- 2-17 Crash
- 2-18 Stolen
- 2-19 Red Rock Jarod
- 2-20 Bank
- 2-21 Bloodlines
- 2-22 Bloodlines
Season 3
- 3-01 Crazy
- 3-02 Hope & Prey
- 3-03 Once in a Blue Moon
- 3-04 Someone to Trust
- 3-05 Betrayal
- 3-06 Parole
- 3-07 Homefront
- 3-08 Flesh and Blood
- 3-09 Murder 101
- 3-10 Mr. Lee
- 3-11 The Assassin
- 3-12 Unsinkable
- 3-13 Pool
- 3-14 At The Hour Of Our Death
- 3-15 Countdown
- 3-16 P.T.B.
- 3-17 Ties That Bind
- 3-18 Wake Up
- 3-19 End Game
- 3-20 Qallupilluit
- 3-21 Donoterase
- 3-22 Donoterase
Season 4
- 4-01 The World’s Changing
- 4-02 Survival
- 4-03 Angel’s Flight
- 4-04 Risque Business
- 4-05 Road Trip
- 4-06 Extreme
- 4-07 Wild Child
- 4-08 Rules of Engagement
- 4-09 ‘Til Death Do Us Part
- 4-10 Spin Doctor
- 4-11 Cold Dick
- 4-12 Lifeline
- 4-13 Ghosts From the Past
- 4-14 The Agent of Year Zeroh
- 4-15 Junk
- 4-16 School Daze
- 4-17 Meltdown
- 4-18 Corn Man A Comin’
- 4-19 The Inner Sense
- 4-20 The Inner Sense
Over the Edge Transcript
Dream | ||
Margaret | It’s time to come home Jarod. Take my hand. | |
Young Jarod | I can’t reach you Mom. | |
Margaret | Try. You can do it. | |
Young Jarod | Mom. Mom, don’t go. Mom. Mom. | |
Jarod | Don’t go. | |
Hippie | This is where Jarod spent most of his time while he stayed with us. | |
Miss Parker | In a tepee? | |
Hippie | Yeah. But no, this is a sensory deprivation tank. | |
Miss Parker | I’m surprised he’d even get near one of these things again. | |
Sydney | Ah, but Jarod enjoyed floating in the tank. It gave him a taste of the freedom he so desperately craved. | |
Hippie | Most people go in the tank for an hour tops. Jarod, Jarod would stay in for, like, days at a time. And then he’d come out and go around hugging everyone he saw. I never experienced such a connection to another human being in my entire life. | |
Miss Parker | Maybe if you showered once in a while the experience wouldn’t be quite so unique. | |
Sydney | Did Jarod leave anything behind? | |
Hippie | He said to give you this. | |
Sydney | Thank you. | |
Miss Parker | I have a gun and I’ll use it. | |
Hippie | Cool. | |
Miss Parker | Let’s go find Wonder Boy. Living in a tepee, somebody help me. | |
Man | Help! Someone please help me. Help me! Please. Ohhh! Ahhhh! | |
Jarod | I’m coming. Just hang on. | |
Bobby | Jarod. Wait for the basket. | |
Jarod | There’s no time. This rope’s not going to hold. | |
Bobby | Roger, call the chopper now. | |
Man | Ahhh! Ahhhh! Ahhh! | |
Jarod | Just hang on. More line. | |
Bobby | Jarod what the hell are you doing? I said wait for the basket. | |
Jarod | Sit tight. I got you. | |
Man | Ohhh! Ohhhhh. Oh! | |
Jarod | It’s a great day to be alive. | |
intro | ||
Captain | The word from the hospital is your victim is gonna be fine. | |
Jarod | Oh, that’s great news. | |
Captain | And the word around here is that you’re a player. | |
Roger | You should have seen him. Instant legend, man. | |
Captain | You’d better watch out Bobby. Looks like there’s a new Spiderman in town. | |
Bobby | Yeah well we’ll see who has the web. | |
Jarod | Spider… man? | |
Roger | Yeah! Like in the comics. | |
Joellen | Hey guys look. Interstate brochures from Denver. Looks like you’re serious. | |
Jarod | Are you thinking of transferring out? | |
Captain | Retiring. Denver is where my grandson is. | |
Bobby | Come on you guys. This is a good thing. Makes room for the young guys moving up. | |
Captain | Okay. Pack and sack. We’re due at the tower in thirty. | |
Roger | Oh man. It’s gonna be the third drill this week. | |
Joellen | Well, get used to it. If Bobby makes captain he’ll drill us 24/7. | |
Roger | You got that right. | |
Joellen | Jarod. Everyone kicks in. SOP. | |
Roger | It’s sort of a ritual. Every time we come back safe from a run we drop in a fiver for Chris. | |
Jarod | He’s the guy who fell from the drill tower. | |
Joellen | Just came out of a coma. | |
Jarod | I thought the department insurance plan covered accidents. | |
Roger | It does cover accidents but, um, Chris tried to kill himself. | |
Broots | Where have you guys been? | |
Miss Parker | Mnnn, to our own little corner of heaven. Got you somethin’. | |
Broots | Oh, thanks. You wouldn’t believe what’s going on around here. | |
Miss Parker | I rarely do. Any word on my father? | |
Broots | No. No one knows where he is. | |
Miss Parker | Princess Try Hard knows. | |
Sydney | You don’t want to make accusations you can’t prove. | |
Miss Parker | Oh please. Sydney you know what? Do yourself a favour. Take some steroids. Ever since she and Mr Lyle showed up this whole place has gotten strange. | |
Broots | Yeah, well it’s just about to get stranger. There he is? That’s the guy. | |
Sydney | What guy? | |
Broots | Oh God! They’re coming this way. | |
Brigitte | Ah Miss Parker. Sydney. Mr Broots. Dr Curtis. He’s… consulting for Mr Lyle and me. | |
Dr Curtis | Nice to meet you. | |
Miss Parker | I’m sure. | |
Brigitte | If he needs to speak with you we’d appreciate it if you’d make yourselves available. | |
Miss Parker | Certainly. | |
Brigitte | Cheers. Shall we? | |
Sydney | Doctor. | |
Miss Parker | Who is he? | |
Broots | That’s what I’ve been trying tell you. He’s… he’s some kind of criminal behaviourist. They brought him here to find who shot Mr Raines. Oh God this is bad, this is really, really bad. | |
Miss Parker | Relax Broots. They are looking for a shooter not a whiner. | |
Broots | Yeah well they’re going to pin the shooting on someone, and the way I see it we’re the ones walking around with the biggest targets on our backs. | |
Sydney | If you’re innocent you have nothing to worry about. | |
Broots | Sydney this is the Centre. Maybe no one will miss you but I have a little daughter who loves her daddy. | |
Sydney | We don’t even know if he’ll want to talk to us. | |
Broots | Oh, fat chance. I hear Mr Raines is going to force everyone who was at the shooting to interview with this guy. And I mean everyone. | |
Sydney | Hm. | |
Miss Parker | Peachy. | |
Captain | Move it! Come on Jarod! Your victim’s had time to take in a double feature. | |
Joellen | Go Go Go. | |
Bobby | Go go! Move it! 203, 204, 205, 206, 207, not bad. | |
Captain | Not good either not for a simple up and over. | |
Spencer | Hey! Keep it down over there. Tryin’ to think over here. | |
Captain | Oh God we woke up the monster. | |
Jarod | Who’s that? | |
Roger | Ah! He likes to be called Spencer. All he does is complain about the noise and write poetry. Don’t get him going. You’re gonna have to buy him somethin’. | |
Jarod | Is this where Chris tried to kill himself? | |
Joellen | Roger found him right here. You know I thought Chris and I could tell each other everything. I knew he was depressed but he never said anything about suicide. | |
Jarod | Maybe it wasn’t? | |
Joellen | He left a note on his computer. | |
Jarod | You know I saw this happen in Chicago. This guy, he got really depressed about the job, all the pressure. | |
Joellen | No, it wasn’t the job. Chris loved Rescue. | |
Jarod | Well if it wasn’t the job maybe it was his family. | |
Joellen | His mother left when he was really little. She just walked out. After his dad died a couple of years ago Chris started looking for her. | |
Jarod | He didn’t find her? | |
Joellen | No, but he felt she was close by. He ran personal ads in the paper, searched the net, did everything he could think of. | |
Jarod | He probably thought he would never find her, that he would always have that feeling of emptiness. | |
Joellen | I can’t imagine what it would be like never knowing your mother. | |
Nurse | Chris. Chris. Chris. You need to be to be calm. Chris Chris. You need to calm down. Chris. Calm now. Please. Chris. I’m sorry this is a really bad time for visitors. Chris. No. Chris. | |
Jarod | Chris. Chris. Calm down. | |
Nurse | Please could you come back later? | |
Jarod | It’s not unusual for a post coma victim to lose sense of time and location. He’s afraid. He needs human contact. He needs to know that he’s loved. | |
Nurse | Are you a therapist? | |
Jarod | I know what it’s like to be isolated from people. Joellen, come here. Hold him. Go ahead. He’s still your friend. Hold him. | |
Joellen | Chris, it’s Joellen. It’s Joellen, shhh, it’s Joellen. It’s all right. It’s all right. It’s all right. It’s all right. Shhh shh. | |
Jarod | Let’s go over this again because I want to get it straight. He was a spider and a man. | |
Man | No, he was a high school student bitten by a radioactive spider. | |
Jarod | Hmmmm. That must have hurt. | |
Man | Then he developed spider powers. He could climb up walls, he could shoot webs and he had spider sense. | |
Jarod | Which is? | |
Man | I don’t know. He uh, he…. His head would tingle and stuff. | |
Jarod | Well I wasn’t aware that arachnids had heads that tingled. | |
Kid | I don’t know from arachnids but Spiderman’s did. | |
Jarod | This is fascinating. I’ll read them all. | |
Jarod | Mrs Welman. My name is Jarod. I’m a friend of Chris. | |
Grace | I, you… You have the wrong person. My name’s Carter. | |
Jarod | I know it was before you were married. | |
Grace | What do you want? | |
Jarod | It’s not what I want. It’s what Chris wants. He’s been trying to find you. Mrs Welman your son needs you. | |
Grace | I didn’t ask to be needed and I sure as hell didn’t ask to be found. | |
Dream | ||
Young Jarod | Mom. I love you. I love you Mom. Mom, I love you. Don’t leave me Mom. Mom, Mom don’t go! Mom. Mom don’t go. | |
DSA | ||
Young Jarod | Sydney, did your mother ever hug you? | |
Sydney | Jarod it’s important that you get in the tank. | |
Young Jarod | What was it like to be hugged by your mother? How did it feel? | |
Sydney | That’s not relevant. Jarod the tank relaxes you. You can focus on the simulation. | |
Young Jarod | I want to know what it’s like to be hugged. I’ve forgotten what it feels like. | |
Sydney | Jarod, listen to me. You will never have that experience. Your mother is . . . It would be best if you just forgot about her. | |
Young Jarod | No. I’ll never forget her. Never. | |
Sydney | Jarod. Dwelling on your family will only get in the way of your work. | |
Jarod | Finding my family is my work, Sydney. | |
Dr Curtis | We’re only trying to find out who had the capacity to shoot Mr Raines. | |
Sydney | And I’m only here to help. | |
Dr Curtis | Look I realise this is a difficult position for you to be in. | |
Sydney | Mn-mmmm. Perhaps just a waste of both of our times. | |
Dr Curtis | You never married did you? | |
Sydney | You don’t expect me to answer rhetorical questions? | |
Dr Curtis | No. Tell me about your relationship with Jarod. | |
Sydney | Why don’t you tell me. | |
Dr Curtis | All right. I think he’s taken the role of a son you never had. What are your feelings for him? | |
Sydney | You’re doing so well. Don’t stop now. | |
Dr Curtis | I think you love Jarod very much and I think you’d do almost do anything to protect him. But I’m curious, off the record. How do you live with yourself knowing that you abducted a child from his family? | |
Sydney | I was not involved in Jarod’s abduction. | |
Dr Curtis | Oh yes, but once it happened you did nothing about it. You had no problem, no twinge of conscience, uh, about robbing him of his chance to live a normal life? | |
Sydney | I didn’t have a choice. | |
Dr Curtis | Didn’t you? | |
Sydney | I had to do what I was told. | |
Dr Curtis | By whom? | |
Sydney | The same person who tells you what to do. | |
Dr Curtis | Exactly. So we both know that you hold Mr Raines personally responsible for the destruction of Jarod’s life and we also know that killing Raines would give you a deep sense of satisfaction. It’s only human nature. | |
Sydney | I abhor violence. | |
Dr Curtis | Well, but that doesn’t mean, given a strong enough motivation, that you wouldn’t stoop to it. I think we’re done, Doctor. | |
Sydney | Doctor. | |
Roger | Don’t look so sad. It’s a comic book, man. You know, comic, fun? | |
Jarod | This Spider man, he’s a fascinating superhero. Yet beneath all his heroics he’s lead a very sad life. He never knew his parents, he feels responsible for his uncle’s death and people are always trying to kill him. | |
Roger | Curse of the superhero. It’s tragic really. | |
Joellen | Peter Parker didn’t have a real problem. Now She-Hulk her life was tragic. | |
Captain | I’m glad you guys are here. Check your speed scores. The condemned move faster to the gallows. | |
Jarod | Looks like we’re gonna be in for more drilling. | |
Captain | You got that right. Jarod you work with Roger Saturday morning Joellen you and Bobby hit the tower in the afternoon. | |
Joellen | Let me switch with Jarod. I have plans for Saturday. | |
Captain | Change ’em. There’s no one faster with the rope than Bobby and that’s where you need improvement. | |
Bobby | And just think, you can sleep in on Saturday and get some extra beauty sleep, not that you need it. | |
Joellen | No I’m serious Cap. Let me switch. | |
Captain | I’m serious too. No. Now come on we’ve got more sunshine to spread. | |
Bobby | See you later. | |
Jarod | What’s Chris working with? | |
Doctor | A bungee cord. It helps strengthen his muscles. | |
Jarod | Very clever. A rubber band with hooks. | |
Doctor | That’s the concept. | |
Jarod | What are his chances for recovery? | |
Doctor | Too soon to say. But I’m an optimist. He could regain a good portion of his cognitive and motor skills. | |
Jarod | Has he been able to communicate anything about his fall? | |
Doctor | No. There’s been some improvement with his pre and post-traumatic amnesia but still, no indication that he has any memory of the accident. | |
Jarod | There must have been some damage to his frontal lobe. More than likely he never had time to encode the event into his long time memory. | |
Doctor | You don’t know about bungee cords but you know about Dearling’s theory on shock trauma? | |
Jarod | I used to moonlight as a psychological re-constructionist. And I read his file. It says here that Chris landed on his back. | |
Doctor | That’s right. | |
Jarod | Now, the haematoma on his twelfth thoracic vertebra would indicate that he fell on something. | |
Doctor | Paramedics didn’t note it. | |
Jarod | I would have expected his injuries to be more severe, a fall from four stories. That’s usually fatal. | |
Doctor | Were you a triage surgeon too? | |
Jarod | Only until I became a rodeo clown. | |
Jarod | No! No! Nooooo! Ughhh. Ohhh. Ohhh. | |
Spencer | Hey. I wanna hear something that loud I’ll stick a gun in my mouth. | |
Jarod | Hey I’m sorry. I just fell off a building. Hey! Wait, wait up. I want to talk to you for a second. | |
Spencer | Don’t you have anything better to do at three am? | |
Jarod | It’s seven am. | |
Spencer | Yeah! The noise pollution gets worse every day. | |
Jarod | If you’re so concerned about the noise why don’t you move into a shelter? | |
Spencer | Hey! Hey! A poet needs freedom to create. This is freedom. | |
Jarod | Wow! | |
Spencer | Yeah. The only drawback is the noise. Forcing me towards haiku. | |
Jarod | Were you here writing your poetry the day that the man fell from the building? | |
Spencer | Ooh Yeah! Yeah! Um. You see I was flowing a rhyme and all of a sudden I heard somebody screaming “No don’t! No don’t!” kinda like you were doing. And then and then Boom. After a little while all hell broke loose. Sirens, ambulances, cops. I tell you my creativity was shot for the day. | |
Jarod | I’ve seen the police report. There’s no mention that you ever told the police what you heard. | |
Spencer | No. No see, I didn’t tell the cops. I told one of you rescue guys. | |
Jarod | Who? | |
Spencer | I don’t know. I mean, this guy came up he said sorry about the noise, gave me twenty bucks and told ah me to get a hot meal. Now that my friend was poetic. | |
Jarod | What did he look like? | |
Spencer | With the gear and helmets and everything, all you guys look the same. Oh hey! Hey! Uh, you know what? He had some sort of fancy money clip. Uh, it had sort of like a, ah, a spider web design right in the middle of it. | |
Jarod | Watermelon, right? | |
Roger | Yeah. That’s what we call them here on earth. It’s tonight’s dessert. | |
Jarod | Why are you banging on them? | |
Roger | I’m not banging, I’m uh thumpin’. How do you tell when watermelon’s ripe? | |
Jarod | I don’t know. I’ve never eaten one. | |
Roger | Well Starman, you’re definitely in for a treat. We’re all chipping in so ah, you owe me five bucks. | |
Jarod | Five bucks huh? Actually I don’t have any cash on me. | |
Roger | Come on man. Hey! Nobody gets out of paying. | |
Bobby | What’s the matter? Mommy didn’t give you any lunch money today? | |
Jarod | Something like that. Can you cover me? | |
Bobby | Yeah. Pay me back, right? | |
Jarod | Of course I will. If we can’t trust each other who can we trust? | |
Bobby | Right. | |
Broots | I got word that you ah… | |
Dr Curtis | Come in. Sit! | |
Broots | Cute kids. | |
Dr Curtis | I’ve been looking over your file. There’s a letter in here…. | |
Willie | Yo, let’s go. | |
Dr Curtis | From a Mrs Mosely. | |
Broots | Wh… my fourth grade teacher? How far back does that thing go? | |
Dr Curtis | The letter is addressed to your mother. Apparently Mrs Mosely was concerned for your safety at school. Why was that? | |
Broots | Well, you know how kids are, you know. They like to pick on the egghead. | |
Dr Curtis | Do you remember what it felt like to be picked on? | |
Broots | Yes I guess so, if I think about it. | |
Willie | You’re next. | |
Dr Curtis | So did you ever attempt to defend yourself against those bullies. | |
Broots | Bullies. Oh, no. Actually, uh, no, I learned to outsmart them. | |
Dr Curtis | What about today? How do you respond to people who pick on you today. | |
Broots | No one bullies me. | |
Dr Curtis | Really. I was under the impression that Miss Parker often takes you to task. | |
Broots | She likes to tease me. Friends do that. | |
Dr Curtis | Oh you two are friends? | |
Broots | Uh well, wait. No, wait a minute. Um, not, not exactly. | |
Willie | Let’s go. | |
Dr Curtis | How does Mr Raines treat you? | |
Broots | Huh? Mr Raines always has um has treated me fairly, with uh, with great respect. | |
Dr Curtis | That’s very interesting because it says in here that you’ve been overheard disparaging him on more than one occasion. | |
Broots | That’s… that’s, that’s a flat out lie. I’d like… Who said that? I would like to know who said that. | |
Dr Curtis | Uh, that would be uh Mr Raines. It must eat you up knowing that people have picked on you your whole life, and you’ve always had to take it, never getting to even the score. I mean, how long will you let people demean and belittle you until you finally say enough, it ends here. How much humiliation can you take? | |
Broots | I know what you’re trying to do. You’re trying to get inside my head, stir it up a little bit. Well it’s not gonna work. | |
Willie | You, let’s go. | |
Girl | But I want to stay here. | |
Broots | Hey. Hey you. You! Leave her alone! What are they going to do with her. | |
Dr Curtis | What do you think they’re going to do to her? Are they going to hurt her? The way Mr Raines implied once that he would do to your daughter. | |
Broots | What do you want from me? | |
Dr Curtis | The truth! | |
Broots | Do you want to know the truth. I’ll give you the truth. If anyone was ever to hurt my daughter, even try to… I’d kill them. I don’t care who. I’d kill them. | |
Sydney | Sydney. | |
Jarod | How’s the book? | |
Sydney | I still don’t know how Judge T is going to wrap this one up. How do you know? | |
Jarod | You always used to sit down at your desk at eight pm with a good book. Does it still relax you? | |
Sydney | You know me too well. Hey! I can hear birds in the background. Must still be light where you are. | |
Jarod | You’re getting very good at this. | |
Sydney | I can also hear sadness in your voice. | |
Jarod | Guess you know me too well. I’ve been thinking about my mother lately. What it’s going to be like when we finally meet. | |
Sydney | Go on. | |
Jarod | Well, it’s just that we’ve been separated for so long. Will she…never mind. | |
Sydney | Everyone wants to believe a mother’s love is absolute. Sadly that’s not always the case. | |
Jarod | Did your mother love you? | |
Sydney | Yes, I believe she did, but know this. If the mother rejects her offspring rarely does the blame fall upon the child. It is usually an indication that the woman does not love herself. | |
Jarod | Thank you Sydney. | |
Grace | Hey! I told you to leave me alone. | |
Jarod | This will help when the methadone doesn’t. You were at the free clinic getting your daily dose but methadone, it doesn’t stop the craving for heroin it only replaces it. That’s why you keep getting the sweats. Your body is screaming for relief. | |
Grace | Are you a junkie? | |
Jarod | No but I was a congressional adviser on drug policy for a while. Scout’s honour. This is ogden root. It’s an organic herb. It has a great calming affect. Friends of mine, they harvest it in Oregon. Trust me it works. | |
Grace | Oh damn it! | |
Jarod | Is this Chris? | |
Grace | Yes when he was eleven years old. His papa sent it to me at a halfway house. | |
Jarod | It’s odd to be carrying around a picture of someone you’re trying to forget. | |
Grace | I’m not trying to forget. It would just be better if we don’t see each other. | |
Jarod | Is that why you went to the hospital? I checked the sign in sheet at intensive care. You didn’t think people would recognise your maiden name. | |
Grace | They told me that Chris was in a coma. They didn’t know if he was going to live or not. I just did what any mother would do. I went to see my son. I didn’t have the strength to open the door. | |
Jarod | This is my mother. I only remember seeing her once. I don’t know much about her but I do know that I would give anything to feel her arms around me. | |
Grace | Listen if you’re ju… If you’re gonna tell me that Chris needs me and the past doesn’t matter, save it. I’ve always been a great addict but I’m worthless as a mother. | |
Jarod | Grace you’re a person with a disease. A disease that controlled your life. It kept you from the people that you love but somewhere you found the courage to fight it. Maybe if you look there again you will find what it takes to make things right with your son. | |
Bobby | Hey Joellen. Where is everybody? | |
Joellen | They’re around somewhere. | |
Bobby | Really? Funny because I only saw your car out there in the parking lot. | |
Joellen | Yeah. Please Bobby, I have work to do. | |
Bobby | The Captain assign that to you? | |
Joellen | Yeah! And he wants it done before he comes in. | |
Bobby | I guess that means that when I make Captain you’ll do exactly what I say, huh? | |
Joellen | Don’t! | |
Bobby | I don’t like games. | |
Jarod | You’ll never guess what I just found. | |
Bobby | Hey Jarod I didn’t uh, I didn’t see your car outside. | |
Jarod | I took the bus. | |
Bobby | Oh. | |
Jarod | A seedless watermelon. Now, I wonder how they get them out. | |
Bobby | Yeah! Listen I, uh… I got some work I got to do. I’ll, uh, talk to you later. | |
Jarod | If I’m tired you must be exhausted. | |
Joellen | Why? | |
Jarod | Well not only do you have to work and train all day like the rest of us but you have to put up with him. | |
Joellen | What do you mean? | |
Jarod | Looking over your shoulder. The constant wondering when he’ll show up. What he’ll want. The rage, the powerlessness. I know that it would eat at me until I wanted to scream. | |
Joellen | At first it seemed liked harmless flirting. I thought I could handle it. Handle Bobby. But he’s so aggressive. He scares me. | |
Jarod | Being the only woman, you must have felt trapped. | |
Joellen | Well I knew that if I complained to the Commander I would get nothing but flak. Bobby would only deny it and I’d become the black sheep of the squad, if I wasn’t fired. Believe me it’s hard enough being one of the boys around here. So I just kept my mouth shut. | |
Jarod | And then Chris found out? | |
Joellen | One night, well Bo… Bobby touched me and I was upset. Chris comforted me. He was such a great guy, you know. As if dealing with his own problems wasn’t enough he wanted to take care of me too. He was really angry with Bobby. He even wrote up a report but, you know, I couldn’t sign it. | |
Jarod | Well you should’ve. You’re not the first woman to feel this way. Bobby’s done this before, in Portland. He almost lost his job. His wife nearly left him but he intimidated the victim until she dropped the charges. | |
Joellen | I don’t know. He’s connected Jarod. Bobby’s about to become Captain. Even if I take him on, he’ll win. | |
Jarod | Don’t be so sure. | |
Dr Curtis | Thank you for coming Miss Parker. I realise this interview is unpleasant. Just know that my intention is to eliminate people as possible suspects not incriminate them. | |
Miss Parker | Considering I’m on record as having threatened to shoot Raines, I would think that I’m your number one suspect. And I suppose we’re having this meeting in my father’s former office because Raines thinks that it will unnerve me. | |
Dr Curtis | I’m not sure I know what you mean. | |
Miss Parker | My father has disappeared and some Ralph Reed clone has replaced him. Exactly what part of this is hard to grasp, Doctor? | |
Dr Curtis | Let’s move on. Now you’ve known Jarod since you were a little girl. What is your relationship with him now? | |
Miss Parker | My relationship… is to find him and bring him back…preferably alive but dead’s is becoming more acceptable. | |
Dr Curtis | So it wouldn’t have bothered you if Mr Raines had shot Jarod? | |
Miss Parker | Not at all. Mind if I smoke? | |
Dr Curtis | You make no effort at all to conceal your hostility towards Mr Raines. Is that because you felt protected by your father? | |
Miss Parker | I don’t need Daddy to protect me from Scar man. | |
Dr Curtis | Would you care to expand on that? | |
Miss Parker | I think he was involved in the death of my mother and knows what happened to my father. | |
Dr Curtis | What makes you think that? | |
Miss Parker | Woman’s intuition. | |
Dr Curtis | So it is safe to say that it would give you great satisfaction to see him dead. | |
Miss Parker | It would give me great satisfaction to perform his autopsy, before he was dead. | |
Dr Curtis | Miss Parker. When you came in here I had no opinion one way or the other as to your involvement in the shooting of Mr Raines. However, you must admit your excessive candour… | |
Miss Parker | If I’d shot you, you son of a bitch, you’d be dead. Are we clear? | |
Jarod | Hey Poet! Do you like watermelon? | |
Bobby | Yeah? | |
Jarod | 911 We’ve got a bridge worker stuck on a scaffold. | |
Bobby | When are these morons going to learn? Where is everybody? | |
Jarod | Just you and me. | |
Bobby | Let’s do it! | |
Jarod | Looks like a heart attack. I’m going over. | |
Bobby | Not this time Spiderman. I’m in charge here. I’m going over. Okay. Feed me some line. Nice and easy. Nice and easy. A little more line. What are you doing? I need more rope. | |
Jarod | Okay. | |
Bobby | Whoa. Whoa. Whoa. Jarod, Jarod! Hey! Hey! Jarod! Stop! Are you crazy? | |
Jarod | Just making sure that you’re still high enough. | |
Bobby | For what? | |
Jarod | Your fall. | |
Bobby | What the hell are you doing? | |
Jarod | Yep! That’ll work. See ya Bobby. | |
Bobby | Jarod! Jarod! Ahhhhh! Hey! Hey! What the hell are you doing? | |
Jarod | What you did to Chris Welman when he threatened to expose your sexual harassment of Joellen. | |
Bobby | Hey what kind of sick joke is this? | |
Jarod | Oh this is no joke Bobby. At least I’m not laughing. | |
Bobby | You don’t know what you’re talkin’ about man. | |
Jarod | You had to stop him. You had your promotion to lose. | |
Bobby | No man. | |
Jarod | So you followed Chris Welman up to the training tower and you cut his rappelling rope. And then you made it look like he tried to commit suicide. | |
Bobby | That’s a lie man. The man left a note. | |
Jarod | Which you wrote on his computer. Now if it makes you feel any better I’ll write one on yours. | |
Bobby | Jarod Please. Look all right, all right. I cut his rope. I did it. Right. Now please, just pull me back up out of here man. | |
Jarod | Hmm. No way! | |
Bobby | No! No! No! No! | |
Spencer | Now that was poetic. Ha ha ha. Wow! | |
Raines | It’s about time Dr Curtis. Have you reached a conclusion? | |
Dr Curtis | Yes. | |
Brigitte | And your determination? | |
Dr Curtis | Any one of them could have done it. | |
Raines | Not very satisfying doctor. | |
Dr Curtis | I’m very sorry Mr Raines. That is the only conclusion I can come to based on my evaluations. | |
Raines | Get out! | |
Brigitte | Perhaps Mr Parker knows who pulled the trigger. | |
Raines | Wherever he is. | |
Dr Curtis | I did what you wanted. I told them it could have been any one of them. This is who I believe actually shot him. So, we’re even. | |
Jarod | For now. | |
PA | Wheelchair to admitting, wheelchair to admitting. | |
Jarod | Is there any progress? | |
Doctor | It seems to vary with his mood. If we could find a way to keep his spirits up there’s a good chance Chris can regain up to eighty percent of his cognitive and motor skills. | |
Young Jarod | Mom. Mom. I love you Mom. | |
Margaret | I love you too Jarod. |
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